TCL C655 Pro vs TCL P7K / P79K

In the HDR effect quality category, the TCL 655 PRO television shows decent capabilities, achieving 550 nits of peak brightness. This allows for enjoyment of HDR effects, which is clearly visible in scenes such as the first from the movie Life of Pi or the last frame from The Meg. However, the limited number of dimming zones causes some problems. While in bright scenes the television performs better than its lower model, in more demanding scenes, such as the second and fourth scenes from Sicario 2, it struggles. The dimming algorithm aims for deep blacks, but at the cost of brightness – which in these moments leads to a decrease in brightness by as much as half. In these more challenging scenes with small elements, it is hard to find any praise, and the HDR effect resembles rather SDR. Nonetheless, the coverage of the color palette deserves commendation, which, like in the version without the PRO suffix, is at a very good level.

When evaluating the HDR effect, we must make it clear and without marketing embellishment: the P7K/P79K is not and was never meant to be a master in this field. The maximum peak brightness that this panel can generate is only around 300 nits. This is a borderline value, a sort of thin red line between what can be considered a barely satisfactory HDR signal and what is really not much different from standard dynamic range (SDR), unfortunately leaning towards the latter. Synthetic tests found brutal confirmation in reality – our measurements taken during movie screenings showed that luminance in key bright parts of the content rarely exceeded the threshold of 200-250 nits. Therefore, this is not a television that would allow content produced in a wide tonal range to truly shine, and we must openly acknowledge that.

Unfortunately, the issue of color reproduction is presented equally restrained. Although the manufacturer positions this model in the "QLED" family, thanks to the use of a PFS LED filter, the results do not match the heightened expectations. The coverage of the wide DCI-P3 color gamut is only 86%. Compared to the market, this is at best an average result, as most devices that employ additional layers to expand the color spectrum easily achieve values at a minimum level of 90-92%.

Each of our TV tests is conducted in movie mode, which usually offers the best color reproduction. Nevertheless, even this mode is not free from problems, as we noted with the TCL 655 PRO model.

In the case of HD content, the white balance clearly shifts towards red, and this effect becomes particularly noticeable in a scene from Star Wars, where the white elements of the scenery take on a pink hue. For 4K HDR material, the situation looks better, but there is a tendency to excessively enhance the blue color. As a result, the image can appear artificially sharp, which proves to be uncomfortable for the eye over a longer period. The brightness characteristic also leaves much to be desired. The Gamma chart indicates serious difficulties with excessive brightening, causing the overall presentation to look washed out. Additionally, the EOTF curve reveals significant issues with the reproduction of very small elements - they are excessively dimmed, as we detailed in the paragraph regarding HDR effects.

Every reliable image quality assessment must begin by selecting the most optimal factory mode. In the case of the tested model P7K/P79K, the choice was confidently made for the "Film" mode. It is this mode that presents an image closest to the creators' intentions, avoiding both the exaggerated brightness of dynamic mode and the excessive dimming known from eco settings. And it must be admitted that, for a device in this price range, the factory calibration is surprisingly decent, although it is not free from a few stumbles. The most noticeable flaw turned out to be an imperfectly adjusted white balance. A slight dominance of the blue component gives the image a subtly cool, chilly character, thus deviating from the exemplary neutrality that the director wanted to show us. The television performs much better in reproducing the grayscale in a standard dynamic range – the gamma curve is executed almost perfectly. A minor reservation can only be made for the darkest parts of the image, where a slight deviation from the norm causes a loss of some detail in the shadows. The most serious challenge for TCL's software, however, was the interpretation of the HDR signal, which is illustrated by the EOTF curve. The television follows its own, rather free path here – the darkest details are disproportionately brightened, followed by a noticeable slowdown in brightness increase for midtones. Fortunately, most of these imperfections are software-related issues that can be eliminated. With this thought in mind, we proceeded to the professional calibration process.

After calibrating the TCL 655 PRO television, a noticeable improvement in white balance can be observed, having completely eliminated the tendency for the screen to have an excessive pink hue, which was previously visible in factory mode. The image has taken on more natural tones, especially in white and bright elements, positively affecting the overall perception of the picture. As for brightness characteristics, the Gamma chart has also improved – the screen is no longer excessively bright, which previously made the image look washed out. Nevertheless, there are still some issues with the EOTF curve that are difficult to eliminate due to the design of the television and its limited number of dimming zones. These limitations prevent achieving ideal results in this regard. However, despite this minor flaw, the overall effect after calibration is truly outstanding, providing high image quality and very good color reproduction.

The calibration process turned out to be a home run, especially in the context of standard dynamic range (SDR) content. We successfully managed to eliminate the TV's tendency to emphasize cool tones, restoring the whites to their natural neutrality. Furthermore, precise adjustments allowed us to correct a slight error in the gamma curve, so the darkest areas of the image regained their proper depth, without a trace of unnatural brightening. The effects are measurable and impressive – in the ColorChecker test, the vast majority of color reproduction errors fell below the perceptual threshold, achieving a deltaE value below 2. This is a result that would not shame much more expensive constructions. Unfortunately, in the case of HDR content, we hit a wall in the form of the inherent limitations of the panel itself. And although we managed to bring the colors in line, the software's specifics mean that the TV still adapts brightness in its own way, as evidenced by the persistent, non-standard EOTF curve. In summary, calibration brings tremendous added value, but one must be aware that it cannot overcome certain physical barriers. A slight boost in black levels, resulting from the lack of local dimming, and limited peak brightness mean that HDR content will not always be able to showcase its full potential. This is simply not the main task of this display; its true strength, especially after professional tuning, lies in the viewing of SDR materials.

The TCL 655 PRO television handles tonal transitions in lower-quality materials quite well. The "Gradual Smoothing" feature at a low setting effectively smooths out tonal transitions; however, this comes at the cost of losing some important details, such as the texture of objects. A positive aspect is that it does not negatively affect film grain, which helps maintain the natural look of the image.

In the context of digital processing, the television adds artificial sharpness. This may appeal to users who prefer a more vivid image. However, those who favor a softer, subtler look may find this to be a drawback. Additionally, a downside is the image cropping due to overscan, which limits the field of view and trims the edges of the frame. This can be problematic in certain scenes - e.g., news tickers.

After a series of harsh evaluations, fortunately, the time comes for praise, and this is due to the TCL AiPQ image processor for its work in digital processing and content scaling. It should be noted right away that we are not talking about the level known from flagship designs; nevertheless, in the price segment represented by the P7K/P79K, the results achieved are more than solid. The feature that smooths tonal transitions performs particularly well, effectively eliminating posterization, which are the characteristic bands often visible in materials with higher compression, such as from the YouTube service. The algorithm can elegantly remove unwanted gradients, which ultimately looks really good. The television also competently handles upscaling, which is the task of raising low-resolution materials to 4K standard. The output image, although it may seem a bit too sharp out of the box, fortunately, is not a problem. The software allows for easy adjustment of this parameter using a sharpness slider, so the final appearance can be easily tailored to personal preferences.

The TCL C655 PRO TV is equipped with a 4K panel with a refresh rate of 60 Hz, making it ideal for watching movies. Additionally, the "Flicker Reduction" feature allows users to adjust the fluidity of the image, giving them the choice between smoother motion or a cinematic, choppy effect. Moreover, the TV handles lower resolution content well, such as Full HD and 2K, offering a refresh rate of 120 Hz, which will certainly appeal to gamers who can enjoy smoother images, albeit at the cost of lower resolution.

The issue of fluidity and sharpness of the image in motion is inextricably linked to the fundamental parameter of the panel, and in the case of the TCL P7K/P79K, we are dealing with a panel that has a native refresh rate of 60 Hz. This specification already defines its capabilities and makes it difficult to unequivocally recommend it to enthusiasts of dynamic sports broadcasts. During rapid camera movements, the image loses sharpness, and the panel itself also shows a slight tendency to blur, which may be noticeable to more sensitive viewers. Fortunately, not everything in this aspect has been left to chance. The manufacturer has implemented a simple motion smoothing system, which is primarily used in film materials recorded at 24 or 30 frames per second. Thanks to a dedicated slider, the user can independently decide on the final character of the motion – from a fully cinematic, slightly juddery image to achieving a very smooth, almost theatrical effect. It is a simple yet effective tool that allows users to tailor the viewing experience to their own preferences.

The TCL C655 PRO television offers an almost perfect set of features for gamers, supporting all key technologies that significantly improve the gaming experience. The ALLM feature automatically switches the television to low latency mode, resulting in better responsiveness and minimized signal delays – particularly important in dynamic titles. VRR synchronizes the screen refresh rate with the number of frames generated by the console, eliminating screen tearing and thus guaranteeing smoother gameplay.

Support for Dolby Vision in game mode allows for more detailed color and contrast reproduction in games that support this format, while the Game Bar provides quick access to important settings such as response time or latency level. Unfortunately, this model does not support 4K resolution at 120 Hz, which may disappoint the most demanding gamers. However, for those who can forgo 4K, support for Full HD and 2K at 120 Hz offers exceptionally smooth visuals, making it an attractive alternative for enthusiasts of higher refresh rates.

Although on paper the native 4K@60Hz matrix might suggest that the TCL P7K/P79K is not a TV tailored for gamers, the reality turns out to be surprisingly different. On the contrary, the manufacturer has ensured a rich package of features that make it a very friendly companion for next-generation consoles. Onboard, we find key technologies such as ALLM, which provides automatic switching to low-latency mode, and VRR, or variable refresh rate, which eliminates screen tearing. The list is completed by support for Dolby Vision Gaming and a simple yet functional Game Bar. However, the real and extremely pleasant surprise is something else. It turns out that the TV easily supports high refresh rate signals of 120 Hz, but at lower resolutions – 1080p and 1440p. This is fantastic news for console owners who know full well how rarely games run in native 4K at a full 120 frames per second. The ability to choose between higher resolution and doubled smoothness is therefore an extremely sensible compromise.

In summary, although the P7K/P79K may not be the target screen for the most avid tournament gamers, it offers a package of options for the casual or occasional console user that is hard to find among many competitors at this price point.