Hisense E7NQ PRO vs Sharp GR8

Based on the luminance chart, which indicates around 550 nits, it can be considered that Hisense E7NQ PRO theoretically has the potential to somewhat "enchant" us with its HDR image. Testing various scenes from movies, we noticed that the television continually tries to balance between maintaining appropriate brightness and preserving the deepest blacks. In favourable conditions – such as in a scene from “The Meg”, where the screen is flooded with bright light – this brightness can indeed impress us. At such moments, we feel that HDR actually adds that "something" to the image. Unfortunately, when difficult shots with fine, bright elements on a dark background appear on the screen, the situation looks much worse. Brightness then drops to 200-300 nits, which is definitely too little to really distinguish HDR from standard SDR.

It is clear that the television is trying, but the hardware limitations – mainly the small number of local dimming zones – prevent it from fully spreading its wings. The end result can therefore be quite inconsistent and as average as the contrast tests. On the plus side, it deserves credit for its impressive coverage of the DCI-P3 colour gamut at 97%. This allows the television to present a truly wide range of colours, which, in the right scenes, can give us at least a glimpse of the real HDR effect. It’s just a shame that the whole picture isn't complemented by better control of brightness and contrast.

Sharp GR8 in its promotional materials boasts of "very high brightness" at a level of 500 nits. Unfortunately, our tests showed that reality is somewhat different – the average luminance we were able to achieve was around 360 nits. This is rather an average result, especially in the context of the manufacturer's claims. Such brightness does not allow for a full enjoyment of HDR effects. The image is a bit sharper than in standard SDR, but it's hard to talk about true vibrancy and depth of bright elements here. However, the coverage of the DCI-P3 colour palette at 95% deserves praise. This is the result of applying an additional PFS coating, known from QLED technology. As a result, colours are vibrant and have a pleasant, natural tone, which partially compensates for the shortcomings in brightness.

When we took our copy of Hisense E7NQ PRO out of the box, we immediately started checking the available picture modes. Among them, the Filmmaker mode seemed the most promising, although it wasn't without its flaws. With standard SDR content, we noticed a clear tendency to overemphasise red, making the picture appear unnaturally warm. This was particularly evident in the comparison photo attached below. Conversely, when we switched to HDR content, the situation took a turn in the opposite direction. This time, blue was dominant, and there was hardly any red, resulting in a cool, at times almost "store-like" appearance — although not as drastic as in modes specifically designed for showcasing in displays. As a result, in our tests assessing colour reproduction, these disturbances in colour balance led to significant errors.

Additionally, the television had trouble reproducing brightness characteristics. At lower resolutions, it clearly brightened the darkest elements of the image, and with HDR content, the brightness curve (eotf) simply wouldn't align as it should. Initially, the television excessively darkened the smallest details, only to then over-brighten larger areas. Fortunately, the E7NQ PRO provides us with a lot of calibration tools, so knowing there was potential within it, we decided to take matters into our own hands and try to set it up to eliminate these issues.

At the beginning, it's worth noting that colour reproduction tests are always conducted in the best factory picture mode. In the case of Sharp GR8, this is the “Film” mode. When it comes to white balance, which affects how we perceive colours on the screen, in SDR mode the strong dominance of blue immediately stands out. This results in an unnatural cooling of the image – blue elements take on a purple hue, and skin tones appear to have a pink tint, which we can see in the comparative photo from the film STAR WARS. During the Color Checker test, it was clearly visible how the colour samples deviated from the standard values, confirming significant errors in colour reproduction. The gamma was also not ideal – it caused excessive brightening of the entire image, causing the scene to lose depth and proper tonal transitions.

In the 4K HDR mode, the situation looks much better. The dominance of blue is much less noticeable, although there are minor issues with the blending of red and blue. This makes some shades look slightly unnatural. The EOTF curve, which is responsible for image brightness in 4K HDR content, showed another problem – the TV tends to excessively darken the image across the entire surface of the screen.

To summarise, the “Film” mode in Sharp GR8 would require some adjustments in order to fully utilise the potential of this television. Fortunately, we took care of this and proceeded with calibration.

Thanks to the tools available in E7NQ PRO, we've managed to squeeze a pretty decent image out of it, especially with lower quality content. After fine-tuning the white balance of the SDR materials, the colours look much more natural, and what we see on the screen seems closer to the vision the producer intended to present. Additionally, we've improved the brightness characteristics (Gamma), so the TV no longer tends to over-brighten, and everything looks noticeably better than before our intervention.

With HDR materials, we also achieved some improvements, although it's not as rosy here. Yes, the white balance has approached an acceptable level, but the problem lies elsewhere. It's about the EOTF curve, which is how the TV manages brightness and tonality of the image. At first glance, one might think that the biggest issue concerns only the mid-tones, which are overly brightened. However, after more detailed testing and activating the EOTF curve visualisation filters, it becomes clear that the receiver has a tendency to brighten the entire screen. This seems to be a limitation due to the small number of local dimming zones and generally modest brightness management capabilities. Such hardware limitations are simply insurmountable. Nonetheless, after our calibration, the image is noticeably better than at the start. One just needs to be aware that in terms of contrast and brightness management, this model has its limits, which even a good calibration cannot fully overcome.

Sharp GR8 is one of those televisions that really gains a second life after proper calibration. Both in HD and 4K content, the white balance performs very well, especially considering this model's price segment. The picture becomes significantly closer to what the director intended to show – colours appear natural, and skin tones gain the right depth and warmth. The brightness characteristics also leave a very positive impression. Both the gamma and the EOTF curve demonstrate really solid values. While slight imperfections can be noticed, they are subtle enough that it's difficult to see them during everyday viewing. In summary, calibration allows Sharp GR8 to show its best face, offering a picture that is not only pleasant to the eye but also faithfully conveys the creators' intentions.

When it comes to the tonal transition smoothing function in lower quality materials, the “smooth and gradient image” feature in Hisense E7NQ PRO unfortunately does not impress. At the lowest setting, the change is barely noticeable – it's more of a cosmetic improvement. Switching to “Medium” mode does produce a noticeable effect, but it's still nothing special, and the TV starts to excessively interfere with other elements of the image, which can look unnatural.

Image scaling is also rather average. On the test screen, where a portrait of a model and text are displayed, there are slight frays at the edges, making the overall presentation less smooth and aesthetic than we would expect in this class of device. It's just hard to talk about really effective improvement of lower resolution quality here.

Sharp GR8 is equipped with a feature called "10-bit colour reproduction," which theoretically should improve the smoothness of tonal transitions. In practice… well, the effect is surprising, but not in a very positive way. Even at the highest settings, it’s hard to notice any impact on the actual tonal transitions. Instead, the feature surprisingly smooths out things it shouldn’t - walls, shirts, or other flat surfaces look almost as if they have been ironed. In the test, we had to note that there is simply no actual impact on tonal transitions.

When it comes to image scaling, Sharp GR8 performs significantly better. The television can give the image a plastic, smooth characteristic, making even lower resolution content look quite good. Of course, with more demanding details, such as thin branches of trees in the background, you can see slight jaggedness, but it’s not something that would significantly affect the viewing comfort.

Thanks to the use of a 144 Hz panel, E7NQ PRO performs exceptionally well with almost any type of content. Whether we're watching fast-paced matches, dynamic games or action films – the fluidity of motion leaves a good impression. When it comes to movies, the manufacturer has equipped the TV with two key tools: “motion blur reduction” and “judder reduction.” Each of these functions can be adjusted on a scale from 1 to 10.

At lower values, the processing is subtle, barely noticeable, and gently smooths motion without ruining the cinematic character of the image. The higher we move up the scale, the more clearly the TV interferes with the presented material, smoothing motion more aggressively, thereby minimising any judders or micro-cuts. Conversely, the highest settings can resemble the so-called “soap opera effect,” which makes the image look overly smooth, slightly losing its cinematic atmosphere. Thanks to this scale, however, we can find a happy medium, adjusting motion fluidity to our own preferences.

This is where Sharp GR8 has the opportunity to stand out against the competition in its price segment. The television is equipped with a 144 Hz refresh rate panel, which is an impressive result, especially if we plan to use it for dynamic content such as action films, sports broadcasts, or video games. Additionally, the manufacturer has included a motion smoothing feature, commonly known as a 'smoother'. The user has three levels of adjustment available, allowing them to tailor the effect to their personal preferences – from subtle smoothing to a more aggressive intervention in the fluidity of the image. It's a nice addition, particularly for those who mainly watch films and care about smooth, cinematic sequences without annoying judders or stuttering.

If we sometimes like to turn on the console and immerse ourselves in the world of games for long hours, E7NQ PRO can make a really good impression. Thanks to the 144 Hz refresh rate, the gameplay is surprisingly smooth, and support for HDMI 2.1 and VRR ensures that the image doesn't "tear" even during the most dynamic actions. Additionally, there's ALLM, which automatically sets the lowest latency as soon as we switch to the console – so we don’t have to fiddle around in the options ourselves.

A big plus is also the ability to launch games in Dolby Vision, which makes colors and contrast simply look better. Hisense has also included a clear "gamebar," allowing us to continuously monitor the key parameters and change settings without leaving the game. The only thing we might slightly regret is the lack of HGIG support. It may not be a crucial element, but for some gamers, it can matter if they aim for the most faithful reproduction of the creators' vision. Nevertheless, in practice, the E7NQ PRO performs excellently and delivers truly enjoyable gaming experiences.

If the television has a 144 Hz panel and two full HDMI 2.1 ports, it’s clear it was designed with gamers in mind. The Sharp GR8 offers exactly that – high refresh rates and the right connections to get the most out of modern consoles and PCs. It also features ALLM, which automatically switches the TV to low latency mode, and VRR, ensuring the picture doesn’t stutter even in more demanding moments. In practice, everything works as it should, and it's difficult to find fault. However, it’s not without its shortcomings. There’s a lack of support for HGiG, which better adjusts HDR for games, as well as Game Bar, which makes it easier to quickly adjust settings without leaving the game. Despite these drawbacks, the Sharp GR8 is a really solid option for gamers.