Compare: LG OLED B6 vs Philips OLED811

LG OLED B6 is a very successful continuation of the B series and a TV that makes a lot of sense as a first step into OLED. It doesn’t try to compete with the most expensive models in every respect, but on the key points it still delivers exactly what many people choose this technology for: perfect black, very high contrast and a picture that can simply look spectacular in movies. Much of that is down to the new budget WOLED panel, the OLED SE. Thanks to it, LG’s cheapest OLED is noticeably brighter than a few years ago, and around 800 nits in HDR is a result you can genuinely see when watching. Bright highlights have more punch, the image copes better in demanding scenes, and combined with OLED black levels the overall look can be really impressive. Films and series from streaming platforms, especially those available in Dolby Vision, benefit in particular. That’s when the B6 makes the most of its strengths and can present a picture that will feel like a big step up for someone moving from a typical LCD TV. This is not a model without compromises. Our biggest concern is how the screen handles reflections. The lack of a classic polariser means the TV fares much worse when placed opposite a large window or a strong light source. Reflections are more noticeable than on other WOLED panels, and the black loses some of its character in a bright room. In controlled conditions that won’t be a problem, but for a very bright living room you should approach this purchase with a bit of caution. There’s also a slight disappointment with webOS. The system itself is still very good, with a rich app library, the convenient Magic Remote and basically everything you’d expect from a modern Smart TV. The problem is that on the B6 it doesn’t always run as smoothly as it should. At times you can feel the new version of the system is more demanding and a bit 'heavier' than before. Despite these remarks, the LG B6 still performs very well. It delivers all the main advantages of OLED while not costing as much as the higher series. It makes the most sense when it appears in a good deal, because then it can become one of the most interesting choices for people who want to step into the world of OLED without overpaying.

Philips OLED811 is a mid-range OLED for 2026 that stands out from its biggest rivals mainly for one thing: Ambilight. The light that follows the picture and spreads across the wall can change the mood of the whole viewing experience. In the evening the screen seems to extend beyond its frame and watching gains an extra bit of charm. For some it will be a pleasant extra, for others a decisive reason to pick Philips again. The picture itself is very comparable to what models like the LG C6 or Samsung S90H offer when using the same panel type. You get deep, perfect blacks that make bright elements really pop. The OLED811 can deliver strong HDR and, importantly, after calibration the picture is close to the reference. There’s no big advantage over the competition, but there’s also no sense that by choosing Philips for Ambilight you’re sacrificing image quality.

Gamers also get a few solid upgrades over last year’s model. Thanks to the MediaTek Pentonic 800 chipset we finally have four HDMI 2.1 ports, so connecting several devices, for example consoles, a PC and a soundbar, no longer means you have to decide which one gets the full capabilities of the port. Gaming itself is very enjoyable — the TV responds quickly, supports variable refresh rate, and from a PC it allows gaming in 4K at 165 Hz. It’s a pity the new processor’s capabilities haven’t been put to equally good use when processing lower-quality sources. The biggest doubts, however, concern the operating system. Titan OS replaced the popular Google TV and, although it has clearly developed over the past year, it’s still hard to call the change a good one. True, the system runs more smoothly, has more useful features, and its library already includes most popular streaming services. Still, the choice of apps is much smaller than Google’s (or the competition’s), and in our view that remains the OLED811’s biggest drawback. People using less popular services may feel that difference particularly strongly.

Is it worth buying? Yes, if Titan OS meets your needs. In terms of picture and the gaming features, the OLED811 has as much to offer as its rivals, but Ambilight gives it something others don’t. Philips therefore gives and takes a bit. It adds a unique viewing atmosphere but limits freedom of app choice. If the services you use are available, this compromise may be worth accepting.

The blacks on the LG OLED B6 are perfect. It's no surprise, since it's an OLED (WOLED), but this is where you can really see why the technology still has so many fans. Each pixel can switch off individually, so in dark scenes there’s no grey glow or blooming around bright elements. That gives the picture excellent depth and can make it look truly three-dimensional. Shadow detail also holds up well. Nothing blends into a single dark blotch, and fine elements remain visible even in tougher scenes. In that respect the B6 simply delivers everything we love about OLED TVs.

Black levels and contrast are categories where the Philips OLED811 showcases all the advantages of OLED technology. Each pixel emits light independently and can be switched off completely, so black is simply black. No grey halo or blooming around bright objects. During evening viewings this creates a striking effect: stars in the night sky, city lights or text on a dark background remain clearly separated from a perfectly black surround.

So it's hard to expect any improvement over other OLEDs here, because in terms of black depth and contrast the result is already exemplary. The OLED811 doesn't need local dimming zones or a compromise between the brightness of a small object and the black around it. Even a single bright point can sit next to a completely switched-off pixel, giving the image excellent depth.

It's precisely in scenes with a lot of black that the advantage over Mini-LED TVs becomes apparent. Even the most advanced local dimming systems control larger areas of the picture, so in demanding shots they can produce a halo around bright elements or dim them to preserve the dark background. The Philips OLED811 doesn't have that problem.

LG B6 is a moderately bright OLED. After calibration it reaches around 800 nits, roughly 200 nits more than last year's B5. That's down to LG Display's new budget OLED SE panel. In practice this simply provides a bit more headroom and makes HDR look fuller in many scenes than on last year's lower-end OLEDs. That doesn't mean the B6 has no limitations. In very bright shots, when a large part of the screen is brightly lit, brightness can fall below 400 nits. This behaviour is typical of OLED TVs (especially in this segment), and it's then you see the biggest difference compared with pricier models. All the same, we rate the B6's results as really solid. It's still not a TV built to break brightness records, but the HDR effect is strong enough that films really feel like a step up from ordinary SDR picture.

Colour gamut

Using the OLED SE panel has had some impact on wide colour-gamut coverage. Compared with last year's model the figures have dropped by a few percentage points. DCI-P3 reaches about 96%, and BT.2020 around 71%. That doesn't mean the colours on the LG B6 are weak. In most films and TV series they look vivid, well saturated and simply pleasing to the eye. You only notice the difference in very bright, highly colourful scenes. Then colours lose some intensity compared with QD-OLED panels. This is due to the WOLED panel structure. In addition to the red, green and blue subpixels it also uses a white subpixel that helps boost brightness. This comes at a cost: at very high luminance some of the colour is effectively 'diluted' by the white light, so saturation of some hues can be slightly lower. Day-to-day it's not a big problem, but you can see it in the most demanding scenes.

Philips OLED811 uses the new generation WOLED EX panels, also found in models like the LG C6 and Samsung S90H. After calibration we measured about 1500 nits, which is a very good result for an OLED TV. You can see that clearly in films and series. Flashes of light have the right punch, especially when they appear on a dark background. In those scenes the OLED811 can deliver really impressive HDR. Of course this doesn't mean you'll see that level of brightness in every shot. When the screen is filled with a large area of white or a wide explosion, brightness falls to around 600 nits. That's still a good result, but such scenes don't have the same impact as small bright elements on a dark background. That's a known limitation of OLEDs and the OLED811 is no exception.

Colours

Aside from HDR brightness, colours also matter and here Philips also performs very well. It covers almost the entire DCI-P3 gamut, which contains most of the colours used in HDR films and series. So you get rich reds and lush greens, and while watching it's hard to fault it in that regard. It looks a bit worse with the much wider BT.2020 gamut — its most saturated shades are already beyond the reach of this panel. There's also the issue of the white subpixel that the WOLED panel uses to help boost brightness. With very bright colours you can see a certain "washout": the colour is bright but loses some of its intensity. It's in exactly these situations that Samsung Display's QD-OLED panels have the advantage. In most films and series, though, this won't be something that immediately jumps out at you.

We tested the LG B6 in Filmmaker Mode, the best picture setting available straight out of the box. ISF modes give very similar results, but in our tests we always stick to Filmmaker Mode for better comparison with other TVs. Each of them is a far better starting point than Vivid or Eco, where the picture is heavily boosted and noticeably less natural. For SDR content the factory settings perform really well. Colour errors are small, gamma behaves correctly, and the picture looks natural during regular viewing and does not seem overly enhanced.

It's a bit worse with HDR. Once you start playing that kind of content it's quickly apparent the white balance isn't perfectly set. Too much blue and red makes the image take on a slightly pink tint. Colour gamut measurements and the ColorChecker confirm this, with samples clearly shifting in that direction. It's not a defect that completely ruins the picture, but you can notice it with HDR films. So anyone who wants the most faithful image should consider calibration, which we cover later in the review.

The film mode on the Philips OLED811 is sensibly set up straight out of the box. Most colour errors remain minor in both SDR and HDR, so you can comfortably sit down to watch without adjusting the settings first. There are no large inaccuracies that would immediately distract from the film.

It’s not quite perfect, though. The white balance shows a slight lack of red relative to green, so whites and greys can have a faint greenish tint. It’s not a strong colour cast, but measurements clearly show it. There are also small luminance deviations in SDR: some parts of the image are slightly brightened, and the deepest tones aren’t always reproduced evenly. In HDR the TV stays much closer to the reference, although it occasionally lifts detail from the shadows. These are generally things that can be refined. The factory film mode provides a good starting point, and calibration will reveal how much more you can get out of it.

During calibration we focused mainly on HDR material, because that’s where the factory settings needed the most correction. We didn’t neglect SDR, though. After tuning it was brought almost to perfection. Colours are very accurate and brightness is controlled as it should be. The biggest change in HDR came from improving the white balance. After removing excess red and blue the pinkish tint disappeared and the image became much more natural. Skin tones, whites and all colours that had previously leaned towards pink improved. After calibration most errors fell below Delta E 2-3, the threshold at which an average viewer stops noticing differences with the naked eye. So the LG B6 can produce a very accurate picture, especially for the manufacturer’s entry-level OLED model.

After calibration the Philips OLED811 delivers an image very close to the reference. We managed to even out the white balance and remove the slight colour cast visible in the factory settings. ColorChecker errors for SDR and HDR fell to around 1 to 2, with many samples even below 1. That's a level at which differences from the reference are hard to spot with the naked eye. We also improved the gamma, with only a slight lift remaining in the brightest whites. In HDR the EOTF curve also stays close to the reference, although the TV still tends to slightly boost the brightness of small details, such as stars or subtitles. That gives the picture a bit of extra brightness that shouldn't be there, but otherwise it's hard to find fault. It was already good out of the box, and calibration allowed us to iron out most of the remaining issues.

Tonal transitions in the LG B6 are quite good, though some limitations typical of WOLED panels are still apparent. In most scenes colours shift between shades smoothly, without obvious banding or unwanted digital artefacts. It is not always perfect, however. The most problems occur in the darker areas of the image, where WOLED panels have for years tended to perform a little worse. This is partly due to the greater difficulty of driving the panel at very low brightness and to the specifics of a design that uses a white subpixel. Compared with last year’s model there is a slight improvement, but it still is not at the level of the best QD-OLED TVs or more advanced LCD models.

Compared with Philips' previous OLEDs, the smoothness of tonal transitions has clearly improved. The biggest difference is in the dark parts of the picture, which can cause WOLED panels quite a few problems. On the OLED811 they have been smoothed very well, with tones flowing smoothly from one to the next, without obvious banding or posterisation. That's a big plus, especially when watching dark scenes.

Unfortunately, it isn't as good in brighter shots. That's where we have the biggest reservations: instead of a gentle transition between tones you can sometimes see distinct boundaries, in other words posterisation. It can be noticeable, and it's a pity the improvement seen in dark scenes didn't extend to the brighter areas of the picture to the same degree.

LG B6 copes very well with lower-quality material. Much of that is down to effective digital image processing, which can mask some source imperfections without excessively smoothing the whole scene. The "Smooth Gradation" feature proves particularly useful. It lets you noticeably reduce posterization mentioned earlier, especially in dark parts of the image. The safest choice is to set it to Low or Medium. The feature still effectively smooths out harsh tonal transitions, but doesn't yet interfere too much with fine details. Die-hard purists can of course leave it off. Upscaling to 4K also performs very well. Full HD and 720p content retain a fair amount of detail, and the image is neither overly sharpened nor heavily blurred. Some limitations are only noticeable with very poor sources below 720p, where the smallest text and fine elements aren't always perfectly sharp, but this is true for almost every other TV on the market.

The OLED811 handles processing lower-quality material reasonably well, though it's far from perfect. The "Banding reduction" function helps smooth tonal transitions and on the low setting gives a pretty good effect. It doesn't remove banding between shades as effectively as similar solutions from some competitors, but at least it doesn't introduce new artefacts. It's a sensible setting for everyday viewing. Still, there's a bit of a letdown, because the MediaTek Pentonic 800 chipset used here can, in other manufacturers' hands, deal with the effects of heavy compression more effectively even at similarly low settings. A lot therefore depends on how a given manufacturer uses its capabilities.

We have a few more comments about the upscaling to 4K. There's plenty of detail, but overall the image looks rather soft. Edges are heavily smoothed, so the picture lacks some sharpness and clarity. You can partially correct this with the sharpness slider in the menu, though that will be extra edge enhancement rather than recovering detail. On the plus side, there's no overscan, and even with an SD signal the TV doesn't crop the edges of the picture.

One of the biggest advantages of OLED panels is their very fast pixel response time. That keeps the picture sharp and prevents visible smearing that often appears on LCD TVs. It does have a downside, though. During slow camera pans motion can look a bit choppier than on LCD screens, where the slower panel naturally masks some of that effect. Fortunately, on the LG B6 this is easy to tame with TruMotion. With the motion smoothing set correctly you can get smoother motion without giving the picture an exaggerated soap-opera effect.

In terms of motion handling the OLED811 performs superbly. At 120 Hz, which is useful for console gaming and watching sport, the image remains clear and moving objects don't leave noticeable trails. The OLED's fast pixel response helps here. You can see it clearly in the UFO test, even on a dark background. There are also controls for motion smoothing. In movies you can adjust the strength of smoothing to your taste, from preserving a cinematic feel to much smoother motion. A separate blur-reduction control is useful for fast-paced content like live sports broadcasts.

LG OLED B6 has plenty going for gamers; it's a complete base for the PS5, Xbox Series X/S or a solid PC. It comes with four full-size HDMI 2.1 ports with 48 Gb/s bandwidth, so you can forget about annoying cable swapping when you want to connect several newer devices at once. We get a full package of sync technologies, from classic VRR to G-Sync and FreeSync. The panel effortlessly syncs its refresh rate to the frame pacing produced by your console or graphics card. Of course ALLM is present: the B6 automatically recognises when a game is running and immediately cuts latency to a minimum. HDR support is also excellent. The TV supports Dolby Vision, and a correctly implemented HGiG means that after an initial calibration in the console settings the picture won't suffer from blown-out whites or lost detail in bright areas. The icing on the cake is the Game Bar. Instead of digging through the full menu mid-game, a single click lets you correct shadow visibility, tweak chosen parameters or simply check the display's current mode. All of this makes the LG B6 a great choice for gamers.

The OLED811 has almost everything you’d expect from a TV for gaming. It supports 120 Hz at Full HD, 1440p and 4K, and when connected to a PC it can reach up to 165 Hz. It also offers VRR to help avoid screen tearing when frame rates fluctuate, and ALLM, which automatically switches to game mode. So you don’t have to go into the settings every time you start your console.

Another plus is the properly working HGiG, which ensures that once HDR is set on the console the TV doesn’t apply its own changes to image brightness. The Game Bar is also available, letting you check signal parameters and quickly change settings useful while gaming. The list even includes Dolby Vision for games, but there’s a significant catch here, which you’ll read about below.

Input lag on the LG B6 is very low. At 120 Hz it's about 5 ms, and at 60 Hz it rises to roughly 15 ms. Both results are good enough that most gamers won't notice any delay between their inputs and what happens on screen. Dolby Vision performs a bit worse, with input lag sometimes increasing to around 25 ms. It's still not a bad result, but the most demanding gamers using an Xbox may already notice a difference compared with regular HDR.

OLED811 responds instantly. We measured 14 ms at 60 Hz and just 5 ms at 120 Hz, both in Full HD and 4K. Those are excellent results that let you comfortably play even fast online multiplayer games. Unfortunately, when Dolby Vision is enabled the situation changes dramatically: at 60 Hz latency rises to 157 ms, and at 120 Hz it’s 57 ms. The first result in particular already causes a clearly noticeable lag between a movement on the controller and the response on screen. For gaming it’s definitely better to stick with HDR10.

The LG B6 also works very well as a computer display. Low input lag, support for VRR, G-Sync and FreeSync, and a high refresh rate mean there’s little to criticise when it comes to gaming. Compared with pricier models it only lacks extra modes with even higher refresh rates. In the best OLEDs and some LCD TVs you can now find 240 or even 330 Hz at lower resolutions. The B6 doesn’t offer that, but for most people it won’t be a major loss.

A more important consideration may be the WOLED panel’s subpixel structure. Because it uses four subpixels, small text in Windows isn’t perfectly crisp and you can sometimes see slight coloured fringing. For occasional web browsing or general computer work this is unlikely to be a problem. However, if someone plans to buy a smaller variant — for example a 48-inch model — and use it as their main monitor on the desk, they should bear that in mind.

The Philips OLED811 works very well with a PC. The manufacturer has finally managed to correctly implement 4:4:4 chroma, even at maximum resolution and refresh rate. As a result, small text and coloured edges are readable, without the blurring or rainbow fringing that comes from loss of colour information. Dark text on dark backgrounds also holds up well, which TVs can struggle with. There are still minor imperfections related to the RGWB subpixel layout. Fonts are not as sharp as on a classic RGB monitor, and with white letters you can see faint red halos up close. From a normal viewing distance you barely notice it, though it’s easier to spot when sitting close at a desk.

Where it really shines is gaming from a PC. The combination of 4K at 165 Hz, working G-Sync and input lag around 5 ms makes the OLED811 excellent for that. If you have a computer that can take advantage of that refresh rate, it’s definitely worth plugging it into the Philips.

Viewing angles on the LG B6 are very good, which is typical for almost all OLED TVs. Even when watching from well off to the side, the image retains high colour saturation and doesn't noticeably lose brightness. In that respect, only models with QD-OLED panels really perform better. There is, however, one thing worth mentioning. Some WOLED panels can show a slight greenish tint at steep viewing angles. It's not a rule; some units show this effect more, others hardly at all. It comes down to the individual unit.

The viewing angles on the OLED811 are excellent and among the best on the market. Even when sitting well off to the side you still see an image with deep blacks and well-saturated colours. That's a big advantage over LCD screens. You don't have to sit exactly in front to enjoy good picture quality.

QD-OLED panels perform even better, keeping colours more faithful at off-axis angles. On the Philips, at wider off-axis angles the whites shift slightly towards greenish tones, but the effect is so small that it's hard to find it bothersome while watching. We'd even say that in this respect this is the best WOLED panel sample we've tested so far.

With the LG B6, one of the bigger changes comes from the new OLED SE panel. The TV is slightly brighter than its predecessor, but at the same time handles direct reflections worse. The reason is a less effective polariser, so reflections from windows or lamps are less suppressed and blacks in a bright room can look slightly lifted. LG tried to partly mask this effect with a satin screen coating. It does help to gently diffuse reflections, but it doesn't eliminate them as effectively as solutions used previously. And in that respect the B series loses the most compared with the previous generation. During the day the screen no longer looks as clean, and strong light sources can clearly reflect off the panel.

That doesn't mean, of course, that the B6 isn't suitable for a bright living room. The higher screen brightness helps cut through ambient light and during normal viewing the picture remains easy to see. The problem starts when there's a large window or a strong lamp opposite the TV. In those conditions the B6 doesn't cope well. It's therefore best used in a room where you can at least partially control the light falling directly on the screen.

OLED811 copes with daytime viewing, although in a very bright living room it already has its limits. Peak brightness in SDR reaches about 600 nits, a level comparable with the LG C6 or Samsung S90H, which use the same panel. That’s noticeably more than basic OLEDs and will be plenty for most people. Bear in mind, though, that this brightness isn’t maintained across the whole screen — it falls with a lot of white, and the average from our measurements was around 392 nits.

A bigger issue can be direct reflections from windows or lamps. The glossy coating dampens them reasonably well, but they’re still clearly visible on the screen, especially in dark scenes. It doesn’t diffuse reflections as effectively as matte screens, so placing the TV opposite a large window isn’t the best idea. On the plus side, black levels remain very good even in daylight. In a typical living room the Philips will therefore perform without major problems, but with strong sunlight falling directly on the screen you’ll want blinds.

SmartTV: webOS

LG B6 uses webOS, LG’s proprietary platform. Its biggest advantage remains the control method. The included Magic Remote works like a mouse. Just move your wrist to move the cursor across the screen and point at items that interest you. At first it may seem unusual, but it quickly proves very convenient, especially when entering text, selecting apps or navigating a complex menu. The remote itself is quite minimalist and doesn't offer many traditional buttons, but the cursor control largely makes up for that. On the other hand, if you don't want to wave your hand to enter letters, you can simply speak the desired phrase to the remote and the AI voice assistant will provide suitable recommendations.

In terms of available apps, it's hard to fault webOS. You'll find practically all the major streaming services here, as well as extras such as AirPlay, screen mirroring and Chromecast. The TV therefore works well with both Apple phones and Android devices. It's just a pity the system doesn't run on the B6 as smoothly as on higher-tier models. At times it can respond with a slight delay, and the home screen is overloaded with recommendations, tiles and ads. That doesn't make webOS unusable, but it could certainly be more organised.

Classic features

The classic TV features, which many manufacturers are slowly beginning to forget, perform very well. The LG B6 allows, among other things, recording programmes to a connected drive or USB stick. The PVR function also works with a scheduler, so a recording can be planned in advance from the TV guide. This is handy when you want to save an episode, a match or another event broadcast while you're away. There's also a clear channel guide and smooth support for terrestrial, cable and satellite TV. For those who still regularly watch traditional television, the B6 is therefore a relatively complete device, as long as the absence of teletext isn't an issue.

Smart features — Titan OS

The Smart TV system is the most controversial change in the OLED811. Philips has dropped the user-favourite Google TV in favour of its own Titan OS. For many people this may be a hard decision to accept, although Titan is getting noticeably better year on year and runs more smoothly. We have working AirPlay, screen mirroring from a computer and voice search in Polish. System responsiveness has improved too, though you can still notice small delays when navigating the menus. We have the impression the IR remote is partly to blame, as it doesn’t always pick up commands immediately. The biggest limitation compared with Google TV is the smaller selection of apps. That doesn’t mean it’s empty, however — you’ll find Netflix, Prime Video, Disney+, CANAL+, and Apple TV has recently joined the library. If you mainly use popular services, Titan should be fine, but it’s worth checking availability of less well-known apps before buying (see the list at the bottom 😉).

Ambilight

Ambilight remains one of the best reasons to consider a Philips TV. On the OLED811 it’s three-sided — LEDs along the top and sides of the casing light the wall with colours matched to what’s happening on screen. In the evening this creates a great effect and can change the whole room’s atmosphere, so we awarded extra points for this feature. You don’t have to use the dynamic picture tracking though. If you prefer a calmer viewing environment you can set a static white light. It’s a pleasant option for evening sessions when you don’t want to sit in front of a bright screen in a completely dark room.

Classic features

For regular TV viewing the OLED811 performs well, though it lacks USB recording and picture-in-picture (PiP). You can connect Bluetooth headphones and use them alongside the TV’s speakers. What bothers us most, however, is the infrared control mentioned earlier. The remote itself is quite interestingly designed: it’s backlit and has a hybrid keyboard with a numeric section. It’s a shame you still have to point it at the TV like with old sets. With equipment at this level we’d prefer to just press buttons without worrying which way we’re holding the remote. Hopefully Philips will fix that in future models.

The LG B6’s built-in player handles most common video files played from USB without any major problems. The TV also correctly supports subtitles and the usual audio formats, although it lacks DTS support. Photo handling is a bit worse. The list of supported formats is fairly limited and does not include HEIC, the format in which photos taken on an iPhone are stored by default. Those files therefore need to be converted to JPG beforehand or you can simply use the AirPlay feature.

The USB player in the OLED811 handles most of the audio and video formats we test, so it's perfectly adequate for watching a movie or playing music from a USB stick. Our main reservations are about photos, specifically the strangely selective handling of their resolutions. The TV opened 8, 16 and 32 Mpix files, but couldn't cope with the rest. So it's not that the photos are simply too large, because the player can display a higher-resolution image and refuse to open a smaller one. When browsing holiday photos this can be genuinely annoying, as some will need to be converted on a computer first... or you could just use remote screen mirroring...😉

In terms of sound the LG B6 performs very similarly to last year’s model. It still has a 2.0-channel, 20 W system that is more than enough for everyday viewing. Dialogue is clear and the audio isn’t bad, but there’s none of the soundstage, dynamics or bass you get from higher-end models. The TV supports the Dolby Atmos spatial audio format, but DTS:X is missing. The biggest issue, however, isn’t the speakers themselves but the settings. Compared with its predecessor many of the options that let you tailor the sound to your preferences have gone. A few preset modes remain, including AI and Standard, but customisation options are much more limited than they were a year ago.

There have been a few concrete changes to the sound compared with last year’s OLED820. The rear subwoofer is gone and the 4.1 speaker layout has been replaced by a 2.2 configuration. Despite these changes the OLED811 still sounds good and fairly even. It can play louder, and the sound even seems a touch fuller than a year ago. The bass has suffered; although the sound has weight, the low end lacks the depth of its predecessor. You can hear this most clearly in films and music when you’re waiting for a stronger hit. That said, it’s still well above average for built-in TV speakers. If you want deeper bass and more distinct spatial effects, it’s worth considering a soundbar or a system with an AV receiver. Philips gives you plenty of flexibility: it supports both Dolby Atmos and DTS, and will pass Dolby TrueHD tracks over HDMI eARC to compatible equipment without any problems. So there’s room to upgrade later if you decide to expand the sound system.

LG OLED B6 vs Philips OLED811

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Colour gamut

Colours

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

SmartTV: webOS

Classic features

Smart features — Titan OS

Ambilight

Classic features

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements