LG OLED C5 vs LG OLED B5

LG C5 finally does what we have been waiting for years in the C series – it exceeds 1000 nits of brightness! This is a significant change compared to previous models in the series and also very important – because this is exactly the level of luminance around which most HDR content is now created on streaming platforms. The image finally has the right “glow,” and details in bright areas look as they should even without the use of dynamic metadata. However, there are scenes where the C5, like most OLED televisions, has some issues. Especially when the screen needs to illuminate fully. In our test sequences, such as the bright scene from the movie The Meg, brightness clearly decreases. Don’t get us wrong, this result isn’t bad; it’s more of a reminder that OLED technology still has its limitations. They are getting smaller year by year, but still.

Now, what about the colors? They are very good. Although the C5 does not match the OLEDs with QD-OLED or Tandem RGB panels, the DCI-P3 coverage at 97% and 73% BT.2020 will satisfy even the most demanding viewers. The colors are saturated, natural, and very consistent in HDR materials.

LG B5 is a moderately bright OLED TV. Regardless of the scene, it can generate around 500 nits of peak brightness. And interestingly, it does this even in full-screen shots flooded with white, where most OLEDs usually fall short. So, is this screen suitable for HDR movies? Yes – absolutely, because such brightness really allows you to feel the magic of HDR effects. However, it's worth noting that compared to last year's model B4, the new B5 is darker – by about 100 nits. It may seem like a small difference, but at such average peak values, it makes quite a significant difference. Fortunately, the TV makes up for it with another advantage – excellent coverage of the DCI-P3 and BT.2020 color gamut. As a result, HDR movies look really colorful, vibrant, and impressive even in more demanding scenes.

LG C5, like other TVs we tested, was checked in the best possible factory mode – which remains Filmmaker Mode. And here we have good news: in SDR materials, LG once again did a solid job. The white balance and color reproduction straight out of the box are at a very high level. Most errors – both in balance and in the color test (Colour Checker) – did not exceed a ΔE value of 3, which is the threshold above which differences become visible to the naked eye. Such factory settings are something we would like to see in many more TVs!

However, the situation is different for HDR content, which is really what the C series was created for. Here the C5 performs weaker. The excessive presence of blue in the white balance causes the image to appear noticeably cooled – which affects, for instance, unnaturally pale skin tones and somewhat shifted tonality of the entire scene. Fortunately, LG provides very precise calibration tools, and we – as always – took advantage of them.

We tested the B5 in Filmmaker mode and... we would like to see more TVs like this straight out of the box. Really. The white balance is set very well – there is practically nothing to complain about. Well, if one were to be very picky, one might notice a slight deficiency in blue, which makes the overall picture have a slightly yellowish tint. But that’s just our editorial nitpicking. Most of you probably won't even notice it. We also have some minor reservations about brightness management in HDR format. The EOTF curve – that is, the one responsible for how the TV distributes brightness in a scene – is slightly below the ideal. In practice, it can happen that the darkest parts of the image may be displayed too dark and simply... disappear. But these are details that only come out in measurements. Overall: we are impressed. But we also know that LG TVs respond very well to professional calibration. They can produce nearly reference-quality images, so – even though it's already very good out of the box – we allowed ourselves to take an extra step and fine-tune everything to perfection.

We must honestly admit – in the case of the LG C5, it took really very little to achieve an almost perfect picture. After calibration, we managed to achieve compliance with reference screens at a level that impresses even compared to much more expensive models. The picture after our adjustment looks exactly as filmmakers and series creators would want it – without color distortions, with natural depth and subtle texture. LG has done a great job this year regarding factory settings and calibration potential. Hats off!

We must admit that we didn't have much work with the LG B5. It's one of those TVs that looks good right from the start, but after calibration… it can really impress. The white balance was brought to almost perfect levels – to a degree of error invisible to the human eye, unless you are a professional colorist with a magnifying glass at the screen. We also managed to control the TV's slight tendency to dim the darkest details, especially in HDR scenes. After proper tuning, everything looks coherent: the black is still deep, but not information-hungry. The highlights retain a natural sparkle, and the colors align with the director's vision. It's really one of those models that show you don't have to spend a fortune to get almost reference-quality image. If you can decide on professional calibration – it's definitely worth it for the B5.

LG C5 handles lower-quality materials really well. One of the main issues older WOLEDs faced was posterization – unwanted "steps" in color transitions. The C5 uses a system feature to smooth these transitions, which works surprisingly effectively. The banding effect is almost completely eliminated, and the image gains consistency. Compared to last year's model, we feel that this feature works slightly weaker – but the good news is that it does not compromise the structure of the image. Film grain, textures, and details remain on the screen – nothing is smoothed out forcefully.

The C5 also does a great job of enhancing the quality of older recordings. Thanks to the α9 Gen6 processor (8th gen), "scaling to 4K" performs really solidly. The image is clear, the details are sharp, and the only minor drawback might be slightly visible jaggedness on some edges. However, there is no issue with overscan here – the image is not artificially cropped or shifted, which is a significant plus and still isn’t a given.

LG B5 really surprised us positively in terms of dealing with lower quality content. Thanks to the enhancement and smoothing features, HD or even SD materials get a new life. Importantly – when this option is turned on at the "low" or "medium" level, we don't get the impression that the image is artificially softened or overly smoothed. Details remain intact, film grain does not disappear, and object edges do not look washed out 😉. It's a really useful tool – especially if you watch terrestrial TV, archival materials, or content from YouTube in lower resolutions. The image is clean, cohesive, and simply pleasant to the eye.

Upscaling as such works very well – even content of poor quality is rendered with surprising fidelity. Unfortunately, there was a small hiccup. While the menu offers an option to turn off overscan, the television still struggles to display very low-resolution images correctly. It’s a minor detail, but when watching older materials – it can be annoying.

The LG C5 is equipped with a 144 Hz panel, and this, combined with the practically zero response time of the OLED pixels, makes it one of the best screens for watching dynamic content. It doesn't matter whether it's sports, fast-paced games, or just action – the image is as sharp as a razor.

And what about movies in 24 frames? LG thought of that too. The built-in "TruMotion" smoother allows you to adjust the image to your own preferences. The "de-judder" slider increases the smoothness in movies, while "de-blur" gently reduces blurring – although to be fair, it is almost imperceptible here anyway.

The LG B5 is a television with a 120 Hz OLED panel. It may not sound as impressive as the marketing terms "144 Hz" or "165 Hz" found in gaming monitors, but honestly? The smoothness is still excellent. The picture is sharp, smooth, and simply enjoyable to watch – even when there’s a lot happening on the screen. The organic panel does its job – the pixel response time is nearly instantaneous, which means there’s no blurring or smearing that can ruin dynamic shots. Sports, fast-paced games – everything looks clear and distinct.

We also have LG's classic motion smoother, TruMotion. This feature allows you to smooth out films shot at 24 frames per second – in other words, most of what you watch on Netflix or on Blu-ray discs. If you set the “De-Judder” slider to lower values, you'll get an image closer to the cinematic experience – with a slight judder, but without artificiality. Higher settings? Soap opera effect guaranteed. Fortunately, LG gives you the choice, and you can tune everything as you like.

LG C5 is a television designed with gamers in mind – and there’s not a hint of exaggeration in that. It's hard to find anything to criticize here. We have 144 Hz refresh rate, full support for VRR, ALLM, and up to four HDMI 2.1 ports with full bandwidth of 48 Gb/s. For those who have an Xbox, PS5, Nintendo, and a gaming PC all in one room – there are no limits, everything can be connected without any hassle.

The HDR configuration for gaming is also problem-free. The television properly supports the HGiG mode, which allows for an image consistent with the creators' intentions. For those interested, there’s also Dolby Vision in Gaming mode, though we still recommend HGiG as the most predictable and “pure” version of HDR for games.

The Game Bar is also included, which serves as the “command center” for the gamer. Everything that’s most important, from VRR settings, to picture modes, to frame rate information – is at our fingertips. The interface is simple and readable. It may look like something out of a space simulator, but it serves its purpose and just works; exactly as it should.

C5 is truly a complete package for every gamer.

There are already a few televisions on the market with the label "for gamers" that don’t really understand what that means. The LG B5 is not one of them. Everything here is right – there are four HDMI 2.1 ports, it has 120 Hz, VRR and ALLM, and it also has a Game Bar that is actually useful, not just looks good in the promotional folder. You connect your console – it works. You set 4K at 120 Hz – it works. You have an Xbox and want to play in Dolby Vision – it works too. And not in the sense of "it theoretically supports it," but rather it really turns on, looks good, and you don’t have to fiddle with the settings for half an hour. On top of that, there’s the HGiG picture mode, which LG has implemented correctly – meaning that HDR in games doesn’t turn the screen into a flashlight but shows exactly what it should. There are no surprises here, no strange limitations, no "buts." And you know what? That’s how it should be. Kudos to the LG B5!