LG 55 B4 vs SAMSUNG S90F (WOLED)

The brightness results in HDR materials LG B4 are very good. It is true that none of them exceed 1000 nits, although the luminance stability is excellent and looks practically the same in every scenario. The only moment where the tested television performs worse is the last scene, although this should not come as a surprise. Large frames filled with a lot of white have always been, and will likely continue to be, somewhat of a weakness for OLED televisions. However, the combination of perfect contrast, black levels, and brightness in the LG B4 allows for a full spectrum of the HDR effect. Additionally, the incredibly high coverage of the DCI-P3 colour gamut, which reached 99%, deserves recognition. As a result, colours look incredibly vibrant and stunning.

Does the S90F handle not only blacks but also bright parts of the image? Definitely. The stories about OLEDs as "dark screens" can slowly be regarded as myth. The Samsung S90F, like the LG C5 based on a very similar panel, achieves brightness exceeding 1000 nits. This is a value more than enough to enjoy impressive and dynamic HDR images – both in movies and series. Most of the scenes we tested look stunning, with well-defined highlights and high contrast. Of course, OLED technology still has its limitations – in very bright, full-screen sequences, such as the test card from the movie The Meg (photo 5), the television may noticeably dim the image. However, it should be emphasized that such scenes are rare. It can be said that the HDR effect is good enough that even mid-range OLED models like the S90F can provide a cinematic experience in the home living room.

The best factory mode prepared by the manufacturer is "Filmmaker," and we used it throughout the entire testing procedure. We must admit that the unit we received straight out of the box had quite decent colour reproduction. The biggest issue in both SDR and HDR content turned out to be white balance. In the former, there was a strong dominance of red, resulting in a noticeable yellow tint in the displayed image, particularly evident on skin tones and whites. In high-quality materials, this colour was also pronounced, but due to a lack of blue, there were also signs of green visible. Besides these shortcomings, we also encountered issues with greyscale and the colours themselves.

Samsung S90F, like most modern televisions, offers many picture modes, but – following our testing tradition – we checked it out in the best one, which is the Filmmaker mode. Thanks to this, the image looks much more natural than in the default, often oversaturated settings. It was neither overly saturated nor artificially dimmed – simply closer to what one should see. Of course, “more accurate” doesn’t mean “perfect”. Unfortunately, our S90F had significant issues with white balance, particularly in the blue color range, resulting in a slightly yellowish filter being applied to most scenes. Someone might say it looks more “filmic” – because it’s warmer – but let’s not kid ourselves, George Lucas didn’t film Star Wars in sepia 😉 (you’ll find a comparison with the scene below as always).

Additionally, in HDR materials, there was an issue with brightness management. The EOTF curve showed a clear “spike” in brightness – the television brightened the image more than it should have, causing some effects to look too intense and deviating from the reference. Fortunately, some of these problems can be eliminated through professional calibration – you’ll read about its effects later in the review.

LG B4 has been providing very advanced calibration tools in its TVs for years. We can even say that as the only manufacturer on the market, it allows for such deep intervention in image adjustment. Thanks to these, we were able to calibrate the device so well. The evidence of this is the extremely low deltaE errors, which can be said to stand at a reference level. Both SDR and HDR materials now look exactly as the film director intended. It is no coincidence that TVs of this brand are most often used as preview screens for various graphic or post-production studios.

After calibration, we managed to eliminate practically all the previously mentioned errors. Older movies in SDR quality finally look like they should – without the sepia effect or artificial aging of the image. The atmosphere of the classics is back in place (no thanks needed, Star Wars fans), and the colours no longer resemble an Instagram filter.

One of the key changes was also the improvement of brightness characteristics in HDR content. We managed to control the EOTF curve in almost a reference manner. Admittedly, the most demanding users may detect minimal deviations in brightness, but honestly – most viewers won't even notice that. And it's no surprise because the vast majority of errors fall below the ΔE 3 value, which is below the threshold of visibility. After calibration, the S90F (WOLED) becomes a truly excellent display – one on which you can enjoy nearly perfect image quality.

In this paragraph, we will take another look at the tonal transition smoothing feature, but we will also check how the TV handles lower quality material. As we have managed to check, the setting responsible for smooth gradation works quite effectively, although it has its weaker moments. While the feature works well with SDR content, it becomes less useful with HDR content. Even at the lowest of options, it blurs essential details, so we advise against using it.

The image scaling on LG B4 is rated fairly moderately positively. Although there is no edge splitting, the image itself is naturally "soft". We can change this by adjusting the sharpness slider.

Digital Image Processing in S90F:

Fortunately, Samsung, like in most of its models, manages to effectively tackle the unwanted posterisation effect in the S90F. The function responsible for this element is noise reduction, which does a pretty good job of smoothing tonal transitions and eliminating unnatural colour blending – of course, within its capabilities. Unfortunately, it works quite aggressively, so using it comes with trade-offs. In addition to improving gradation, it can also remove film grain or slightly soften facial features. In this case, the choice is yours – do you prefer a more "clean" image, or do you care about preserving the original texture of the material.

Image Scaling in S90F:

In this year's model, Samsung has implemented its proprietary AI processor – NQ4 Gen3, which really handles upscaling quite well. In our test scenes, the TV effectively "pulled up" lower quality towards artificial 4K – the image was more enjoyable to view, and the differences in sharpness between native and scaled content were minimal. Unfortunately, behind all this AI marketing façade lies a certain shortcoming. The S90F struggles with overscan. If you reach for truly archival material – e.g. a VHS tape of your parents' wedding – you have to reckon with the fact that the lower part of the image may get cut off. The function to adapt the image to resolution simply does not work as it should here.

The maximum refresh rate we can set on the LG B4 is 120 Hz. This is the absolute minimum for those who require high image smoothness. The manufacturer has implemented a multi-level motion smoother called "TruMotion". It has been divided into two separate sliders that adjust the sharpness of moving images (De-Blur) and stuttering (De-Judder). Both sliders can be set in the range from 0 to 10, with each level affecting the degree of smoothness, so everyone can find their sweet spot.

The LG OLED B4 panel features an average response time of 0.1 ms (which directly results from our measurements), allowing for an incredibly clear image, unattainable for LCD TVs, which have response times of even several milliseconds. This can be clearly seen in images from the "UFO Test", showing no trace of blur trailing behind the object.

S90F really handles motion excellently – after all, it’s an OLED with a 144 Hz panel, so sports and games look absolutely stunning on it. The image is smooth, clear, and there’s no room for ghosting or blurring, which can sometimes plague cheaper LCDs.

The TV also comes equipped with motion smoothness settings that allow you to customise everything to your liking. We have motion blur reduction and judder reduction – you can set it so that the image is super smooth (even to the point of looking a bit soap opera-like), or more cinematic, with the classic “jumpiness” of 24 frames. The choice is yours, Samsung imposes nothing.

The LG B4 television is equipped with four full-fledged HDMI 2.1 ports with a full bandwidth of 48Gbps. All functions corresponding to this standard activated without any issues, and throughout the entire testing procedure, they caused no problems. The combination of such extensive functionality and low input lags leads us to say that the tested television is truly designed for gaming. This is not surprising, considering that the manufacturer has always placed great emphasis on this. Therefore, we can enjoy both a properly implemented HGIG mode and gameplay in Dolby Vision with low latency. Such a tandem will surely attract the attention of all passionate gamers for whom quality is the most important.

A standard feature in televisions from the Korean manufacturer is also the implementation of GameBar, allowing for quick adjustments of settings "on the fly," without the need to exit the game. It also enables image adjustments for individuals with visual impairments, which is an extremely nice touch. Another important piece of information is that when the VRR technology is turned on, we will not experience a drop in contrast. This is, of course, due to the construction of the panel and the lack of conventional backlighting. However, it is normal for shades of grey to flicker slightly, although this is a characteristic feature of this function regardless of the manufacturer and the television.

In summary: The LG B4, like all OLEDs from the manufacturer equipped with 120Hz panels and HDMI 2.1 ports, creates a harmonious whole with the console. In practice, it is a complete television, and if we expect the highest possible efficiency in gaming, the B4 will be the ideal choice.

When it comes to gaming features – the S90F has absolutely nothing to complain about. Aside from the lack of Dolby Vision, which is already the norm for Samsung. The television operates at 144 Hz, has four HDMI 2.1 ports, so you can easily connect more than one console or PC. Onboard, we also find Game Bar – a practical tool that allows you to quickly preview picture settings, VRR status, ALLM mode, and other useful options. Game Motion Plus deserves special mention – Samsung's proprietary motion smoother that actually works sensibly in games. The image appears smoother, but without any artificial effects or slowdowns.

It's also worth mentioning the HGiG feature, which – and this may be a slight surprise – works correctly. We bring this up because Samsung clearly messed something up in one of the recent updates, and in some models, the option responsible for HGiG simply... disappears from the menu. Setting it up becomes almost impossible. Fortunately, our S90F unit did not have this issue, but the situation is dynamic, so it's worth keeping this in mind and regularly checking for new software versions and information from the manufacturer.