Hisense U7NQ vs XIAOMI A PRO 2025

The Hisense U7NQ 65 television showed impressive capabilities on the luminance chart, surpassing the 1000 nit barrier and achieving very high brightness scores effortlessly in the first, third, and fifth test scenes. However, just like before, in the second and fourth test scenes, such as from the film Sicario 2, there are significant issues with maintaining brightness, and results around 200 nits are very disappointing. Despite the large number of dimming zones, the algorithm in the television that controls these zones is unable to respond adequately — in this case, it strongly dims small elements like the moon or the light from a helicopter. Bright light that should dazzle us is too dim to be considered an HDR effect. Nevertheless, the television deserves praise for its high coverage of the DCI-P3 colour gamut, at 96%, which allows it to accurately render most film scenes.

In the HDR category, the television Xiaomi A Pro performs, to be blunt – poorly. In ideal conditions, it offers brightness at around 250 nits. This is a weak result; however, in this price range, many competing models offer similar or lower values. Such brightness is too low to fully capture the potential of HDR content. In practice, this means that the image lacks the proper depth and intensity expected from high-quality HDR. These values are more characteristic of Standard Dynamic Range (SDR), which means the true HDR effect remains out of reach for this model, and scenes that should stand out with spectacular brightness and contrast seem flat and lacking in vibrancy. However, for its price, the television offers good coverage of the DCI-P3 colour palette at 92%, thanks to quantum dot technology (specifically PFS LED). This results in vibrant and saturated colours, which will appeal particularly to gamers and movie enthusiasts who appreciate richer hues and better colour reproduction compared to traditional televisions without this technology.

The Chinese manufacturer offers various picture settings in its televisions, but the best mode in this model is undeniably the Filmmaker Mode. Despite its name, this mode has its issues: the white balance, although roughly correct, is characterised by a strong dominance of warm tones due to the prominence of red hues, both in 4K and HD material. The Colour Checker test confirms these errors — deviations in samples can be seen in improper shades. As for brightness characteristics, the gamma responsible for HD material shows values below 2.4, which leads to some screen brightness. Meanwhile, the EOTF curve shows the television's problems with displaying small light elements, as confirmed by the previously described paragraphs.

The Xiaomi A Pro 2025 TV has been tested in movie mode, which offers the best colour reproduction straight out of the box. However, it’s worth noting that it is not without flaws. Analysing the white balance, one can see that the green values are in the negative. This phenomenon leads to some distortions in the shades of white, and at full white, the graph shows clear deviations. The high-contrast image results in inadequate tonal transitions in red, which negatively affects the quality of colour display. Generally, in the image below, it can be seen that the entire scenery before calibration takes on pink hues. Additionally, when analysing the gamma contrast, the graph is significantly below the value of 2.4, suggesting that the TV overly emphasises dark tones, while the brighter areas of the image may appear less pronounced. Furthermore, the EOTF curve shows a strong spike at the start, which can lead to a loss of detail in bright scenes and an unpleasant feeling of over-exaggeration. These aspects indicate the need for further calibration to achieve a more balanced colour reproduction and improve overall picture quality. Users who expect precise colour reproduction may need to take action to adjust the TV settings to achieve more realistic and natural visual results. In xiaomi tv a pro 2025, the factory colour settings in Xiaomi are average and may require calibration. After appropriate colour adjustment, the image gains a natural and vibrant colour palette, significantly closer to cinematic standards. It’s worth adding that the issue of inaccurate colour reproduction is typical for many TVs of this class, meaning it’s not a fault unique to the Xiaomi A Pro 2025 TV. For those who value perfect colour reproduction, professional calibration will be a key element that enhances overall picture quality.

Hisense TVs offer a range of image correction tools that allow you to adjust settings to your own preferences, which is why we decided to use these capabilities to bring the image quality closer to reference standards. In terms of white balance, we were able to eliminate the dominance of red, resulting in more neutral colours, which allowed for a more realistic image in both 4K and HD content. We noticed a similar improvement in brightness characteristics. The gamma, which previously led to excessive brightness on the screen, has been corrected, contributing to better detail reproduction in darker areas of the image while maintaining natural tonal balance.

However, the biggest challenge was calibrating the EOTF curve, which is responsible for brightness in 4K content. At first glance, the EOTF value looked almost perfect, but detailed tests revealed somewhat different results. When we looked closer — especially using the filter on the right side of the EOTF chart — we noticed how the TV manipulated 4K film content, often significantly boosting brightness. This effect was particularly noticeable in scenes from films like Pan and Billy Lynn, where the TV attempted to artificially increase the brightness of elements, impacting their naturalness. Despite these imperfections, the calibration yielded positive results, especially in terms of tonal improvement. For most users, the end result should be satisfying, particularly if they are looking to bring image quality closer to professional reference standards.

Now it’s time to check how the Xiaomi A Pro 2025 TV performed after calibration. The biggest beneficiary of this process is white balance. After calibration, all previous errors were corrected in both HD and 4K content, and most errors no longer fell significantly outside the value of "2". This means a much more balanced and natural colour reproduction, which certainly affects the viewing comfort. In terms of gamma, the drop has been greatly mitigated, resulting in a more consistent tone reproduction across various scenes. However, the EOTF curve has not improved significantly due to a lack of effective control over dynamic tone mapping. This limitation means that there are still some issues with detail reproduction in bright scenes, which can affect the perception of certain materials. Nevertheless, despite these minor shortcomings, the overall shape of the picture is definitely better after calibration. The TV has gained quality, and the improved white balance along with reduced gamma issues means that users can enjoy a more realistic and pleasant visual experience. Further adjustments to the settings could improve the picture quality even more, but already the TV is demonstrating its capabilities, meeting the expectations of many users.

When it comes to smoothing tonal transitions, despite the presence of the "Smooth and Gradient Image" feature in the test sequence, we did not notice that the feature added anything — we recommend turning it off. As for upscaling, the television handled our model quite well, and the branches in the background are not overly jagged — the image appears quite plasticky. However, it has been slightly cropped by the so-called overscan.

How does the Xiaomi A Pro 2025 handle tonal transitions, especially with lower quality materials? Thanks to advanced digital processing, the colour contour removal feature works surprisingly well. We recommend setting this option to "Medium" – this way, the television significantly improves the smoothness of tonal transitions while avoiding excessive smoothing of other image elements, such as film grain.

In the case of the test shot with the model and numerous branches in the background, the Xiaomi A Pro 2025 showcased its capabilities in the context of digital processing. Adding artificial sharpness to this scene made the details of the model clearer, and her hair appeared more detailed. However, delicate contours appeared around the branches in the background, which were a result of digital intervention. While this enhances the overall impression of details, excessive sharpness can make some elements of the image seem unnaturally emphasised.

Hisense U7NQ has a refresh rate of 144 Hz, which definitely enhances motion smoothness. For movie enthusiasts, there are two features available: judder reduction and motion blur reduction. The judder reduction function minimises the effect of so-called judder, that is, unpleasant image jumps, particularly noticeable at lower frame rates. Meanwhile, motion blur reduction helps to sharpen fast-moving objects, which is useful when watching dynamic action scenes.

When it comes to trailing, the television has a decent response time, which means excessive trailing is not visible, except in specific situations, such as the test with the alien on a dark background. In such cases, slight artifacts may appear, but overall the television handles dynamic images well, providing satisfying motion quality.

Xiaomi A Pro 2025 offers a motion smoothing feature called "Motion Smoothing," which primarily works for films. It can be customised to favour either a more cinematic, film-like effect with visible frames or a smoother, theatrical image. This feature should satisfy those who intend to watch mainly films on it. However, gamers and sports fans may feel disappointed. The panel with a refresh rate of 60 Hz, typical for this price range, does not impress. Our "Ufo" test revealed some blurring. Those expecting better clarity for moving objects may be slightly let down.

Hisense U7NQ offers everything a gamer might need for comfortable gameplay. The TV supports a refresh rate of 144 Hz, providing an extremely smooth image, especially in dynamic action games. The VRR (variable refresh rate) feature ensures the image adapts to varying frames per second, eliminating stuttering and tearing. Additionally, there is an ALLM (automatic low latency mode) function that automatically switches the TV into game mode, minimising input lag.

The TV also supports Dolby Vision, which is particularly important for gamers who value high contrast and rich colours in games that support this format. The Hisense U7NQ also features a Game Bar, allowing quick access to key settings during gameplay, as well as support for G-Sync technology, further reducing image tearing.

Unfortunately, despite its wide range of features, it lacks support for the most popular HDR format in gaming — HGiG. This may be disappointing for gamers who expect optimal detail reproduction in HDR scenes. Nevertheless, the remaining features make the Hisense U7NQ a solid choice for any console gaming enthusiast.

Xiaomi A Pro 2025 offers several features useful for gamers, including Game Bar, which differs from the typical “dashboards” with interfaces found in other manufacturers. With this, users can quickly access game-related settings, which is convenient during intense gaming sessions. The TV also supports automatic low-latency mode (ALLM), meaning it automatically switches to a mode optimised for gaming, reducing signal delay. Unfortunately, it lacks support for HDMI 2.1, limiting the connection capabilities for the latest gaming consoles that may require higher bandwidth. Additionally, the TV does not support features such as VRR (variable refresh rate) or G-Sync, which are increasingly desired by gamers as they allow for smoother images and eliminate tearing. For these reasons, although Xiaomi A Pro 2025 has some features for gamers, in this price range, better options can be found that offer more advanced gaming solutions.