Samsung QLED Q70D / Q74D / Q77D vs TCL C7K / QM7K 50"

The brightness of the Samsung Q70D is fairly average, yet it delivers a noticeable HDR effect. With brightness exceeding 400 nits, the distinction between SDR and HDR materials becomes evident. As observed in the discussion about contrast and black levels, the TV's performance varies across different scenes. In a scene featuring a bright sun against a darker foreground, the measured luminance is lower. However, in a scene with a large, bright light source dominating the frame, the TV achieves its peak brightness, reaching nearly 500 nits—a commendable result for its price range and display class.

Despite these strengths, the relatively low coverage of the wide DCI-P3 color gamut occasionally results in less vivid color reproduction. Even so, the TV offers rich colors and precise shade reproduction, enhancing the movie-watching experience. Furthermore, the Q70D excels in motion blur elimination during dynamic scenes, making it a solid choice for enjoying sports broadcasts and gaming.

TCL C7K is one of the brightest MiniLED televisions in its price range. Under the best test conditions, the screen was able to achieve over 1200 nits, resulting in impressive, and at times blindingly bright scenes. And most importantly – this is not just a theoretical measurement. In practice, the brightest parts of movies can shine with true cinematic grandeur. Home HDR cinema fans should be truly pleased.

The impression is especially great in scenes with large areas of brightness – white skies, explosions, sun reflections, or magical sunsets can surprise with the intensity of light that rarely appears in this price range.

However, things get a bit worse when more challenging scenarios appear on the screen, which have been described in terms of contrast – meaning images full of details, with small bright elements against a dark background. In such cases, the C7K often chooses to retain black at the expense of brightness. An example? Scenes from the movies Sicario 2 or Life of Pi, where small light sources (like a distant lantern) can be less visible, and details in the lights are simply dimmed or blend into the background.

For many viewers, this may be an acceptable compromise – as we achieve deep blacks and pleasant image texture. Nevertheless, it is worth being aware that the visibility of small details in bright areas is not the strongest suit of this model. It is simply a technological limitation that still exists – even with over 300 zones.

The best factory mode on the Samsung Q70D is "Filmmaker," and it is the one we used when conducting various tests. Before the calibration process, it had several flaws that effectively prevented the conveyance of the director's intentions. In both SDR and HDR materials, the white balance was dominated by red and green colors. As a result, there was a characteristic yellow tint on the image, causing whites to appear yellowed and creating issues with skin tones, which were noticeably too warm. The reduced gamma in the standard color gamut materials caused a significant drop in the already low contrast. This resulted in an emphasis on details in the blacks but also in blown-out images in brighter scenes. The EOTF curve, in this case, turned out to be much better and only lightened those scenes with relatively low luminance. This was clearly visible in the section where we measured the maximum brightness of the television in HDR materials. At that time, the frame from the movie "Billy Lynn" was unnaturally bright and lacking depth.

A new feature in TCL televisions for 2025 is the long-awaited Filmmaker mode, which until now could be found in most competitive brands. This is great news because this mode is considered the truest to the original vision of the creators and is often recommended by enthusiasts of good image quality. Unfortunately – as is often the case – the mere presence of this feature does not guarantee perfection. The Filmmaker mode in the TCL C7K is not free of flaws. One could point out the incorrect white balance, particularly the slight dominance of blue, which caused cool, somewhat grayish skin tones. But that was not the biggest problem. The main complaint was excessive brightness exposure, which is clearly visible on the gamma and EOTF graphs. The image was simply too bright, at times even blown out, which affected not only the plasticity of the scenes but also the overall viewing experience. Some details simply got lost, and the whole image looked as if someone had overdone it with the brightness slider. As always – we decided to see what could be squeezed out of it after calibration. And this is where things got really interesting...

Fortunately, Samsung provides a wide range of calibration tools in all its televisions, where we can find 2-point and 20-point grayscale adjustments as well as advanced CMS. Thanks to this, we were able to significantly improve the quality of SDR and HDR materials. The vast majority of errors have been corrected, and the image that the Samsung Q70D now generates is definitely closer to the reference. Higher deltaE errors in the high dynamic range materials are primarily due to the display's insufficient luminance.

After calibration, the TCL C7K showed itself in a really good light, especially when it comes to SDR content. We managed to fine-tune the white balance, color gamut, and brightness characteristics so precisely that color errors on the ColorChecker palette dropped below a value of 2. For the uninitiated – this is an almost perfect result, meaning that the image is very close to what the creators intended. Unfortunately, it was less impressive with 4K HDR content. Although we managed to slightly calm the white balance and correct its earlier errors, it is still evident that the TV has certain "MiniLED traits," especially in managing brightness. When we checked how the C7K performed with the EOTF curve on real movie scenes rather than just synthetic test patterns, it turned out that the screen still has a tendency to slightly brighten the entire image. This affects the overall experience – the black loses some depth, and the image becomes less contrasty than it should be. Despite these minor shortcomings in HDR content, the overall reception of materials – especially in SDR – is really very good. After calibration, the C7K can display an image that can successfully compete with much more expensive models. Good color tuning, natural skin tones, and pleasant brightness make movie sessions and everyday content viewing more than satisfactory.

The function responsible for improving gradation is named "Noise Reduction" in the menu. As we have confirmed, it is worth activating as it has a positive effect on tonal transitions. More importantly, it does not negatively affect film grain or fine details, which sometimes the competition "offers" us.

Image scaling in Samsung Q70D should be rated as average. The manufacturer aims not to artificially sharpen the image but to leave it naturally softened.

The TCL C7K features a function that, according to the manufacturer, is supposed to smooth out unwanted color transitions – something like a rescue for less successful tonal shifts. It's called "Gradual Smoothing" and... well, it sounds ambitious, but in practice, it works very poorly. Regardless of whether we set it to low or high, the difference is minimal. What's worse – the function can remove elements from the image that should remain. Fortunately, film grain remains untouched, so at least it doesn't smooth everything indiscriminately, but still – it's better to just turn this option off.

As for scaling lower-resolution content, it's already better. SD and HD materials look quite decent, though sometimes we had the impression that the image loses sharpness and becomes too soft – as if something took away its clarity. Fortunately, at very low sources (e.g., 576p), there was no overscan effect, meaning the image was not artificially cropped – everything fit on the screen as it should.

The Samsung Q70D is the first model in the manufacturer's range to feature a 120Hz panel, resulting in more advanced motion smoothing capabilities compared to lower-category models. Within the menu, three functions are dedicated to improving motion fluidity: "Motion Blur Reduction," "Judder Reduction," and "Clear Motion (LED)." The third option will be discussed separately. The first function enhances sharpness during motion, while the second adjusts the degree of smoothing. The smoothness feature on the Samsung Q70D performs well, with each setting delivering a noticeable effect. This allows viewers to customise the level of fluidity, making it suitable for those who dislike the typical stuttering of films or enjoy watching sports. The accompanying picture illustrates a configuration with mild smoothing, avoiding the soap opera effect.

The panel employed in the Samsung Q70D offers a commendable response time for its class. While it won't deliver razor-sharp motion clarity, it is a strong choice for sports enthusiasts at this price point.

TCL C7K handles motion smoothness really very well. The matrix used in it offers a refresh rate of 144 Hz, which already suggests that this TV is something more than just an ordinary "60 Hz" panel. Moreover – if we connect the C7K to a computer and set the resolution to Full HD. But we will write more about this in the paragraph about gamers and PC cooperation. Returning to everyday use – both sports and movies look very good here. Thanks to the fast panel and well-functioning motion smoother, the C7K is perfect for watching matches, but also for movie screenings. In the menu, we will find two sliders – blur reduction and flicker reduction – which allow us to adjust the motion smoothness effect to our own preferences. At lower settings, we get a more cinematic effect, with slight frame motion. At higher settings – the image becomes more theatrical, smooth to the point of exaggeration. Everyone can set it to their liking.

The tested television, Samsung Q70D, has four HDMI 2.1 ports, all offering a bandwidth of 40 Gbps. Despite this, no negative effects were noticed during testing. More importantly, the TV supports all features associated with the HDMI 2.1 standard. This will certainly please gamers, as it ensures optimal gaming performance using a console or a PC. While HDR Dolby Vision is absent, the correct implementation of HGIG mode and the absence of any calibration checkerboard issues are noteworthy. Additionally, Samsung stands out by allowing gaming with the smoothness enhancer activated without significant performance degradation. This means that 30 fps titles are perceived similarly to those running at a native 60 frames per second.

Samsung was one of the first manufacturers to introduce the Game Bar, which has been consistently improved. It provides all necessary gameplay information and allows users to adjust "on the fly."

In summary, the Samsung Q70D performs excellently with both consoles and computers. All functions worked seamlessly, and there were no issues. The ability to activate the smoothness enhancer without a noticeable increase in input lag is a game-changing feature.

TCL C7K is a TV that looks like the dream equipment for gamers on paper – and most importantly, it also performs well in practice. First, the good news: we have two HDMI 2.1 ports with full bandwidth, so we can easily connect both a console and a computer, taking full advantage of their capabilities. The panel itself supports 144 Hz refresh rate, which provides a significant advantage in dynamic games. Additionally, it comes with a full package of gaming features: VRR (Variable Refresh Rate), ALLM (Auto Low Latency Mode), and Dolby Vision support in games. There is also an HGiG mode, which allows for HDR effects that align with the creators' intentions. GameBar, which is an information bar for gamers. It operates quickly, looks clear (like a Nintendo console👌), and shows what’s most important: the current frame count, VRR status, and even HDR parameters.