LG OLED B5 vs Philips PQS9011 / PQS9001 (The One 2026)

LG B5 is a moderately bright OLED TV. Regardless of the scene – it can generate about 500 nits of peak brightness. And interestingly, it does this even in full-screen shots flooded with white, where most OLEDs usually struggle. So, is this screen suitable for HDR films? Yes – absolutely, because such brightness really allows you to feel the magic of HDR effects. However, it’s worth noting that compared to last year's B4 model, the new B5 is darker – by about 100 nits. It may seem like a small amount, but at such average peak values, it makes a significant difference. Fortunately, the TV makes up for it with another strength – excellent coverage of the DCI-P3 and BT.2020 colour gamuts. This means HDR films look truly vibrant, lively, and impressive even in more demanding scenes.

The Philips PQS9000 is a moderately bright TV — in our HDR scenes it reached roughly 450 to just over 500 nits. That’s enough to notice a difference compared with SDR. Sun reflections, lamps or flares have a bit more punch than on basic TVs, whose brightness often tops out around 300 nits. It’s not, however, a level where bright elements look especially striking. The biggest limitation remains contrast. Without local dimming, brightening a bright object also lifts the black level around it. So there’s no clear separation between strong highlights and a dark background, and it’s that kind of pairing that really shows what HDR can do. The PQS9000 offers more than the cheapest models, but despite decent brightness the effect remains fairly basic.

Colours

Philips deserves praise for the colours. Although the manufacturer markets this model as QLED, it actually uses a PFS phosphor instead of quantum dots. The solution itself doesn’t prevent good results. On test patterns and in measurements of film scenes we recorded about 94% DCI-P3 coverage and 75% BT.2020. For this class of TV that’s really good. In practice this means the vast majority of colours used in HDR films and series will have appropriate saturation. Lush greens or intense reds aren’t a problem and add appeal to the picture. Limitations are easier to notice in some games and rarer content that use the most saturated shades of the wide BT.2020 gamut. In those situations, displays with wider colour coverage, such as SQD or RGB LED, can show more. At its price point the PQS9000 has nothing to be ashamed of.

B5 was tested in Filmmaker mode and… we’d love to see more TVs like this right out of the box. Seriously. The white balance is very well set – there’s practically nothing to nitpick. Well, if you really want to, you might notice a slight deficiency in blue, which can make the overall picture have a slightly yellowish tint. But that’s just our editorial nitpicking. Most of you probably won’t even notice. We also have minimal reservations about brightness management in HDR format. The EOTF curve – which is responsible for how the TV distributes brightness across the scene – sits just below ideal. In practice, it may happen that the darkest parts of the image appear too dark and simply… disappear. But these are details that only come out in measurements. Generally: we are impressed. But we also know that LG TVs respond very well to professional calibration. You can extract nearly reference-quality picture from them, so – although it’s already very good out of the factory – we took the liberty to go a step further and fine-tune everything to the max.

The factory picture settings for Movie mode on the PQS9000 unfortunately need tweaking. In SDR the biggest problem is an excess of red in the white balance, which makes whites, greys and skin tones too warm, in places even slightly pink. Gamma runs below the reference across most of the range. The TV therefore brightens midtones and highlights, making the image look flatter than it should.

In HDR the white balance itself performs significantly better. Apart from minor deviations the components sit close together, so there isn’t the same obvious tint as in SDR. The EOTF curve, however, shows a slight brightening of parts of the image, and the biggest issue appears when measuring the wide colour gamut. Many shades deviate substantially from the target, with errors reaching ΔE 8–9. The good gamut coverage we praised earlier therefore doesn’t mean the TV hits specific colours accurately. It can display a wide range of colours, but out of the box it doesn’t use that range very precisely.

We have to admit that we didn't have much work with the LG B5. It's one of those TVs that look good right from the start, but after calibration… they can really impress. The white balance was nearly perfect – down to a level of errors invisible to the human eye, unless you're a professional colourist with a magnifying glass at the screen. We also managed to control the TV's tendency to slightly dim the darkest details, especially in HDR scenes. After proper tuning, everything looks cohesive: blacks remain deep but don't swallow information. Highlights maintain a natural sparkle, and colours are true to the director's vision. This is truly one of those models that show you don't have to spend a fortune to have an almost reference-quality image. If you can opt for professional calibration – it's definitely worth it for the B5.

Calibration brought a big improvement, especially with SDR content. We managed to even out the white balance and remove the earlier colour cast, and the Color Checker measurements now look very good. Colours are much closer to what they should be on screen, so with regular TV or SDR movies we can be happy with the result. Unfortunately HDR spoils that a bit. On the one hand it's limited by the panel itself, because calibration won't improve contrast or replace local dimming. On the other hand there are colour errors we couldn't correct because the CMS settings, i.e. colour management, were greyed out and inactive. That loses Philips points with us. The white balance can be fine-tuned, but without access to wide gamut controls you can't as effectively sort out colours in HDR. It's a shame, because the SDR results show the potential is there, but we weren't allowed to fully make use of it everywhere.

LG B5 really surprised us positively in terms of handling lower quality content. Thanks to the enhancement and smoothing features, HD or even SD materials come to life. Importantly – when this option is turned on at the "low" or "medium" level, we don’t get the impression that the image is artificially softened or overly smoothed. Details remain in place, film grain doesn’t disappear, and the edges of objects don’t look washed out 😉. It’s a really useful tool – especially if you’re watching free-to-air TV, archival materials, or content from YouTube in lower resolutions. The picture is clear, consistent, and simply pleasant to the eye.

Upgrading as such works very well – even low-quality content is reproduced with surprising fidelity. Unfortunately, it’s not without a minor hiccup. Although the menu has an option to turn off overscan, the television still has issues correctly displaying very low-resolution images. It’s a minor detail, but when watching older materials – it can be annoying.

Digital image processing on the Philips PQS9000 performs well, although we have a few reservations. The "Distortion Reduction" function helps smooth tonal transitions in lower-quality sources, but it works rather unevenly. It can improve one part of the picture, only to, moments later and still within the same scene, lose its way and show banding between shades again. On the plus side, it doesn't strip away film grain or fine noise, so the image retains its texture. We found the "Medium" setting worked best and that's the one we recommend.

The upscaling to 4K itself is adequate, though the image is very soft. Edges are heavily smoothed, which may leave some viewers wanting more clarity. In that case, it's worth slightly increasing the sharpness in the TV menu, as this will help emphasise edges more. Don't overdo the sharpness slider, though, or you'll get artificial halos instead of an improvement.

LG B5 is a TV with a 120 Hz OLED panel. It may not sound as impressive as the marketing terms "144 Hz" or "165 Hz" commonly found in gaming monitors, but honestly? The smoothness is still excellent. The picture is sharp, fluid, and simply enjoyable to watch – even when there’s a lot happening on screen. The organic panel does its job – the pixel response time is almost instantaneous, which means there’s no risk of ghosting or blurring that can ruin dynamic shots. Sports, fast-paced games – everything looks clear and distinct.

We also have the classic LG motion smoother, TruMotion. It allows you to smooth out movies shot at 24 frames – in other words, most of what you watch on Netflix or from Blu-ray discs. If you set lower values on the “De-Judder” slider, you’ll get a picture closer to the cinematic experience – with a slight judder, but without artificiality. Higher settings? Soap opera effect guaranteed. Fortunately, LG gives you the choice, and you can tune everything to your liking.

In terms of motion handling the Philips PQS9000 performs exceptionally well for an LCD TV. It's not just about the 144 Hz refresh rate, but above all how quickly the panel itself responds. At 120 Hz you can hardly see the typical trailing smears behind moving objects. What's particularly pleasing is that this also applies to darker backgrounds, where many VA panels clearly struggle. Here motion remains clear, and in this respect Philips has pleasantly surprised us.

The "Motion Styles" feature is used to adjust how motion is displayed. It includes two sliders: "Smoothness" and "Blur Reduction", allowing you to tailor the effect to the material you're watching and your personal preferences. Our suggested settings are shown in the photo. Treat them as a starting point and see which level of smoothing suits you best.

There are already a few TVs on the market with the "for gamers" label that don't really understand what that means. The LG B5 is not one of them. Everything here is spot on – there are four HDMI 2.1 ports, 120 Hz, there’s VRR and ALLM, and there’s also a Game Bar that's actually useful, not just looking good in the brochure. You plug in a console – it works. You set it to 4K at 120 Hz – it works. You have an Xbox and want to play in Dolby Vision – it works too. And it's not just "theoretically supports," it actually turns on, looks good, and you don't have to fiddle with settings for half an hour. Plus, there’s the HGiG picture mode, which LG has implemented correctly – meaning HDR in games doesn't turn the screen into a strobe light, but shows exactly what it should. There are no surprises, no strange limitations, no "buts." And you know what? That's how it should be. Cheers to the LG B5!

Features for gamers

In terms of gaming features the Philips PQS9000 has a lot to offer. Four HDMI 2.1 ports let you connect multiple devices without having to choose which one gets the full capabilities. Consoles can use 120 Hz at Full HD, 1440p and 4K, and a PC can also run 144 Hz at 4K or 240 Hz if you drop to Full HD. There's also VRR, which matches the refresh rate to the frame rate and prevents screen tearing. Its range runs from 48 to 240 Hz, with the upper limit applying to Full HD mode.

It also includes ALLM, so the TV switches itself into game mode, and a properly working HGiG, which is handy when setting HDR on the console. There's a Game Bar for quick access to settings and signal information. The list even includes Dolby Vision gaming, but it's hard to enjoy because of very high input lag. Apart from that caveat, the feature set is really solid.