Samsung OLED S90D / S94D (WRGB OLED) vs Hisense U7Q PRO

In the tested film scenes, the television Samsung S90D achieves impressive brightness results, exceeding the 1000 nits barrier in the first four shots, which can be considered an outstanding result. In the case of the last shot, where a full-screen flash of sunlight is visible, the brightness drops to around 500 nits, but still remains at a very good level. Additionally, the television impresses with a DCI-P3 colour gamut coverage measurement of 98%, ensuring an extraordinarily rich and realistic colour reproduction, further enhancing the picture quality. This result makes the Samsung S90D an ideal choice for those expecting high-quality images in a variety of lighting conditions.

U7Q PRO is truly a bright television. In synthetic tests, it achieved over 1500 nits, which is an outstanding result for this price range. Such brightness – at least in theory – allows for HDR content to be displayed as intended by the creators, even in more demanding scenes with strong lighting. In practice, it is often very good, but not always perfect. In bright scenes with large areas – like the test chart with intense sunlight from the movie "Pan" – the U7Q PRO makes a huge impression. It can almost dazzle with its brightness, which is definitely an advantage in the context of HDR content. Unfortunately, it doesn't always manage to maintain this when many small bright details appear on a dark background. In such moments, the local dimming algorithms choose to dim some bright elements to maintain good black levels – and the side effect is that some details simply disappear from the frame. This is a classic compromise in mini-LED televisions – and the U7Q PRO is no exception. However, with such a large number of dimming zones, one could have hoped for a slightly more mature algorithm responsible for their control. Fortunately, the overall perception of HDR content is decidedly positive. The U7Q PRO is not only bright but also colourful, thanks to the PFS LED (QLED) coating, the coverage of the DCI-P3 colour palette is at 95%, while BT.2020 is around 73%.

The S90D television has been tested in Filmmaker mode, which offers good colour reproduction, although with some imperfections that may be noticeable to more discerning users. This mode may seem a bit too warm, and users who switched from Standard mode may experience a slight shock. It is worth noting that this situation is caused by poor settings, such as in the white balance, rather than the Filmmaker mode itself. In both SDR and HDR content, the device exhibits drops in blue colour, making colours warmer than they should be. In practice, this means that some shades, such as sky blue or skin tones, may appear less natural and more tinged with pink or yellow. The Colour Checker test confirms these deviations, showing shifts towards warmer tones. In SDR content, the gamma graph indicates slight fluctuations, resulting in a minimally darker image, especially in shadows. This can affect less defined details in darker scenes. Conversely, in 4K HDR materials, the EOTF curve is above the recommended line, leading to overly bright displays in certain parts of the image, which can cause clipping in the brightest areas. Overall, Samsung S90D presents a solid picture right out of the box, but for the best effects, especially with more demanding content, additional calibration is recommended.

We tested the U7Q PRO in the best possible picture mode offered by this model – Filmmaker Mode. And indeed, this mode performs the best in terms of colour reproduction. However, that doesn't mean it's perfect. In our test unit, both in SDR and HDR content, the image had a slightly cooler tone. The white balance was skewed towards blue, giving the overall impression of being a bit "colder". It may not be glaring, but it is definitely noticeable – especially on white backgrounds, which seemed slightly bluish rather than neutral. Additionally – as we mentioned earlier – the television has a tendency to slightly brighten and oversaturate the image, which is also confirmed by the gamma and EOTF graphs. All this together means that without calibration, the image can appear somewhat unnatural – too cool, with slightly exaggerated dynamics. Therefore, we decided to carry out our own calibration – and you can see its effects and graphs below.

After calibration, the Samsung S90D television in movie mode looks even better than one might have expected. The white balance, for both HD and 4K HDR content, has been improved almost to perfection. Although minor flaws can still be noticed, they are minimal enough not to significantly affect the picture quality. The colours are more balanced, which translates to a natural reproduction of details, especially in scenes requiring a precise colour palette. It is worth noting that this model in this size is equipped with a WOLED panel, which has less coverage of the wide colour gamut and does not offer as rich colours as, for example, the 65-inch version, which is equipped with a QD-OLED panel.

Contrast has also seen significant improvement. The gamma graph post-calibration is much closer to the expected line, providing better balance between bright and dark areas of the image. The EOTF curve, which prior to calibration showed issues with overexposed scenes, now presents better results. This effect allows for greater detail retention in bright parts of the image, especially in HDR materials.

Thanks to the calibration, we managed to tame the white balance in SDR and HDR content. In the case of SDR materials, the effect is really very good – the image becomes neutral, cohesive, and simply pleasant to take in. Everything looks as it should.

HDR performs a bit worse. Although the white balance appears correct and the image overall gains in naturalness, unfortunately, the delta E errors remain noticeable. Why? Because Hisense does not give us full control over how the television manages brightness in HDR mode with the U7Q PRO model. This is where the limitation comes into play. When we look at the EOTF curve for HDR content, we can clearly see what we mentioned earlier – at the beginning of the graph, there is a distinct drop, meaning the television darkens the smallest areas more than it should. On the other hand – the brightest elements can sometimes be overly bright. As a result, some details get lost, others are too aggressive, and overall control over brightness does not always match what we are trying to achieve during calibration.

Does the image look better after calibration? Definitely yes, in terms of colour. But when it comes to managing brightness in HDR, we have to accept that the Hisense U7Q PRO will do it in its own way.

Television S90D performs very well at smoothing tonal transitions. Thanks to the applied technology, the transitions between colours are more fluid and natural. There is also the option to use noise reduction, which further smooths tonal transitions, which can be useful in certain situations. However, it is worth remembering that enabling noise reduction can also lead to the smoothing of desirable film grain, which in turn could reduce the cinematic atmosphere of the image. For this reason, caution is advised when using this feature, as it is better to leave the natural grain that adds character and authenticity to the viewed content.

Samsung, as always, does not disappoint and excels in the area of scaling images from lower resolutions. The S90D Samsung television effectively processes lower resolutions, as can be seen in the visible image. The outline of the model is clear and accurate and, as a result, looks natural and detailed. Moreover, the branches of the trees are well-rendered, showing no significant jaggedness, which could diminish the image quality. Thanks to effective scaling, even materials in lower resolution present attractively on the screen, pleasing users who prefer various sources of content such as regular antenna/cable television.

If someone happens to come across older materials where the colour banding issue occurs – Hisense has a solution for that. In the U7Q PRO, we find a function called "Smooth and Gradient Image". Set to the "Medium" level, it works really well – removing most issues with gradation while not smoothing out the entire image, like blurring in Photoshop. 😉 Film grain remains, details do not disappear – this is exactly how it should work. Well done on the implementation!

As for upscaling weaker materials, it is simply good. It is not at the level of the most expensive televisions with advanced upscaling, but older content looks good. There is minor aliasing at very low resolutions, but this is completely normal and hard to avoid. On the plus side – even with the oldest materials, there is no overscan effect, the image is neither cropped nor artificially stretched.

Samsung S90D TV is equipped with a 120 Hz panel, with the possibility of "overclocking" to 144 Hz with the appropriate PC configuration, providing exceptional motion fluidity. Samsung has been offering a variety of sharpness settings on a ten-point scale for years, allowing users to adjust the display to their preferences. In the UFO test, thanks to the use of an OLED panel, there's no sign of any smearing. The pixel response is instantaneous and perfectly captures dynamic movements. In this aspect, OLED technology is considered one of the best on the market. The picture is extremely sharp and detailed, even during fast actions, making the S90D TV an ideal choice for gamers and sports enthusiasts.

“Speed” – this word came up most often during our tests of the U7Q PRO. The television is equipped with a 165 Hz panel, which is impressive in itself – especially since we are talking about a model in the mid-range price category. Of course, PC gamers will benefit the most from its full capabilities, but even with everyday viewing, it's clear that this is a fast and efficient panel. Like most modern televisions, the U7Q PRO can also enhance the fluidity of films that were originally recorded at 24 frames. In the menu, we find a slider that allows us to adjust the effect to our own preferences – from a more cinematic look, with subtle motion, to stronger smoothing with the characteristic “telenovela effect.”

The Samsung S90D TV is perfectly adapted to the needs of gamers, offering four HDMI 2.1 ports that support key features such as Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR), and HDR Gaming Interest Group (HGIG). With these technologies, gamers can enjoy smoother and more responsive gameplay, significantly affecting comfort and performance during intense gaming sessions. An additional advantage of the television is the special Game Bar, which allows for easy management of game settings. This functionality enables quick adjustments to parameters such as changing the TV's screen aspect ratio, which can be useful in various games and types of gameplay. Users can easily customise their preferences, making the use of the TV during gaming even more convenient and enjoyable. As for PC users, the TV pleasantly surprises. When connected to a computer, the panel is capable of achieving a refresh rate of 144Hz, and users of Nvidia or AMD graphics cards can enjoy features such as G-Sync and FreeSync. It should be noted, however, that the TV does not support Dolby Vision, which may be a drawback - but it's worth bearing in mind that Dolby Vision is not as popular for games as it is for films. Nevertheless, the S90D TV still offers excellent features for gamers, making it a great choice for gaming enthusiasts who seek top-notch picture quality and modern technological solutions.

The Hisense U7Q PRO is a television that seems almost designed with gamers in mind. It has practically everything one could expect from a gaming display: variable refresh rate (VRR), automatic low latency mode (ALLM), and as many as four HDMI 2.1b ports with full bandwidth of 48 Gb/s. Additionally, there is a clear and quite functional Game Bar, as well as a well-implemented Dolby Vision GAMING mode that works seamlessly with Xbox Series S and X consoles.

Sounds like perfection? Well, almost. Unfortunately, Hisense has still not implemented the HGiG feature, which means the system limitation of tone mapping on the television side. This means that when configuring HDR brightness on the console, we do it "by eye" or search for settings in online guides, as the display does not show the actual range of its brightness. It’s a pity – because HGiG indeed makes it easier to match the console to the television and helps avoid overexposure or overly dark scenes in HDR games.

Fortunately, the other features work very well. Input lag is low, responsiveness is excellent, and the handling of other functions is impeccable. And while not everything worked perfectly, the U7Q PRO can still be recommended to gamers without hesitation.