LG OLED B5 vs TCL C6KS / C69KS / Q6CS

LG B5 is a moderately bright OLED TV. Regardless of the scene – it can generate about 500 nits of peak brightness. And interestingly, it does this even in full-screen shots flooded with white, where most OLEDs usually struggle. So, is this screen suitable for HDR films? Yes – absolutely, because such brightness really allows you to feel the magic of HDR effects. However, it’s worth noting that compared to last year's B4 model, the new B5 is darker – by about 100 nits. It may seem like a small amount, but at such average peak values, it makes a significant difference. Fortunately, the TV makes up for it with another strength – excellent coverage of the DCI-P3 and BT.2020 colour gamuts. This means HDR films look truly vibrant, lively, and impressive even in more demanding scenes.

And what about HDR? Here the C6KS performs quite well and – as is becoming the theme of this review – just like in the C6K model. The maximum brightness generated by this television is around 600 nits. In bright scenes, this translates to a really solid, cinematic effect and generally, video materials look good here. However, it's important to keep in mind the specifics of the dimming algorithm in this model. When very small, bright points (e.g. stars) appear on a dark background, the television can quite significantly dim them. The goal is simple: to eliminate blooming and maintain the best possible black. It's a reasonable compromise. Most viewers will definitely appreciate deep, “true black” more than additional microscopic details, the display of which could cause the screen to appear greyed out. Such is the nature of local dimming technology in this price range, and one must be aware of this. It’s also worth noting that the TCL C69KS (C6KS) has an additional PFS coating, which is marketed under the QLED technology slogan. Thanks to this, the colours are saturated and vibrant – our measurements showed that the coverage of a wide colour gamut reaches as much as 92%.

B5 was tested in Filmmaker mode and… we’d love to see more TVs like this right out of the box. Seriously. The white balance is very well set – there’s practically nothing to nitpick. Well, if you really want to, you might notice a slight deficiency in blue, which can make the overall picture have a slightly yellowish tint. But that’s just our editorial nitpicking. Most of you probably won’t even notice. We also have minimal reservations about brightness management in HDR format. The EOTF curve – which is responsible for how the TV distributes brightness across the scene – sits just below ideal. In practice, it may happen that the darkest parts of the image appear too dark and simply… disappear. But these are details that only come out in measurements. Generally: we are impressed. But we also know that LG TVs respond very well to professional calibration. You can extract nearly reference-quality picture from them, so – although it’s already very good out of the factory – we took the liberty to go a step further and fine-tune everything to the max.

In contrast to the more expensive C6K model, in the tested C6KS we don't find an option in the menu labelled as Filmmaker Mode. Is this a reason to cry? Absolutely not. Our tests showed that in practice, in terms of colour reproduction, the lack of this specific label makes virtually no difference. The best available Film/Cinema mode here offers an almost identical picture profile to the aforementioned Filmmaker in the more expensive model. So we get a very similar image, just under a different name. Therefore, if you were wondering whether paying extra for the C6K would give you better colours – the answer is: no, in both cases the base is the same and requires slight adjustments.

We have to admit that we didn't have much work with the LG B5. It's one of those TVs that look good right from the start, but after calibration… they can really impress. The white balance was nearly perfect – down to a level of errors invisible to the human eye, unless you're a professional colourist with a magnifying glass at the screen. We also managed to control the TV's tendency to slightly dim the darkest details, especially in HDR scenes. After proper tuning, everything looks cohesive: blacks remain deep but don't swallow information. Highlights maintain a natural sparkle, and colours are true to the director's vision. This is truly one of those models that show you don't have to spend a fortune to have an almost reference-quality image. If you can opt for professional calibration – it's definitely worth it for the B5.

Thanks to the white balance adjustment, the C69KS's tendency to distort colours has been effectively limited, leading to a very good final effect. After calibration, we will no longer see excessive warmth in SDR scenes or overly cool tones in HDR. However, it is worth noting the brightness characteristic. In SDR content, there are hardly any objections – the image looks very good, especially in older films, TV shows, or YouTube materials. Evaluating the television's performance in HDR is much more difficult. Analysis of the EOTF curve suggests correct behaviour, but its practical variant shows certain limitations. The C69KS can overly brighten the smallest elements of the frame, while at other times it can dim the entire scene. Calibration has therefore brought clear benefits in terms of colour, but certain limitations resulting from local dimming and the way it is controlled by the C69KS cannot be avoided, which we also observed in the C6K test.

LG B5 really surprised us positively in terms of handling lower quality content. Thanks to the enhancement and smoothing features, HD or even SD materials come to life. Importantly – when this option is turned on at the "low" or "medium" level, we don’t get the impression that the image is artificially softened or overly smoothed. Details remain in place, film grain doesn’t disappear, and the edges of objects don’t look washed out 😉. It’s a really useful tool – especially if you’re watching free-to-air TV, archival materials, or content from YouTube in lower resolutions. The picture is clear, consistent, and simply pleasant to the eye.

Upgrading as such works very well – even low-quality content is reproduced with surprising fidelity. Unfortunately, it’s not without a minor hiccup. Although the menu has an option to turn off overscan, the television still has issues correctly displaying very low-resolution images. It’s a minor detail, but when watching older materials – it can be annoying.

The C69KS handles upscaling quite well. The tested 576p content looks surprisingly decent – a considerable amount of detail is preserved, and the algorithm adds a subtle ‘rounding’ effect to sharp edges, making the image appear more cohesive. However, it doesn't perform as well when it comes to smoothing tonal transitions. The television practically cannot improve them, leaving the image in a rather raw state. With older materials, this can be simply exhausting, as the lack of additional processing highlights all imperfections.

LG B5 is a TV with a 120 Hz OLED panel. It may not sound as impressive as the marketing terms "144 Hz" or "165 Hz" commonly found in gaming monitors, but honestly? The smoothness is still excellent. The picture is sharp, fluid, and simply enjoyable to watch – even when there’s a lot happening on screen. The organic panel does its job – the pixel response time is almost instantaneous, which means there’s no risk of ghosting or blurring that can ruin dynamic shots. Sports, fast-paced games – everything looks clear and distinct.

We also have the classic LG motion smoother, TruMotion. It allows you to smooth out movies shot at 24 frames – in other words, most of what you watch on Netflix or from Blu-ray discs. If you set lower values on the “De-Judder” slider, you’ll get a picture closer to the cinematic experience – with a slight judder, but without artificiality. Higher settings? Soap opera effect guaranteed. Fortunately, LG gives you the choice, and you can tune everything to your liking.

C69KS offers a simplified motion enhancement panel in movies, allowing users to adjust the intensity of the effect using a slider. This makes it easy to tailor the smoothness to personal preferences. It also deserves credit for the ability to utilise higher refresh rates – even though the panel operates natively in 4K at 60 Hz, by lowering the resolution to 1440p, modes of 120 and 144 Hz can be enabled, on both consoles and PC. This sounds like great news, however, in practice, the image at these settings trails exceptionally badly. The effect is so pronounced that the overall experience simply appears mediocre and loses its appeal in everyday use.

There are already a few TVs on the market with the "for gamers" label that don't really understand what that means. The LG B5 is not one of them. Everything here is spot on – there are four HDMI 2.1 ports, 120 Hz, there’s VRR and ALLM, and there’s also a Game Bar that's actually useful, not just looking good in the brochure. You plug in a console – it works. You set it to 4K at 120 Hz – it works. You have an Xbox and want to play in Dolby Vision – it works too. And it's not just "theoretically supports," it actually turns on, looks good, and you don't have to fiddle with settings for half an hour. Plus, there’s the HGiG picture mode, which LG has implemented correctly – meaning HDR in games doesn't turn the screen into a strobe light, but shows exactly what it should. There are no surprises, no strange limitations, no "buts." And you know what? That's how it should be. Cheers to the LG B5!

If we overlook the smudging and lack of native 4K at 120 Hz, the C69KS is impressive in how well it performs for gaming. You get everything you would expect from a gaming TV: Variable Refresh Rate (VRR), Auto Low Latency Mode (ALLM), Dolby Vision Gaming mode, and a consistently functioning HGiG. The TV can also operate at 120 or even 144 Hz at lower resolutions, making gameplay on console or PC smoother. Additionally, there's a clear Game Bar that allows you to quickly check key settings while gaming. As a result — despite a few limitations — the C69KS can be a genuinely successful screen for gamers.