LG QNED87T6B vs TCL C7K / QM7K

LG QNED87T6B delivers truly decent visual experiences when it comes to HDR. During our tests on test patterns, the television achieved brightness close to 500 nits, which is a satisfactory result and allows for good visibility of details in high dynamic scenes. Support for basic HDR formats, such as HDR10 and HLG, ensures appropriate image quality. Unfortunately, the television does not support more advanced standards, such as Dolby Vision or HDR10+, which are particularly important at this screen brightness. The lack of support for dynamic metadata means that in certain scenes, the television may struggle to fully reproduce details, especially in very bright areas – precisely when dynamic metadata could significantly improve image quality. Nevertheless, it is worth noting the excellent coverage of the wide DCI-P3 colour gamut, reaching as high as 96.4%. This ensures that the colours displayed by the QNED87T6B model are more vibrant and natural, enhancing the quality of 4K content with a wide colour palette.

TCL C7K is one of the brightest MiniLED televisions in its price range. Under the best testing conditions, the screen managed to achieve over 1200 nits, resulting in impressive, at times almost blindingly bright scenes. And most importantly – this is not just a theory based on measurements. In practice, the brightest parts of films can shine with true cinematic grandeur. Fans of home HDR cinema should be truly satisfied.

The impression is excellent, especially in scenes with large areas of brightness – a white sky, explosions, sun reflections, or magical sunsets can surprise with an intensity of light that is rarely seen in this price range.

However, it gets a bit worse when more challenging scenarios appear on the screen, as described when discussing contrast – that is, images full of details, with small, bright elements on a dark background. In such cases, the C7K often decides to preserve black levels at the expense of brightness. An example? Scenes from the films Sicario 2 or Life of Pi, where small light sources (like a distant lantern) can become less visible, and details in the lights are simply dimmed or blend into the background.

For many viewers, this may be an acceptable compromise – as we achieve deep black levels and a pleasing plasticity of the image. Nevertheless, it is worth being aware that the visibility of small details in bright areas is not this model's strongest suit. It is simply a technological limitation that still exists – even with over 300 zones.

The colour reproduction in the LG QNED, even in Filmmaker Mode, which is the best factory setting, is not without flaws. The main issue is the white balance – we noticed that the level of blue on the graph tends to decrease. This results in a shift towards yellow tones, making the image appear warmer than it should. This deviation affects the naturalness of colour reproduction, especially in scenes with a white or neutral background. The Color Checker test confirmed that some colours are distorted and deviate from reality. Such distortion can make cinematic scenes seem less realistic, and details are represented in incorrect colours, which negatively impacts the overall picture quality.

In terms of contrast, the analysis of the gamma graph revealed significant drops, while the optimal value should be 2.4. This means that the television may display darker parts of the image brighter in certain scenes, which reduces their depth and dynamism. Additionally, on the EOTF curve, which is responsible for brightness reproduction, an unnatural drop was noted at the beginning. This phenomenon may result in less accuracy in reproducing dark scenes, which in turn affects the overall picture quality. The television may not convey the full depth of black, causing more demanding scenes to lose realism and detail. As a result, viewers may notice that details in the darker areas of the image become less distinct.

A new feature in TCL televisions for 2025 is the long-awaited Filmmaker mode, which until now has been found in most competing brands. This is great news, as this mode is considered to be the truest to the original vision of the creators and is often recommended by enthusiasts of good picture quality. Unfortunately, as is often the case, the mere presence of this mode does not guarantee perfection. The Filmmaker mode in the TCL C7K is not without its flaws. There can be criticism of the incorrect white balance, particularly a slight dominance of blue, which resulted in cool, somewhat greyish skin tones. But that was not the biggest issue. The main complaint was the excessive brightness exposure, which is clearly visible on the gamma and EOTF graphs. The image was simply too bright, at times even blown out, which affected not only the texture of scenes but also the overall viewing experience. Some details were simply lost, and the entire image looked as if someone had slightly overcooked the brightness slider. As always, we decided to check what could be extracted from this after calibration. And that’s where it started to get really interesting…

After calibration, the colours in SDR content look very good. The improved white balance translates to natural and harmonious shades in various scenes. Thanks to the precise adjustment of the gamma, details in shadows and bright areas of the image are accurately reproduced. The television performs excellently in everyday use, offering vivid, well-balanced images and solid colour quality in HD quality. The greatest beneficiary here is also the contrast. The gamma chart has been freed from very large errors, so here the television has gained a second face.

As for the white balance in 4K HDR, it has also been significantly improved. However, certain errors still appear at the end of the chart. This could be due to the overly aggressive operation of the television's local dimming, which affects the accurate reproduction of colour in certain scenes. It is difficult to speak here of an improvement in brightness represented by the EOTF curve. Due to its construction limitations, the television has certain disadvantages and we are not able to overcome them. The Color Checker test confirms the issue with colour saturation – despite the television offering a wide colour palette, it is not able to fully convey what the director intended.

Despite these shortcomings, the overall picture quality after calibration is significantly better than before. Improvements in white balance and gamma adjustment make images more vivid, and colours closer to reality.

After calibration, the TCL C7K showcased itself in a really good light, especially when it comes to SDR content. We managed to precisely tune the white balance, colour gamut, and brightness characteristics to the point that colour errors on the ColorChecker palette dropped below a value of 2. For the uninitiated – this is nearly a perfect result, which means that the image is very close to what the creators intended. Unfortunately, the situation was worse with 4K HDR content. Although we managed to gently stabilize the white balance and correct its previous errors, it was still evident that the television has certain "MiniLED traits," especially in brightness management. When we checked how the C7K handled the EOTF curve on actual film scenes, rather than just on synthetic test patterns, it turned out that the screen still tends to slightly brighten the entire image. This impacts the overall experience – blacks lose some depth, and the image becomes less contrasty than it should be. Despite these minor shortcomings in HDR content, the overall reception of materials – especially in SDR – is truly very good. After calibration, the C7K can display an image that can compete successfully with much more expensive models. Good colour tuning, natural skin tones, and pleasant brightness make movie sessions and everyday viewing of content more than satisfactory.

When it comes to lower quality materials, the gradation looks really good. A feature called "Smooth Gradation" effectively smooths out the most problematic areas of the image without negatively affecting the film grain. For the best effect, it’s worth setting it to a low level. This solution significantly improves the quality of the displayed content and makes watching lower resolution materials more enjoyable and smoother.

In terms of digital processing, the image is displayed without cropping, known as overscanning. Although slight fringing of the branches against the model’s background can be noticed, the overall presentation is very good. Users should be satisfied with the image quality when watching low-quality materials, such as standard television. The television handles this task exceptionally well, providing a satisfying visual experience even with lower quality content.

TCL C7K is equipped with a feature that, according to the manufacturer, is meant to smooth out unwanted colour transitions – a sort of rescue for less successful tonal shifts. It is called "Gradual Smoothing" and… well, it sounds ambitious, but in practice it works very poorly. Regardless of whether we set it to a low or high level, the difference is minimal. Worst of all, the feature can cut out elements from the picture that should be there. Fortunately, film grain remains untouched, so at least it doesn’t smooth everything indiscriminately, but still – it’s better to simply turn this option off.

When it comes to scaling lower resolution content, it is somewhat better. SD and HD materials look quite decent, although at times we had the impression that the image loses sharpness and becomes too soft – as if something took away its definition. Fortunately, with very low sources (e.g. 576p), there was no overscan effect, meaning the picture was not artificially cropped – everything fit on the screen as it should.

The television provides decent smoothness when watching films, thanks to the "Tru Motion" feature that allows for adjustment of the motion smoothing level on a scale from 0 to 10. De-Judder adjusts motion smoothness, while De-Blur regulates motion sharpness. The user has the option to choose between a traditional, cinematic effect with slight judder (lower settings) and a smoother, theatrical image. Although the latter slightly deviates from the cinematic standard, it may be appealing to many viewers.

As for gamers and sports fans, the LG QNED87 television with a 120Hz panel will certainly not disappoint them. And with the use of an IPS panel, the response time is generally better than that of VA panels available at a similar price. This guarantees smoother gameplay and dynamic experiences when watching sports events.

The TCL C7K handles motion fluidity really very well. The matrix used in it offers a refresh rate of 144 Hz, which in itself suggests that this television is more than just a regular "60 Hz" panel. Furthermore – if we connect the C7K to a computer and set the resolution to Full HD. But we'll write more about this in the paragraph about gamers and PC collaboration. Returning to everyday use – both sports and films look very good here. Thanks to the fast panel and well-functioning motion smoothing, the C7K is great for watching matches, but also for movie screenings. In the menu, we find two sliders – motion blur reduction and flicker reduction – which allow us to adjust the fluidity effect to our own preferences. At lower settings, we get a more cinematic effect, with slight stuttering motion. At higher settings – the picture becomes more theatrical, fluid to the point of excess. Everyone has their own preferences – anyone can set it to their liking.

LG QNED offers a range of features that make it an excellent choice for gamers looking for a high-performance television. The television is equipped with four HDMI 2.1 ports, allowing for connection to the latest consoles, such as PlayStation 5 and Xbox Series X, and taking full advantage of features including Variable Refresh Rate (VRR) and Auto Low Latency Mode (ALLM). With the Game Bar feature, gamers can quickly and easily manage all their game settings without having to navigate through complicated menus. It is possible to adjust parameters such as VRR, ALLM, Multi View, and monitor frame rates. The television also supports G-Sync and FreeSync technologies, which is particularly important for owners of Nvidia and AMD graphics cards. G-Sync and FreeSync synchronise the television's refresh rate with the graphics card. The 120Hz panel ensures incredible motion smoothness and image clarity. Combined with the Black Frame Insertion (BFI) feature, available at 60Hz and 120Hz, gamers can enjoy an even clearer and smoother picture. LG QNED87 is a television that will meet the expectations of even the most demanding gamers, offering modern technologies and features that significantly enhance comfort and satisfaction in gaming.

The TCL C7K is a television that on paper appears to be the dream equipment for gamers – and most importantly, it holds up in practice too. To start with good news: there are two full-bandwidth HDMI 2.1 ports, so we can easily connect both a console and a computer, taking advantage of all their capabilities. The panel itself supports a refresh rate of 144 Hz, which gives a significant advantage in dynamic games. There is also a complete set of gaming features: VRR (variable refresh rate), ALLM (automatic low-latency mode), and support for Dolby Vision in games. There is also the HGiG mode, which allows for HDR effects consistent with the creators' intentions. GameBar, an information bar for gamers. It works quickly, looks clear (like a Nintendo console👌), and shows what matters most: the current frame rate, VRR status, and even HDR parameters.