Sony X85L vs Hisense E8Q

The Sony X85L TV offers solid HDR performance with a brightness level of 750 nits, which is sufficient to enjoy vivid effects. In scenes of moderate difficulty, such as the first, third, or fifth test scenes, a brightness of around 600 nits allows one to fully experience the HDR effect. Unfortunately, in more demanding segments, such as the scene from the movie Sicario 2, the TV shows its limitations. Drops in brightness to 250 nits make the HDR effect lose its impressive quality and resemble regular SDR instead. Nevertheless, it is worth highlighting the very good coverage of the DCI-P3 color palette at 95%, which definitely deserves praise and positively affects the overall image quality.

Since the E8Q is a twin of the U7Q, it’s no surprise that the quality of the HDR effect is almost identical. On paper, it looks promising – a peak brightness of 800 nits can impress in many scenes. Fragments like the flashes of light in “The Meg” or shots of the sun in “Life of Pi” can indeed evoke a “wow” effect. But the longer we watch, the more we notice the limitations. The problem arises when small, bright details are supposed to be displayed on a dark background. In such situations, the dimming algorithms try to preserve contrast but end up dimming what should shine the brightest. Instead of dazzling details, we get almost invisible points of light. This is typical for Mini-LED in this price segment and is not surprising – but it’s worth knowing that the HDR effect won't always be fully preserved. Fortunately, the color reproduction offers reasons to be satisfied. A coverage of the DCI-P3 color gamut at around 94% is a very good result, and the applied quantum dot layer (more specifically, PFS) does its job – colors are saturated and vibrant, especially with 4K content.

The Sony X85L television was tested in IMAX Enhanced mode, which, although associated with world-class cinema, does not guarantee an image that aligns with the director's vision. The main issue is the white balance – there is a noticeable strong dominance of blue color and significant lack of red. As a result, the image becomes unnaturally cool and appears artificial. The color reproduction errors were confirmed by the Colour Checker test, which showed significant discrepancies – colors were "scattered" like shots from a rifle, and only a few samples hit the target values. This clearly shows that the precision of color reproduction leaves much to be desired.

The brightness of the image is one of the positive features of the TV. The gamma for HD content is at an acceptable level, although there are minor errors, but generally, it is quite good. However, the brightness characteristics for 4K materials remain an issue, controlled by the EOTF curve. It is evident that very small, bright elements of the image are too dim, which is a result of the limited number of dimming zones due to the design of the television.

Testing the Hisense E8Q in Filmmaker mode, we were hoping for a neutral image close to the director's vision. Unfortunately - although on paper it doesn't look bad (the color reproduction errors are not significant), in practice the image feels somewhat unnatural. The reason? Too strong an increase in blue and a lack of red in the white balance. The effect? The scenes look cool, and the white appears slightly bluish. Alongside the U7Q model, we also noticed a specific approach to brightness management here. The brightness reproduction curve for HDR content (EOTF) shows that the TV can significantly dim small, bright elements of the screen to maintain contrast - but sometimes it goes too far. On the other hand, it can excessively brighten larger, very bright parts, which disrupts tonal balance. This is a compromise that may not suit everyone – especially if you want an as faithful image as possible right out of the box.

Thanks to the use of calibration tools offered by Sony X85L, the image quality has been significantly improved. After calibration, the white balance for HD content is much more stable, making colors look more natural and the image gains authenticity. Although it is not perfect, these changes allow viewers to enjoy a more realistic representation of colors, eliminating the earlier cool tone. The gamma, which already performed decently, has been adjusted to an even better version. As a result, tonal transitions and brightness are more consistent, positively affecting the depth and detail of the image.

As for 4K content, despite efforts, the white balance still struggles with a deficiency of red, which can result in overly warm colors in some scenes. Synthetic tests showed that the EOTF curve in HDR is quite stable, with a slight boost in mid-bright scenes. However, in real film materials, the TV can still be too bright with fine, light details, which is a result of the limitations of large local dimming technology.

Nonetheless, calibration has brought significant benefits, particularly in color accuracy, improving overall image quality and providing a more natural and cohesive directorial vision.

The calibration of the Movie mode brought really good results, especially regarding SDR content. The white balance was successfully adjusted, which gave the image a natural look – it appeared almost reference-level. The colors were well-saturated, and the overall perception of the content improved significantly. Unfortunately, when we moved to HDR materials, the well-known problems from the U7Q model returned. The TV still tends to “do things its own way,” which is evident from the analysis of the EOTF brightness characteristic – despite calibration, the E8Q still dimmed small details in the shadows, while the bright areas of the screen could sometimes be excessively boosted. In practice, this means that in darker scenes, some of the tiniest details could simply disappear. Although it must be admitted that the entire calibration process brought a lot of good, not everything can be circumvented – even with the use of professional tools. The E8Q can impress with its picture, but in HDR content, its design limitations become noticeable, and it is worth keeping this in mind.

In terms of smoothing tonal transitions, the Sony X85L television does not offer any dedicated enhancement options, which is a downside. On the other hand, image scaling performs quite well – the television adds a bit of artificial sharpness, which can make details such as tree branches more pronounced, although sometimes with noticeable jaggedness. This type of effect may appeal to some viewers who prefer a more detailed image.

In the case of older materials with lower quality, a gentle smoothing of tonal transitions is often useful. The Hisense E8Q, like the U7Q, has the "Smooth and Gradient Picture" feature, but unfortunately, its effectiveness leaves much to be desired. The “Low” setting is almost imperceptible in operation, while higher settings simply blur details instead of improving transitions. The good news is that the feature does not compromise the film grain, which allows it to maintain the image structure. On the plus side, the scaling is commendable. The television can fairly sensibly transform older content to a higher resolution—without artificially emphasizing contours or excessive sharpening. Though it does not match the best models in this category, it performs quite well for its class.

The Sony X85L, equipped with a 120 Hz panel, will meet the expectations of a wide range of users – from sports and gaming fans to movie buffs. Movie enthusiasts will surely appreciate the presence of one of the best motion smoothing systems, Motionflow. This system offers adjustment via smoothness and clarity sliders – smoothness is responsible for motion fluidity, eliminating stutter, while clarity enhances the sharpness of fast scenes, reducing blur.

Like the U7Q, the E8Q model is a fast television designed for dynamic content. It supports 144 Hz refresh rates in 4K resolution, and if for some reason someone is still gaming in Full HD, it can achieve even 240 Hz. This is a significant advantage, especially for PC users looking for maximum fluidity. In everyday use, the television performs very well. The "Ultra Motion Smoothness" mode provides us with two sliders, allowing for personalized image settings – whether it’s more cinematic with preserved film frames or heavily smoothed, almost "series-like." It’s good that the manufacturer gives a choice here instead of imposing one style. On sports materials, live broadcasts, or in games – motion appears clean and stable. Sure, it’s not at the level of OLEDs, but for this price range, the E8Q performs really well.

Sony X85L offers quite a solid set of features for gamers, making it an attractive choice for gaming enthusiasts. First and foremost, the TV has a 120 Hz panel, translating to smooth and dynamic image display, ideal for both fast-paced action games and more demanding sports titles. It is equipped with two HDMI 2.1 ports with full bandwidth of 48 Gb/s, allowing for the full utilization of next-gen console capabilities. Additionally, the Sony X85L supports VRR (Variable Refresh Rate) technology, which helps reduce stuttering and artifacts during gameplay, providing a fluid experience. The TV also supports G-Sync, which is particularly beneficial for gamers using NVIDIA graphics cards, allowing for screen refresh rate synchronization with GPU performance, eliminating the tearing effect. It is worth mentioning the Game Bar feature, which facilitates quick access to essential gaming-related settings such as VRR, brightness levels, and display modes, making it convenient and useful during gameplay.

However, there are certain limitations. The TV does not support HGiG, which may be a downside for some gamers, as HGiG optimizes HDR effect rendering in games, providing a more authentic visual experience. Additionally, while Dolby Vision mode is available, it is not practical for gaming due to very high input lag.

The Hisense E8Q does not hide its gaming pedigree. The specification alone reveals that we are dealing with a television that will work great as a gaming screen. Variable Refresh Rate (VRR)? Yes. Automatic low latency mode (ALLM)? It's there too. Additionally, there is impressive refreshment – 120 Hz in 4K or even 240 Hz in Full HD. Such a set is rare in this price segment. Everything works smoothly and without major surprises. The only missing element – like in the U7Q – remains support for HGiG. It's a pity, because this feature makes it easier to match the brightness curve to the capabilities of a particular television, improving visual consistency with the intentions of HDR game creators. Without it, one has to manually tweak the settings, which does not always yield a satisfying result.