Sony X85L vs Samsung The Frame 2025 (LS03F)

The Sony X85L TV offers solid HDR performance with a brightness level of 750 nits, which is sufficient to enjoy vivid effects. In scenes of moderate difficulty, such as the first, third, or fifth test scenes, a brightness of around 600 nits allows one to fully experience the HDR effect. Unfortunately, in more demanding segments, such as the scene from the movie Sicario 2, the TV shows its limitations. Drops in brightness to 250 nits make the HDR effect lose its impressive quality and resemble regular SDR instead. Nevertheless, it is worth highlighting the very good coverage of the DCI-P3 color palette at 95%, which definitely deserves praise and positively affects the overall image quality.

The Frame LS03F is a television that can surprise with its brightness. The maximum luminance reaches around 650 nits, which already looks solid on paper. But as we know, lab tests are one thing, and real movie scenes tell a completely different story. When watching HDR content in natural conditions, The Frame 2025 maintains very good results. In most film scenes, peak brightness remained at levels of 550–650 nits. This is enough to feel the difference between standard image quality and that of HDR – bright highlights, reflections on water, and moonlight appear clear and impressive.

It’s also worth noting that the LS03F is a QLED television, which translates to solid color saturation. The coverage of the DCI-P3 color space reaches about 92%, allowing for vibrant, intense colors in HDR content. It may not be at the level of top premium models, but for a lifestyle screen, the result truly deserves recognition.

The Sony X85L television was tested in IMAX Enhanced mode, which, although associated with world-class cinema, does not guarantee an image that aligns with the director's vision. The main issue is the white balance – there is a noticeable strong dominance of blue color and significant lack of red. As a result, the image becomes unnaturally cool and appears artificial. The color reproduction errors were confirmed by the Colour Checker test, which showed significant discrepancies – colors were "scattered" like shots from a rifle, and only a few samples hit the target values. This clearly shows that the precision of color reproduction leaves much to be desired.

The brightness of the image is one of the positive features of the TV. The gamma for HD content is at an acceptable level, although there are minor errors, but generally, it is quite good. However, the brightness characteristics for 4K materials remain an issue, controlled by the EOTF curve. It is evident that very small, bright elements of the image are too dim, which is a result of the limited number of dimming zones due to the design of the television.

When it comes to image quality right out of the box, even in Filmmaker mode, which is supposed to be the closest to reference, there were issues. In both HD and 4K HDR content, we noticed noticeable deviations in white balance. The image was heavily skewed towards red and blue, giving the screen a characteristic rosy tint. This effect was most visible in bright scenes – for example, in shots with a lot of white, where neutral light should naturally dominate. In such moments, the screen clearly leaned towards pink tones, which can also be seen in the attached comparison photo. As for brightness characteristics – it wasn't as bad as one might expect given such color inaccuracies. Analysis of the gamma curve and EOTF showed a slight brightening of the image compared to the reference, but not enough to drastically affect the perception of the material.

Thanks to the use of calibration tools offered by Sony X85L, the image quality has been significantly improved. After calibration, the white balance for HD content is much more stable, making colors look more natural and the image gains authenticity. Although it is not perfect, these changes allow viewers to enjoy a more realistic representation of colors, eliminating the earlier cool tone. The gamma, which already performed decently, has been adjusted to an even better version. As a result, tonal transitions and brightness are more consistent, positively affecting the depth and detail of the image.

As for 4K content, despite efforts, the white balance still struggles with a deficiency of red, which can result in overly warm colors in some scenes. Synthetic tests showed that the EOTF curve in HDR is quite stable, with a slight boost in mid-bright scenes. However, in real film materials, the TV can still be too bright with fine, light details, which is a result of the limitations of large local dimming technology.

Nonetheless, calibration has brought significant benefits, particularly in color accuracy, improving overall image quality and providing a more natural and cohesive directorial vision.

After calibration, the movie mode gained a completely new quality. The issue of pink tint, which had previously been clearly visible, especially in bright scenes, was effectively eliminated. Colors began to look much more natural, and the white balance no longer dominated the rest of the image. It was no longer the same exaggerated “box picture” – everything gained coherence and a cinematic character. Additionally, the tendency of the television to slightly brighten scenes, previously visible in the EOTF curve analysis, was partially corrected. Of course, this was within the limits of what the design allows without local dimming – it’s hard to speak of perfect brightness management here. Nevertheless, the final effect was definitely closer to what one would expect from a mode called Filmmaker.

In terms of smoothing tonal transitions, the Sony X85L television does not offer any dedicated enhancement options, which is a downside. On the other hand, image scaling performs quite well – the television adds a bit of artificial sharpness, which can make details such as tree branches more pronounced, although sometimes with noticeable jaggedness. This type of effect may appeal to some viewers who prefer a more detailed image.

The LS03F is equipped with the NQ4 processor, which is responsible for improving image quality—especially in lower-quality materials. In practice, it works surprisingly well, particularly with older content and recordings with lower resolution. Activating the "noise reduction" feature yields noticeable effects. The television effectively smooths tonal transitions and removes digital noise that can appear in darker areas of the image. Compared to previous generations, there is a clear improvement—previously, this feature often smoothed everything too much, including details that it shouldn't have removed. In this year's model, the smoothing still occurs, but it is done in a much more acceptable manner. Textures of materials, skin, or fabric details are no longer so heavily muted as before—the image retains more naturalness. However, this does not change the fact that film grain is still removed by the television, which may not be to everyone's liking. On the other hand, it is no longer as aggressive an intervention as in previous models. It is also worth mentioning that the LS03F may struggle with very weak signals—such as recordings from VHS tapes or video in low resolution. In such cases, we noticed slight clipping of the image at the edges—so-called overscan. This can lead to situations where a small part of the image (e.g., subtitles at the bottom edge) gets cut off.

The Sony X85L, equipped with a 120 Hz panel, will meet the expectations of a wide range of users – from sports and gaming fans to movie buffs. Movie enthusiasts will surely appreciate the presence of one of the best motion smoothing systems, Motionflow. This system offers adjustment via smoothness and clarity sliders – smoothness is responsible for motion fluidity, eliminating stutter, while clarity enhances the sharpness of fast scenes, reducing blur.

A novelty in The Frame for 2025 is the panel with a refresh rate of 144 Hz. Yes – in a television primarily associated with displaying artwork, you can now not only watch Van Gogh but also comfortably play on a console or follow dynamic sports action. This is a definite step towards greater versatility. In the case of Samsung films, as usual in models with a 120 Hz panel and above, it allows you to adjust motion smoothness according to your own preferences. You can set a more cinematic representation while maintaining frame rate or opt for full motion smoothing. The range of options is wide, allowing you to tailor the effect to your taste – whether the viewing experience is meant to resemble classic cinema or a presentation on a modern theater panel.

*this part of the test refers to the model LS03FAU in sizes 55 and 65 inches, which is equipped with a 144Hz panel; the 43 and 50-inch sizes have 60Hz panels, and therefore perform much worse in terms of motion smoothness.

Sony X85L offers quite a solid set of features for gamers, making it an attractive choice for gaming enthusiasts. First and foremost, the TV has a 120 Hz panel, translating to smooth and dynamic image display, ideal for both fast-paced action games and more demanding sports titles. It is equipped with two HDMI 2.1 ports with full bandwidth of 48 Gb/s, allowing for the full utilization of next-gen console capabilities. Additionally, the Sony X85L supports VRR (Variable Refresh Rate) technology, which helps reduce stuttering and artifacts during gameplay, providing a fluid experience. The TV also supports G-Sync, which is particularly beneficial for gamers using NVIDIA graphics cards, allowing for screen refresh rate synchronization with GPU performance, eliminating the tearing effect. It is worth mentioning the Game Bar feature, which facilitates quick access to essential gaming-related settings such as VRR, brightness levels, and display modes, making it convenient and useful during gameplay.

However, there are certain limitations. The TV does not support HGiG, which may be a downside for some gamers, as HGiG optimizes HDR effect rendering in games, providing a more authentic visual experience. Additionally, while Dolby Vision mode is available, it is not practical for gaming due to very high input lag.

As we mentioned earlier – although The Frame likely displays images and works of art most of the time, Samsung has recognized that a Van Gogh enthusiast can just as easily be an avid gamer. And it must be admitted that The Frame 2025 has almost everything it needs to become a fully-fledged gaming television.

On board, we find support for ALLM (automatic game mode) and variable refresh rate (VRR) thanks to the implementation of one HDMI 2.1 port. The television handles lower resolutions at higher refresh rates without any issues and features an expanded Game Bar – already known from other Samsung models – which allows for quick previewing and changing of the most important gaming-related settings. For this, it earns additional points from us. The proprietary motion smoother Auto Motion Plus Game also deserves special mention, which – and it's worth emphasizing – works without increasing input lag. Samsung remains the only manufacturer that has managed to implement this feature in a practically noticeable way in terms of delays. The result? Much better fluidity in games, especially those that struggle to maintain stable 60 frames. This solution can realistically improve the gaming experience in more demanding titles – especially on consoles that don’t always manage full fluidity, especially in AAA games.

As for the downsides – the lack of Dolby Vision is already considered standard in Samsung televisions, so there's nothing to particularly complain about here. However, the problem is something entirely different. In the latest version of the Tizen system, the HGiG option has disappeared. Literally – it's not there. This is a significant setback when configuring a console for proper HDR content display in games. It’s hard to understand why such a decision was made, but one thing is certain – this should be fixed as soon as possible. We are talking about a brand that has set standards for gaming on televisions for years. If HGiG comes back – and we hope that it will – The Frame LS03F can confidently aspire to be a true gaming television. Not just as a decoration on the wall, but as equipment that really provides joy in gaming.