Compare: Blaupunkt UGC5500S vs Sony BRAVIA 7 II

Blaupunkt UGC5500S is a textbook example of a very cheap television that has primarily two major advantages: the Google TV system and an extremely low price. It is these two elements that make it an attractive option for many people. During testing, we also found it has another great use, which is working with a computer. Thanks to exemplary font readability and good viewing angles of the IPS panel, Blaupunkt surprisingly performs well as a budget monitor. However, one must be aware that this device is typically budget-oriented, and that savings are reflected in the image quality. The panel is simply dark, making it difficult to perform well in tougher lighting conditions, not to mention creating any real HDR effect. Additionally, despite the good viewing angles, the black levels on this model leave much to be desired – in the evenings, it will tend to appear dark grey, which is a typical characteristic of the IPS technology used here. From a price perspective, this is a device that aims to compete in the market not on image quality, but rather on the amount on the receipt. Blaupunkt UGC5500S is perfectly suited as a secondary television in the home, equipment for the holiday house, or for a less important room, where the image just needs to be there, and we want to enjoy all the benefits and applications that Google TV offers.

Sony Bravia 7 II is a TV that shows RGB Mini-LED doesn't have to be reserved only for the wealthiest buyers. And although in a few places it’s clear it sits below the Bravia 9 II, in everyday use it doesn't feel like a heavily stripped-down model. The biggest thing here is the combination of very good black levels, high brightness and Sony's excellent algorithms. That makes the picture dramatic, while still staying true to how a movie should look. HDR is particularly strong, with the Bravia able to deliver a lot of brightness without losing detail. The True RGB backlight also has its advantages. It gives the TV a wide colour gamut and improves viewing angles, which for a VA panel are really good. That doesn't mean RGB Mini-LED suddenly solves all the limitations of LCD TVs. You can still see haloing around small bright objects, and the backlight's colour capabilities aren't used fully in every scene. Even so, Sony manages all of this very well, and the way it controls the image is one of the Bravia 7 II's biggest strengths. Image processing remains a major advantage over many rivals. Upscaling, smoothing weaker tonal transitions and HDR mapping are among this model's strengths. Add Google TV, decent kit, very low input lag and a practically complete set of gaming features. But there are things that are hard to understand in a TV of this class. The most annoying is the presence of only two HDMI 2.1 ports, one of which doubles as eARC. Sony also sticks with 120 Hz, while competitors increasingly offer 144, 165 or 180 Hz. In the end, the Bravia 7 II mainly stands as a very complete TV. It doesn't try to win on a specs sheet and in some areas the competition will offer more. Sony makes up for that where specs don't tell the whole story, with image processing, very good HDR tuning, backlight control and overall picture quality for movies. That's what makes the Bravia 7 II one of the more interesting Mini-LEDs of 2026, especially for people after a bright, versatile TV for movies, TV, sport and gaming, but who don't necessarily want to go for an OLED.

To put it bluntly: when it comes to black levels, it's just very poor. Our measurements on test patterns only confirmed what we could see with the naked eye – a result around 1000:1 is, these days, even in this price range, a disappointing outcome. In movie conditions, that "black" simply doesn't exist. To avoid being all talk, we fired up one of our favourite test scenes – the helicopter flight in "Sicario 2" (you can actually see it in the video we've linked below). Instead of inky, deep night, we got an image that is... navy blue. Everything on the screen that should be dark and mysterious actually glows a dark blue. This is the price we pay for using an IPS panel. On one hand, we get quite decent viewing angles, so if you're watching TV with the whole family from different angles, the picture doesn't lose much in saturation. On the other hand, if you're planning evening screenings with the lights off, this lack of contrast is going to sting your eyes from the very first minute.

The Sony Bravia 7 II in the 65-inch variant we tested uses a VA panel and an RGB Mini-LED backlight split into 432 local dimming zones. That already provides a solid basis for achieving very good black levels, although one thing is worth noting. There are fewer zones here than in last year’s Bravia 7, which had 512 in the same size. Did this affect contrast? Interestingly, no. The Bravia 7 II handles blacks even better than its predecessor, and it clearly shows how much depends on the algorithms themselves. Sony controls the backlight very well and in many scenes can achieve genuinely deep blacks while still preserving detail in dark parts of the picture. So there aren’t situations where the TV tries to force perfect black at all costs, cutting away some details in the process.

The lower zone count only becomes noticeable in the most demanding scenes. A star-filled sky, text on a black background or lots of small bright elements displayed at once can already produce a halo effect. What’s interesting is how that halo looks. Thanks to the RGB backlight, the bloom can take on the colour of the displayed object. So if there’s a small red object on a black background, the glow around it will also have a red tint. It doesn’t disappear completely, but that makes it less visually separate from the object itself and the image looks more coherent than with traditional Mini-LEDs that use white backlighting.

We won’t beat around the bush here – if you’re looking for a TV strictly for cinematic HDR experiences, then you’ve come to the wrong place. Unfortunately, the Blaupunkt UGC5500S is not a machine built for such challenges. This is primarily due to its very low brightness, which we measured during our tests. A result of around 250 nits on movie screens speaks for itself. It’s simply too little to even consider any real HDR effect. To be honest, everything displayed in this format can confidently be seen as a somewhat “enhanced” SDR mode. We expected this, as practically every device in this price range falls short in this area, but we feel it’s our duty to warn you. Manufacturers love to brag about HDR compatibility on the boxes, but in reality, this format simply doesn’t exist here – it lacks the “fuel” in the form of brightness.

The situation is further complicated for Blaupunkt, as we’re dealing with a panel that has very basic coverage of the DCI-P3 colour gamut, reaching only about 80%. You won’t find any advanced coatings to expand these capabilities (like quantum dots), which means scenes that are supposed to burst with richly saturated colours appear simply underwhelming on this screen. Therefore, we have a particular piece of advice for you: don’t force HDR mode on this model. If you have the option in the streaming app settings – just turn it off. By sticking to the classic SDR mode, you’ll be sure that the TV won’t try to “enhance” something that it can’t handle hardware-wise.

Sony Bravia 7 II handles HDR very well and, above all, is simply a bright television. In the correct viewing mode for watching, Professional, we measured about 2,000 nits of peak brightness, so the panel’s capabilities are truly large. Of course, in Mini-LED sets a test-pattern result is only part of the story, because much still depends on how the TV controls the backlight in real scenes. Here Sony’s algorithms perform really well. Depending on the scene, the brightness we measured in films ranged from about 1,100 to as much as 1,700 nits. That’s a level at which HDR has proper punch and bright highlights can be genuinely impressive. It’s not perfect in every situation. With small bright elements on a very dark background, the Bravia 7 II clearly prioritises maintaining good black levels, so their brightness can fall to around 500 nits. It still looks good, but it’s clear the TV doesn’t always manage this without compromise.

Colours

The second thing that has a huge impact on HDR is, of course, colour. And this is where True RGB was meant to deliver one of the biggest changes. Looking at the panel’s capabilities alone, the Bravia 7 II performs very well. We measured roughly 98% DCI-P3 coverage and 88% BT.2020, so the potential for showing highly saturated colours is substantial. In RGB TVs the matter is a bit more complex. When we repeated the same measurements with a film-like background applied, gamut coverage dropped to about 92% DCI-P3 and 78% BT.2020. Those are still good numbers, especially for an RGB Mini-LED TV, but they show that the final result largely depends on how the algorithms drive the three backlight colours. In most scenes the Bravia 7 II handles this well and colours retain strong saturation. The biggest differences are visible in blue shades, where samples start to deviate more noticeably from the reference values and coverage is weaker than for the other primaries. True RGB therefore offers genuinely greater potential, but, as with brightness, a lot depends on what’s actually happening on screen.

We also took a close look at how Blaupunkt handles colours in movie mode, and here the matter is, to put it simply, twofold. We must once again clearly separate what we see in the standard SDR format from what happens when HDR is switched on, as they are two completely different worlds. Let's start with the better side of the coin. If you're planning to watch traditional TV, YouTube, or older films on this television, you can count on really well-tuned colours. In our test sample, the white balance in movie mode performed exceptionally well, which honestly surprised us. Of course, to avoid being too rosy, we noticed some drawbacks. Looking at the gamma charts, we observed that the processor struggles with properly dimming the image in its brightest areas. Additionally, there is quite a strong, at times overly aggressive, red saturation, which resulted in visible errors in reproducing certain shades. Despite this, overall, the image in SDR is simply solid and watchable without a grimace on your face. Unfortunately, the magic fades when we re-enter the world of HDR. Here, Blaupunkt behaves as if we suddenly switched it to store mode, and in its worst rendition. The excess blue in the white balance is so significant that it’s glaring, ruining any realism in the scene. Furthermore, the television interprets brightness very loosely, which, upon analysing the EOTF curve, clearly showed that for most of the time, colours simply appear washed out and lacking depth. This is also perfectly evident in the colour errors that become apparent in this mode. Once again, we are left with the same conclusion: Blaupunkt in SDR mode looks significantly better and more natural than in HDR, which seems to be forcefully added without proper refinement.

To evaluate the factory colours we chose the Professional mode, because it performs best among the available presets. It's not perfect. In SDR the white balance is slightly biased toward magenta, so some scenes look a little warmer and less neutral than they should. A bigger issue is the gamma, which sits closer to 2.5 than 2.4. As a result the image is a bit too dark in places, especially in the mid-tones. In HDR the situation is better. As brightness increases there's a little too much red, but it isn't something that really jumps out while watching. Overall the Professional mode is a good starting point, though you can get a bit more out of it with calibration.

It may sound like a joke – pulling out professional measuring equipment for a TV that costs around a thousand złoty / 250 dollars, but we wouldn’t be ourselves if we didn’t check it. The question is: does such cheap gear give us any leeway in terms of calibration? To your surprise, the answer is: yes, absolutely. In the Blaupunkt UGC5500S menu, we found surprisingly many options that allowed us to effectively work on the picture. These aren't just empty sliders; these are concrete tools that enabled us to make use of our measurement sensors and software. In SDR mode, the effects were visible to the naked eye. We successfully eliminated the problem we mentioned earlier – that excessive, almost artificial saturation of reds. We also fixed the issue with the incorrect dimming of the brightest parts of the image. After calibration, the picture in standard format became significantly more balanced and simply correct. When it comes to HDR, the situation was more complicated again. While we managed to “tame” that aggressive blue tint in the white balance, it was clear that we were fighting a bit of a losing battle. Even after changing the settings, the TV still tried to interfere with the picture in its own way, as if the electronics knew better than we did how the scene should look. To top it off, there's the hardware barrier that no slider can overcome – colours in HDR still remain undersaturated. This simply results from the quality of the panel itself; it physically cannot produce the most vivid colours. To summarise this point: if any of you ask whether it’s possible to calibrate a TV for “a grand”, we respond with complete conviction: it is possible.

After calibration the Bravia 7 II can look significantly better. First and foremost, we managed to set the white balance very well in both SDR and HDR. Gamma can also be improved, and after correction it runs very close to the reference value. For most users those changes will have the biggest impact on the picture. There is, however, a limitation with the colours themselves. On the Bravia 7 II Sony does not provide access to a traditional CMS that would let us adjust individual hues separately. Much is left to the algorithms controlling the True RGB backlight. If the TV reproduces a specific colour inaccurately, we are not always able to do anything about it. In our measurements this is most apparent in parts of the reds and blues, where errors can still be quite large. That does not, however, undermine the value of calibration. Correctly setting the white point and gamma strongly affects the whole picture, so even without the ability to precisely correct every colour the difference from the factory settings is noticeable.

Looking at our test photographs, it’s really hard to pick at anything. Most of the colours in the attached images blend together almost perfectly, creating smooth gradients without noticeable "jaggies". And indeed, in most scenes where we took these shots, it looked surprisingly good. However, the problem arises when we stop analysing still frames and start simply watching the films. In motion, the situation changes dramatically. During dynamic scenes on screen, artefacts begin to pop up, which are a direct result of simply having a poor image processor here. Unfortunately, a static photo can't capture that "tearing" of colours, but you have to take our word for it: what looks clean and smooth in the photo can really stand out and simply irritate during viewing. This is where our rather low rating in this category comes from.

Colour gradation on the Bravia 7 II is very good and there's little to criticise. Transitions between shades are smooth, both in bright and darker scenes. You can spot minor imperfections, but they're subtle enough that during normal viewing they won't draw attention. It looks a little worse with the same material when played back using Dolby Vision. In that mode the TV has more trouble keeping transitions equally smooth, especially in darker shades. Banding and unevenness are then slightly easier to notice, so Dolby Vision fares worse in this respect than standard HDR10.

If you're hoping that the processor in this model will magically "fix" the poor quality signal from your cable TV or old movies from YouTube, we must disappoint you. The capabilities of this television end at absolutely basic upscaling, which is simply stretching the image to a higher resolution. It does this correctly in that the image is not blurry, but there is no mention of any intelligent sharpening or adding details. Worse still, Blaupunkt is completely devoid of any functions to reduce unwanted tonal transitions. If the material being viewed shows what is known as banding (ugly "steps" instead of a smooth transition of colours, e.g., in the sky), this television will display them in all their glory. Additionally, the television has a tendency to slightly crop the edges of the image. Instead of displaying 100% of what the source sends, Blaupunkt slightly zooms in on the frame, causing us to lose details that are at the very edges of the screen. In summary: in the category of digital "enhancement" of the image, Blaupunkt simply performs poorly. We receive a raw, unprocessed signal, with all its flaws.

Scaling and digital processing are among the strongest points of the Bravia 7 II and one of Sony's biggest advantages over the competition. Sony has for years excelled at digital image processing, and it's clear here too. Above all, the 'Smooth Gradation' function works very well, smoothing weaker tonal transitions in poorer-quality content. The safest setting is low, but we'd comfortably recommend medium as well. The effect is stronger, and the TV still handles fine detail very delicately. Some minor details may be slightly smoothed, but Sony does it much more subtly than many other brands. Upscaling is also very good. Lower-resolution content is nicely upscaled to 4K; the image looks clean and retains a lot of detail. Of course the TV won't magically turn native HD into true 4K, but the Bravia 7 II does very well with what can be pulled from such a source.

When it comes to motion fluidity, Blaupunkt has nothing to defend itself with. A 60 Hz panel at this price is standard, so none of us expected a perfectly sharp image in fast action scenes or during a match. However, the biggest drawback of this model is that you won’t find any digital motion smoothers in the menu. The manufacturer hasn’t given us any room for manoeuvre – nothing can be smoothed out or the image adjusted to our personal preferences. The picture is always "raw" and we receive it exactly as it is transmitted by the source. For fans of cinematic "jumping" images, this might be good, but the rest simply has to get used to the lack of any motion enhancement.

The Bravia 7 II uses a 120 Hz panel, so in terms of motion handling it delivers everything you'd expect from a TV of this class. With sport or games at 120 fps the picture is suitably smooth, and for films Sony provides an advanced motion interpolation system. You can therefore adjust the level of interpolation separately and choose whether to retain a more cinematic motion or achieve noticeably greater smoothness. Motion blur itself is a bit worse. The VA panel used isn't among the fastest, and moving objects can show a slight trailing, especially against darker backgrounds. It's not at a level that will seriously disturb normal viewing, but last year's Bravia 7 was better in this regard and had a noticeably faster panel.

When it comes to gaming on the Blaupunkt, we weren’t expecting miracles and indeed – the list of features isn’t very long. However, there are two interesting points worth mentioning, as they might be significant for some of you at this price. The first advantage is that the TV quite smoothly detects the connected console. Thanks to the ALLM (Auto Low Latency Mode) feature, the device knows when you start gaming and automatically switches to low latency mode. This is convenient because you don’t have to fiddle with settings every time to ensure input lag doesn’t spoil the fun. The second point is a real curiosity that surprised us. Despite it being a 60 Hz panel, the Blaupunkt can display a 120 Hz image at Full HD resolution. Sure, we lose 4K details, but for those playing more dynamic, online shooters where smoothness is more important than resolution, this is a really nice and unexpected addition in such an affordable device. Other than these two points, you won’t find anything more here. There are no advanced smoothness enhancement systems for gamers or extensive gaming menu bars. It’s a simple screen for occasional gaming.

Bravia 7 II has pretty much everything you'd want from a good console TV today. It supports 4K at 120 Hz, VRR from 48 to 120 Hz and ALLM, so when you start a game the TV automatically switches to low-latency mode. HGiG works correctly, so once you configure HDR on the console the TV won't try to brighten the image on its own. Just remember to turn off tone mapping in the TV's menu. Another plus is Dolby Vision in game mode, which will be especially useful for Xbox owners. Sony also includes its own Game Menu, where you can quickly view key signal info, check VRR or change gaming settings without digging through the full TV menu. The only thing missing from the feature list is support for 1440p at 120 Hz. Our biggest complaint is not really about the features but the connectors. The Bravia 7 II has four HDMI ports, but only two of them support full HDMI 2.1 with 48 Gbps bandwidth. One of those is also the eARC port. So if you connect a soundbar or AV receiver via HDMI, in practice you only have one full HDMI 2.1 left for a console or PC. With a single console that's fine, but with a PS5, an Xbox and an audio setup it starts to feel cramped. That's hard to justify from Sony. In cheaper TVs two HDMI 2.1 ports can still be accepted, but in a model of this class, especially in 2026, we'd expect all four ports to be HDMI 2.1.

An important point for every gamer is, of course, input lag, which is how quickly the television responds to our movements on the controller. Here, Blaupunkt has something to boast about, although the results are quite specific. At 4K resolution, the lag is only 12 ms. That's an excellent result. With such a lag, gaming is simply phenomenal, and the response is almost instantaneous. However, it's a bit disappointing that the situation changes when switching to 1080p. Here, the input lag increases to around 30 ms. Just to be clear: that's still not a terrible result. For most people, it will be "more than acceptable," and during casual gaming, you probably won't even notice it. Nevertheless, it's a pity that such good parameters couldn't be maintained as we saw with full 4K. Nonetheless, in the overall assessment, as a budget screen for console gaming, Blaupunkt really performs admirably in this regard.

Input lag on the Bravia 7 II is excellent. With a 60 Hz signal we measured around 13 to 14 ms, while at 120 Hz the delay drops to just 8 to 9 ms. Those values are low enough that input response is practically instantaneous, and even the most demanding gamers shouldn't have anything to complain about. Dolby Vision also deserves praise. A few years ago Sony TVs had some issues with that format in games and turning it on could mean higher input lag. With the Bravia 7 II that problem is essentially gone. In Dolby Vision we measured 14 ms at 60 Hz and 8 ms at 120 Hz, which is virtually the same as with standard HDR.

If you're planning to connect a computer to this television, it's absolutely crucial to find and enable the PC compatibility option in the menu. Once you do this, magic happens – the implementation of Chroma 4:4:4 and font readability jump to an exemplary level. The readability of text is simply excellent here. Of course, our editorial diligence wouldn't let us pass this equipment without taking a look "under the hood." In very specific tests with thin, dark text, we noticed that the horizontal and vertical matrix masks differ slightly in brightness levels. However, we want to reassure you: this phenomenon is so subtle that, during normal use, writing emails or browsing the web, you won't be able to notice it with the naked eye. We maintain our opinion that as a monitor strictly for dynamic gaming on PC, it isn't the ideal choice (as we mentioned in the context of the 60 Hz refresh rate), but if any of you are wondering whether you can comfortably work on such a Blaupunkt – we say: yes, it absolutely can be done.

The Bravia 7 II also works very well as a large computer monitor. The TV properly supports 4:4:4 chroma, and thanks to the classic RGB subpixel layout fonts are very legible and don’t have the typical coloured fringing. That makes it great for everyday work with the desktop, web browsing or documents.

PC gamers also get most of the features known from consoles, including VRR and low input lag. The only gripe is the maximum refresh rate of 120 Hz. A few years ago that would have been excellent, but today some competitors already offer 4K at 144, 165 or even 180 Hz, and at Full HD some can exceed 300 Hz. For most people 120 Hz is still more than enough, but owners of powerful PCs might reasonably expect a bit more.

Here it's really very good. Whether we were sitting straight on or on the edge of the couch, the colours didn't lose their saturation. This is a big plus if you're planning to watch matches or movies with a larger group – no one will complain that the picture looks worse for them. Although IPS panels are known for their good viewing angles, in this particular model, when viewed from a sharp angle, the picture noticeably loses brightness. Interestingly, the colour saturation still remains in place, but the screen simply becomes darker. It's not something that disqualifies this television, but it's worth knowing.

Viewing angles on the Bravia 7 II are really good, and the RGB Mini-LED backlight plays a big part in that. Unlike traditional VA-panel TVs with white/blue backlighting, the picture doesn't lose brightness and colour saturation as quickly when viewed off-axis. That's a noticeable improvement, because viewing angles are usually one of the bigger compromises of VA panels. It's still not at the level of the best IPS panels, let alone OLEDs, but the difference compared with a typical VA Mini-LED is clear. Even sitting a little to the side, the image still looks good and the colours don't immediately wash out.

In terms of daytime performance, Blaupunkt is simply average. It all comes down to the low brightness of the panel, which – as we mentioned, hovers around 250 nits. That’s definitely too low for the screen to comfortably "cut through" the strong light coming into the living room. As a result, in bright sunlight, the image loses its clarity and appears somewhat washed out. However, there is one bright spot in this category: the satin coating of the panel. Thanks to this, we don't have to deal with the mirror effect, which often means instead of watching a movie, we're seeing our own couch reflected. The satin nicely diffuses reflections, which somewhat saves the situation. Nevertheless, we can’t cheat physics: while the coating bravely fights against reflections, the low brightness ultimately capitulates in the face of the sun's rays. If you plan to watch something in the middle of the day in a very bright room, prepare yourself for the necessity of drawing the curtains.

The Bravia 7 II also performs very well in a bright living room. Its high brightness is the main reason, reaching about 1250 nits in SDR. The TV therefore has enough power to keep the picture clear and punchy even when a lot of light enters the room. However, compared with the higher-positioned Bravia 9 II, there is one notable difference. The Bravia 7 II doesn't have a fully matt screen; it uses a more satin finish. It still handles reflections quite well, but reflections from windows or lamps are more noticeable. On the other hand, blacks hold up well during the day and don't go noticeably grey under light. Overall it's still a very good TV for bright rooms, though the Bravia 9 II has the edge when it comes to suppressing direct reflections.

In terms of Smart TV functionality, the Blaupunkt UGC5500S is a classic example of a device where the system is both its biggest asset and its greatest flaw. On one hand, we have full Google TV, which is a huge plus at this price point. We gain access to a massive library of apps and basically all the functionality we know from brands using this software. Nothing has been cut out forcefully, which is really refreshing in such an inexpensive TV. Unfortunately, it must be honestly admitted that in the case of Blaupunkt, this system operates quite clumsily. This is a typical issue with low-budget TVs running Google TV – the processor barely keeps up with the software. Navigating through the menu isn’t as smooth as we would like, and the remote can react with noticeable delays, giving the impression of being "dull." Of course, once you launch a specific app and start a movie, everything works steadily, but just browsing through the interface requires a bit of patience.

When it comes to classic TV features, Blaupunkt offers nothing extraordinary. It’s a simple device for basic tasks. The remote is a plus, featuring a traditional numeric keypad, which is just convenient for hopping through cable channels. We also have Bluetooth, so you can easily connect wireless headphones or a speaker. The TV also has a physical mini-jack headphone output. At a time when manufacturers are mass-eliminating this connection, the presence of a "jack" is a nod to those with older audio equipment or simply those who prefer classic wired headphones. It’s a small thing, but it’s appreciated.

Classic features

Sony in the Bravia 7 II still approaches the TV a bit more old-school than some competitors, and here that works to its advantage. This is not just a screen for streaming apps, because the manufacturer kept plenty of traditional features that many people still use every day. You can record programs to USB, schedule recordings, or use the TV with Bluetooth headphones without having to turn off its built-in speakers. Overall it feels like a refined device for normal TV watching, not just a "monitor with apps." The control setup is also worth praise. The package includes two remotes: one more modern and simplified, the other classic with more buttons. That way everyone can choose the control method they find most comfortable. The main remote uses RF, so you don't have to point it directly at the TV, and the backlit buttons are especially useful in the evening.

Google TV

Google TV handles the Smart features, and here the Bravia 7 II performs as you would expect from a TV of this class. The system runs fast, menus respond smoothly, and it doesn't feel like the unit needs a moment for every simple operation. The biggest advantage remains the vast selection of apps, so practically everything we use on TVs today is immediately at hand. Google TV also works well when the TV is meant to be part of a larger ecosystem. You can cast content from your phone or computer, use AirPlay and Miracast, and search for content by voice in your native language. In practice, the Bravia 7 II therefore gives a lot of freedom, and it's hard to encounter a situation where you're missing some basic Smart TV function.

In terms of playing files from USB, Blaupunkt performs quite solidly. We tested several of the most popular formats and basically everything that matters worked without any fuss on the factory player. So you're not forced to immediately download additional software right after pulling the TV out of the box, because the equipment is simply self-sufficient ‘out of the box’. Nevertheless, taking advantage of the charms of Google TV, we still recommend installing some external software, like VLC or Kodi. The factory player is adequate, but it's in those external applications where you'll find the most configuration options, better subtitle support, or just a more convenient interface. Since the system gives you that freedom, it's worth taking advantage of it to get as much as you can out of your multimedia.

The built-in media player in the Bravia 7 II works well and handles most common content without major issues. The TV copes with the most frequently encountered video files and codecs, so when using a hard drive or USB stick you’re unlikely to run into significant limitations. What’s missing, above all, is broader support for subtitle formats and image files. For photos the TV opens JPEG and HEIC, but it doesn’t handle formats like PNG, WebP or TIFF. However, we wouldn’t consider this a serious flaw, since many of the unsupported formats are fairly niche. And if the built-in player proves insufficient, Google TV simply lets you install a third-party app and largely work around these limitations.

In terms of audio, Blaupunkt performs really well, especially considering it's a typical budget television. You can see, or rather hear, that the brand hasn't forgotten its roots and for such an inexpensive build, the sound is actually superb. Of course, there's a noticeable lack of bass, but overall it's loud, and surprisingly clear. What matters most to us – even at higher volumes, the sound isn't heavily distorted, which is rare and a pleasant surprise at this price point.

Sony has changed the audio significantly in the new Bravia 7 II, and you can't say the TV lacks bass. There's a lot of it, and the whole setup can also play very loudly. In our measurement it reached about 94 dBC. However, in our view the low end is at times a bit excessive. The bass can mask the rest of the spectrum, causing dialogue and some sounds to lose a little clarity. So overall it sounds powerful and impressive, but it could do with a slightly more balanced tuning. On the plus side, audio format support is good. Sony supports both Dolby Atmos and DTS, so in that respect the Bravia 7 II doesn't impose significant limitations.

Blaupunkt UGC5500S vs Sony BRAVIA 7 II

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Colours

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

Classic features

Google TV

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements