Hisense E7NQ PRO vs LG OLED G5

Based on the luminance chart, which indicates around 550 nits, it can be considered that Hisense E7NQ PRO theoretically has the potential to somewhat "enchant" us with its HDR image. Testing various scenes from movies, we noticed that the television continually tries to balance between maintaining appropriate brightness and preserving the deepest blacks. In favourable conditions – such as in a scene from “The Meg”, where the screen is flooded with bright light – this brightness can indeed impress us. At such moments, we feel that HDR actually adds that "something" to the image. Unfortunately, when difficult shots with fine, bright elements on a dark background appear on the screen, the situation looks much worse. Brightness then drops to 200-300 nits, which is definitely too little to really distinguish HDR from standard SDR.

It is clear that the television is trying, but the hardware limitations – mainly the small number of local dimming zones – prevent it from fully spreading its wings. The end result can therefore be quite inconsistent and as average as the contrast tests. On the plus side, it deserves credit for its impressive coverage of the DCI-P3 colour gamut at 97%. This allows the television to present a truly wide range of colours, which, in the right scenes, can give us at least a glimpse of the real HDR effect. It’s just a shame that the whole picture isn't complemented by better control of brightness and contrast.

LG G5 with its new Tandem OLED panel brings the biggest change in terms of TV brightness. And it’s substantial. This is a truly astronomically bright OLED. In every scene tested – whether it's point lights or full-screen whites from the movie The Meg – brightness on the G5 exceeded 2000 nits. Just a year ago, such values on an OLED were simply unimaginable. And here we are – the G5 is approaching, and at times even surpassing, the best Mini-LEDs on the market. A novelty in the Tandem OLED panel is also the expanded colour gamut coverage – and here the LG G5 performs almost perfectly. DCI-P3 achieves a full 100%, while BT.2020 hovers around 83%. These are some of the highest values currently available on the market – it's hard to find any other TV that comes close to such results, unless we're talking about the best displays with QD-OLED panels. The G5 has almost reference-level HDR quality – both in terms of brightness and colour saturation. This is an OLED that can truly shine – and not just metaphorically.

When we took our copy of Hisense E7NQ PRO out of the box, we immediately started checking the available picture modes. Among them, the Filmmaker mode seemed the most promising, although it wasn't without its flaws. With standard SDR content, we noticed a clear tendency to overemphasise red, making the picture appear unnaturally warm. This was particularly evident in the comparison photo attached below. Conversely, when we switched to HDR content, the situation took a turn in the opposite direction. This time, blue was dominant, and there was hardly any red, resulting in a cool, at times almost "store-like" appearance — although not as drastic as in modes specifically designed for showcasing in displays. As a result, in our tests assessing colour reproduction, these disturbances in colour balance led to significant errors.

Additionally, the television had trouble reproducing brightness characteristics. At lower resolutions, it clearly brightened the darkest elements of the image, and with HDR content, the brightness curve (eotf) simply wouldn't align as it should. Initially, the television excessively darkened the smallest details, only to then over-brighten larger areas. Fortunately, the E7NQ PRO provides us with a lot of calibration tools, so knowing there was potential within it, we decided to take matters into our own hands and try to set it up to eliminate these issues.

Our test unit LG G5 had some issues in the factory Filmmaker mode. While the picture might have seemed fine to most people, we knew this TV could do much more. This mode had a noticeable excess of blue tint in the white balance, resulting in a strongly cooled image – especially in HDR modes, where there was additionally a lack of red. The image appeared cold, and its sharpness was artificially boosted and unnatural. Another significant problem was the brightness characteristics. In SDR content, the situation wasn't the worst, aside from a slight dimming of the entire image. However, it fared much worse in HDR materials – due to improper brightness management, the smallest details could completely disappear from the image, while larger, bright elements looked overexposed and lacking in gradation. Fortunately, the G5 supports calibration using 3D LUT (a professional tool for colour calibration), so we decided to take advantage of its professional capabilities and see what it was really capable of. Because while it wasn't terrible even before calibration, the potential of this TV definitely deserved more.

Thanks to the tools available in E7NQ PRO, we've managed to squeeze a pretty decent image out of it, especially with lower quality content. After fine-tuning the white balance of the SDR materials, the colours look much more natural, and what we see on the screen seems closer to the vision the producer intended to present. Additionally, we've improved the brightness characteristics (Gamma), so the TV no longer tends to over-brighten, and everything looks noticeably better than before our intervention.

With HDR materials, we also achieved some improvements, although it's not as rosy here. Yes, the white balance has approached an acceptable level, but the problem lies elsewhere. It's about the EOTF curve, which is how the TV manages brightness and tonality of the image. At first glance, one might think that the biggest issue concerns only the mid-tones, which are overly brightened. However, after more detailed testing and activating the EOTF curve visualisation filters, it becomes clear that the receiver has a tendency to brighten the entire screen. This seems to be a limitation due to the small number of local dimming zones and generally modest brightness management capabilities. Such hardware limitations are simply insurmountable. Nonetheless, after our calibration, the image is noticeably better than at the start. One just needs to be aware that in terms of contrast and brightness management, this model has its limits, which even a good calibration cannot fully overcome.

After completing the calibration process with professional tools, we can confidently state this – the LG G5 offers almost reference-quality image. Most of the errors related to white balance and the ColorChecker test are below a value of 2, which is a phenomenal result, practically imperceptible to the human eye. And while one could still nitpick that in HDR films the TV still has a tendency to slightly dim the smallest elements of the image, in practice this does not negatively affect the overall reception. Hats off to LG, as once again they provide users with enormous display settings options – and this, combined with very good parameters of the panel itself, results in an image that is truly hard to beat.

When it comes to the tonal transition smoothing function in lower quality materials, the “smooth and gradient image” feature in Hisense E7NQ PRO unfortunately does not impress. At the lowest setting, the change is barely noticeable – it's more of a cosmetic improvement. Switching to “Medium” mode does produce a noticeable effect, but it's still nothing special, and the TV starts to excessively interfere with other elements of the image, which can look unnatural.

Image scaling is also rather average. On the test screen, where a portrait of a model and text are displayed, there are slight frays at the edges, making the overall presentation less smooth and aesthetic than we would expect in this class of device. It's just hard to talk about really effective improvement of lower resolution quality here.

Upscaling and digital image processing in the LG G5 performs very well. The television handles lower quality content excellently, especially when the "Smooth Gradation" feature is set to a low level. In this mode, it effectively removes undesirable artifacts and issues with visible tonal transitions. It may also slightly smooth out some desirable details, like the subtle texture of clothing or skin, but importantly – it does not remove film grain, so it's hard to talk about a serious compromise here. This is one of those options that is actually worth turning on.

The G5 also does well with upscaling, which is improving the quality of older materials. The test image with the model looked really solid – slight jaggedness was visible, but that's an effect that can't be completely avoided. On the plus side, there were no overscan issues, which – contrary to appearances – is not obvious, even in 2025.

Thanks to the use of a 144 Hz panel, E7NQ PRO performs exceptionally well with almost any type of content. Whether we're watching fast-paced matches, dynamic games or action films – the fluidity of motion leaves a good impression. When it comes to movies, the manufacturer has equipped the TV with two key tools: “motion blur reduction” and “judder reduction.” Each of these functions can be adjusted on a scale from 1 to 10.

At lower values, the processing is subtle, barely noticeable, and gently smooths motion without ruining the cinematic character of the image. The higher we move up the scale, the more clearly the TV interferes with the presented material, smoothing motion more aggressively, thereby minimising any judders or micro-cuts. Conversely, the highest settings can resemble the so-called “soap opera effect,” which makes the image look overly smooth, slightly losing its cinematic atmosphere. Thanks to this scale, however, we can find a happy medium, adjusting motion fluidity to our own preferences.

The motion smoothness on the LG G5 is simply phenomenal. The television is equipped with a panel featuring a 165 Hz refresh rate, and this combined with the instantaneous response time of the OLED matrix delivers incredible results. The image doesn’t judder or blur like on traditional LCD televisions. Like most LG models, the G5 comes with a motion smoother, which can be handy when watching movies – we’re talking about the TruMotion mode, of course. With the “De-Blur” and “De-Judder” sliders, we can adjust the smoothness of older materials according to our own preferences, whether we want to maintain the characteristic film jitter or lean towards a more fluid, television-like effect.

If we sometimes like to turn on the console and immerse ourselves in the world of games for long hours, E7NQ PRO can make a really good impression. Thanks to the 144 Hz refresh rate, the gameplay is surprisingly smooth, and support for HDMI 2.1 and VRR ensures that the image doesn't "tear" even during the most dynamic actions. Additionally, there's ALLM, which automatically sets the lowest latency as soon as we switch to the console – so we don’t have to fiddle around in the options ourselves.

A big plus is also the ability to launch games in Dolby Vision, which makes colors and contrast simply look better. Hisense has also included a clear "gamebar," allowing us to continuously monitor the key parameters and change settings without leaving the game. The only thing we might slightly regret is the lack of HGIG support. It may not be a crucial element, but for some gamers, it can matter if they aim for the most faithful reproduction of the creators' vision. Nevertheless, in practice, the E7NQ PRO performs excellently and delivers truly enjoyable gaming experiences.

Features for gamers? Perfect. That should be enough for you to know what level we’re dealing with here. The G5 is a TV designed for gamers, so you'll find literally everything you might expect from a gaming screen. There's Game Bar, support for high resolutions with high refresh rates - that is, 4K at 120 Hz, and even more, as the panel has a refresh rate of 165 Hz (which PC gamers will benefit from). The TV supports variable refresh rate (VRR), automatic low latency mode (ALLM), and also properly handles HDR in games thanks to the HGiG feature. All of this adds up to one of the best gaming feature sets available on the market. Well done, LG.