Compare TCL A300W NXTVision vs TCL P7K / P79K

At first glance, it's clear that the TCL A300 NXTVision wants to be more than just an ordinary television. It offers an image display mode that – unlike its competitors from Korea, Samsung The Frame – is completely free of charge. Additionally, like its rivals, freebies are included. In the package, in addition to the television, we find extra frames imitating light wood as well as a flat wall mount, allowing the television to truly resemble a gallery piece. In terms of everyday use, the Google TV system makes the biggest impression – it's extensive, fast, and offers access to a vast number of applications. And if we feel like stepping out of the digital museum and jumping straight into the gaming world, the A300 can surprise us. Two HDMI 2.1 ports, 144 Hz, VRR, ALLM, and very low input lag mean that even demanding gamers can feel at home here. Well... maybe except for those who are sensitive to ghosting – because that's still one of the model's major issues. There are also downsides. Although the picture mode is free – and that's worth appreciating – the quality of the available graphics clearly falls short of what Samsung offers in its paid ART Store. The images displayed resemble photos rather than realistic reproductions of artworks. Unfortunately, the A300 – like the competing Hisense S7NQ – performs poorly in this regard and additionally has some software issues. The brightness of the television itself also leaves much to be desired – it is the darkest television of the entire “frame trio,” which translates to average experiences during the day and limited HDR effects. Nevertheless, the TCL A300 NXTVision is a quite reasonable alternative to Samsung The Frame or S7NQ – especially if we are looking for a more affordable solution without additional fees for access to the "gallery" mode and with an operating system that doesn't limit us in terms of the number of applications. However, it should be noted that this is a proposition with a lot of compromises. If we want to save a bit and aren’t expecting top-end picture quality, then the A300 could be a picture-perfect choice. Otherwise, it’s worth looking at its competition.

The time has come to gather all observations. The TCL P7K / P79K is a television that cleverly juggles compromises, offering significantly more than we could expect in its price range. Its undeniable advantage is the VA panel, guaranteeing deep blacks and high contrast, and a surprisingly rich package for gamers (with VRR and 120 Hz support at lower resolutions) makes it a phenomenal choice for console owners. The whole package is tied together by the functional Google TV system. Of course, low peak brightness means that HDR content lacks spectacular highlights, and the TV's performance in sunlit rooms is limited. And while at its relatively low price, the P7K / P79K is quite a decent option, its biggest competitor turns out to be… its more refined sibling, the P8K. Often FOR a small extra charge, we get a device a class higher – with a native 4K 144 Hz panel, significantly better audio system, and generally higher build quality, which is reflected in its much higher rating on our portal. Therefore, the final verdict must be as follows: if your budget is absolutely non-negotiable, the P7K / P79K will be a good and cost-effective choice. However, if you can afford to add a small amount, the P8K model will offer significantly more and will ultimately be a more satisfying investment.

TCL A300, also known as NXTVision, uses a VA panel, so right from the start, decent contrast could be expected. In our test patterns, the television did indeed show typical results for this type of panel – in the best case, the contrast reached about 5000:1, which is not a bad result for this segment.

However, it should be noted that the model is not equipped with any local dimming technology, which unfortunately shows in practice. Black, although at times quite deep, often shifts to blue or gray – especially in darker scenes. In short: for a television without local dimming, it's not bad, but there’s no point in comparing it to models that already have that feature on board.

In the discussion about image quality, the conversation almost always starts with the issue of black depth and contrast, which are parameters defining the plasticity and realism of the observed world. And here, the TCL P7k/P79k immediately lays its strongest asset on the table – a VA-type panel. It is its construction that makes the native relationship between the brightest and darkest parts of the image more than satisfactory, especially in the context of the price segment that this model represents. In the majority of scenes, the achieved black has a noble depth, which allows for building an engaging viewer experience. To illustrate the scale, it is worth mentioning that competitive constructions based on IPS panels often offer results that are even four or sometimes five times lower, which constitutes a chasm in direct comparison. Of course, entering the territory of models oriented towards affordability, we must be aware of certain compromises. In the discussed television, we will not find an advanced local dimming system that could further enhance the impression of contrast. However, the absence of this feature is fully understandable and constitutes a logical consequence of positioning the product in the market – this technology in TCL's portfolio for 2025 has been reserved for higher-positioned, more prestigious series marked with the letter "C".

When it comes to brightness, the TCL A300W is definitely the darkest TV among all frame-style models, such as Samsung The Frame or Hisense CanvasTV – and unfortunately, this is immediately noticeable. In our measurements, the peak luminance reached only about 400 nits, and on test film screens, this value dropped to 350 nits. This is definitely too little to feel the true "magic" of bright HDR effects. As a consolation – the TV is equipped with a PFS LED coating (which is something like QLED), which provides very good coverage of a wide color palette, both DCI-P3 and BT.2020. Additionally, there is full support for all popular HDR formats – HDR10, HDR10+, HLG, and Dolby Vision – which somewhat compensates for the shortcomings in brightness and helps improve the overall perception of materials in this quality.

When evaluating the HDR effect, we must make it clear and without marketing embellishment: the P7K/P79K is not and was never meant to be a master in this field. The maximum peak brightness that this panel can generate is only around 300 nits. This is a borderline value, a sort of thin red line between what can be considered a barely satisfactory HDR signal and what is really not much different from standard dynamic range (SDR), unfortunately leaning towards the latter. Synthetic tests found brutal confirmation in reality – our measurements taken during movie screenings showed that luminance in key bright parts of the content rarely exceeded the threshold of 200-250 nits. Therefore, this is not a television that would allow content produced in a wide tonal range to truly shine, and we must openly acknowledge that.

Unfortunately, the issue of color reproduction is presented equally restrained. Although the manufacturer positions this model in the "QLED" family, thanks to the use of a PFS LED filter, the results do not match the heightened expectations. The coverage of the wide DCI-P3 color gamut is only 86%. Compared to the market, this is at best an average result, as most devices that employ additional layers to expand the color spectrum easily achieve values at a minimum level of 90-92%.

TCL A300 offers several picture modes, but without a doubt, the movie mode performs the best. Unfortunately, although it is the best choice among the available options, it is not free from errors. Both in HD and HDR content, the image has a noticeably too warm tint – leaning slightly towards pink, which is particularly noticeable in snowy scenes. Instead of pure white, we get a pinkish hue that spoils the natural perception of colors.

The brightness management doesn't perform well either. For older HD materials, the image often seems too dark – as confirmed by the inflated gamma value. Conversely, with HDR content, the effect is reversed – the image is overly brightened, which we observed in scenes from the movie Pan. This lack of consistency also affects color reproduction accuracy – a test with the ColorChecker showed that many samples deviate significantly from the reference values.

Fortunately, TCL allows manual adjustment of the settings, so we decided to check how the television would perform after our professional calibration. The effects of this correction are described below.

Every reliable image quality assessment must begin by selecting the most optimal factory mode. In the case of the tested model P7K/P79K, the choice was confidently made for the "Film" mode. It is this mode that presents an image closest to the creators' intentions, avoiding both the exaggerated brightness of dynamic mode and the excessive dimming known from eco settings. And it must be admitted that, for a device in this price range, the factory calibration is surprisingly decent, although it is not free from a few stumbles. The most noticeable flaw turned out to be an imperfectly adjusted white balance. A slight dominance of the blue component gives the image a subtly cool, chilly character, thus deviating from the exemplary neutrality that the director wanted to show us. The television performs much better in reproducing the grayscale in a standard dynamic range – the gamma curve is executed almost perfectly. A minor reservation can only be made for the darkest parts of the image, where a slight deviation from the norm causes a loss of some detail in the shadows. The most serious challenge for TCL's software, however, was the interpretation of the HDR signal, which is illustrated by the EOTF curve. The television follows its own, rather free path here – the darkest details are disproportionately brightened, followed by a noticeable slowdown in brightness increase for midtones. Fortunately, most of these imperfections are software-related issues that can be eliminated. With this thought in mind, we proceeded to the professional calibration process.

After our professional calibration, the TCL A300 literally got a new lease on life. The image is no longer too warm, and the colors finally look the way they should – which was confirmed by the ColorChecker test, where the color samples finally started hitting their marks, at least to some reasonable degree. It was also possible to partially correct the brightness management – the image is now more balanced and less "wobbly" between different types of content. Of course, certain limitations cannot be overcome – a slightly noticeable blooming effect still occurs, but that's a characteristic of the technology, not something that can be eliminated even after professional settings.

Generally: after calibration, the A300 looks significantly better and gains a completely new quality.

The calibration process turned out to be a home run, especially in the context of standard dynamic range (SDR) content. We successfully managed to eliminate the TV's tendency to emphasize cool tones, restoring the whites to their natural neutrality. Furthermore, precise adjustments allowed us to correct a slight error in the gamma curve, so the darkest areas of the image regained their proper depth, without a trace of unnatural brightening. The effects are measurable and impressive – in the ColorChecker test, the vast majority of color reproduction errors fell below the perceptual threshold, achieving a deltaE value below 2. This is a result that would not shame much more expensive constructions. Unfortunately, in the case of HDR content, we hit a wall in the form of the inherent limitations of the panel itself. And although we managed to bring the colors in line, the software's specifics mean that the TV still adapts brightness in its own way, as evidenced by the persistent, non-standard EOTF curve. In summary, calibration brings tremendous added value, but one must be aware that it cannot overcome certain physical barriers. A slight boost in black levels, resulting from the lack of local dimming, and limited peak brightness mean that HDR content will not always be able to showcase its full potential. This is simply not the main task of this display; its true strength, especially after professional tuning, lies in the viewing of SDR materials.

TCL A300 NXTVision is another frame-style television that really handles the smoothness of color transitions well. It's hard to find clear bands or sharp transitions between shades of the same color here – the overall look is natural and smooth.

However, it must be honestly admitted that among the three tested models (The Frame and S7NQ), TCL performs the weakest in this category. In darker and lighter scenes, delicate imperfections can be noticed. Nevertheless, looking at it as a whole, for a TV in this price range – it really presents itself solidly. It may not be the best among all, but it maintains a very good level.

The issue of fluidity in tonal transitions, or popular grading, is another area where the P7K / P79K evokes mixed feelings and surprises with its dual nature. If we were to evaluate solely its ability to render smooth color gradients, we would undoubtedly give it a solid score of 8/10. Unfortunately, this positive image is marred by the use of very aggressive and unsightly dithering. This artifact is particularly noticeable on demanding test patterns – such as the one depicting an actor submerged in red water – where a rough, unnatural texture appears on uniform color surfaces, revealing the digital nature of the image. This is particularly disappointing as it is not a new issue. It seems to be a sort of legacy from previous generations of budget TCL models, which is a shame because it constitutes a flaw on what is essentially a quite competent image and is a mistake that could have been avoided.

TCL A300 handles tonal transitions in high-quality films very well, but the question arises – how does it perform with weaker materials? The television is equipped with a tonal transition smoothing feature, but its effectiveness can be described in one word: "random." In one scene it may work and improve the gradation, and when turned off… the effect remains the same. There is a lack of consistency and predictability.

Image scaling is also not one of the A300's strong suits. In the test pattern, the main character actually looked better than on the raw signal, but with thin lines – like fonts or background details – there was noticeable jaggedness and aliasing. On the plus side, the television does not cut off the image and has no issues with overscan, but the overall quality of scaling is rather average.

After a series of harsh evaluations, fortunately, the time comes for praise, and this is due to the TCL AiPQ image processor for its work in digital processing and content scaling. It should be noted right away that we are not talking about the level known from flagship designs; nevertheless, in the price segment represented by the P7K/P79K, the results achieved are more than solid. The feature that smooths tonal transitions performs particularly well, effectively eliminating posterization, which are the characteristic bands often visible in materials with higher compression, such as from the YouTube service. The algorithm can elegantly remove unwanted gradients, which ultimately looks really good. The television also competently handles upscaling, which is the task of raising low-resolution materials to 4K standard. The output image, although it may seem a bit too sharp out of the box, fortunately, is not a problem. The software allows for easy adjustment of this parameter using a sharpness slider, so the final appearance can be easily tailored to personal preferences.

The TCL A300 is equipped with a 144 Hz panel, which should immediately satisfy practically everyone – both gamers and sports fans. The motion is smooth, and the picture is clear even in fast scenes. Additionally, the television offers a motion enhancement feature called "Motion," where we can find two sliders on a 10-point scale. These allow for adjusting the effect to personal preferences – from a classic, cinematic look with visible frames to a very smooth (though already unnatural) image reminiscent of a soap opera effect. Thanks to this, everyone can find a setting that suits them.

The issue of fluidity and sharpness of the image in motion is inextricably linked to the fundamental parameter of the panel, and in the case of the TCL P7K/P79K, we are dealing with a panel that has a native refresh rate of 60 Hz. This specification already defines its capabilities and makes it difficult to unequivocally recommend it to enthusiasts of dynamic sports broadcasts. During rapid camera movements, the image loses sharpness, and the panel itself also shows a slight tendency to blur, which may be noticeable to more sensitive viewers. Fortunately, not everything in this aspect has been left to chance. The manufacturer has implemented a simple motion smoothing system, which is primarily used in film materials recorded at 24 or 30 frames per second. Thanks to a dedicated slider, the user can independently decide on the final character of the motion – from a fully cinematic, slightly juddery image to achieving a very smooth, almost theatrical effect. It is a simple yet effective tool that allows users to tailor the viewing experience to their own preferences.

TCL A300 is a television designed not only to transport us to a digital art museum but also to a full-fledged gaming world. It offers practically everything you would expect from gear for gamers: two HDMI 2.1 ports with full bandwidth, 144 Hz refresh rate, VRR support, and ALLM.

The correct implementation of the HGIG mode is also a plus – something that competing Hisense sometimes struggles with. The television easily handles lower resolutions (e.g., Full HD) while maintaining high refresh rates, which will be appreciated by owners of older consoles or PCs.

In addition, there’s an attractive and clear GameBar that facilitates quick access to settings for gamers. The A300 is truly well-prepared for gaming at the highest level – it's just a shame that issues with motion blur slightly tarnish its overall image as a gaming device.

Although on paper the native 4K@60Hz matrix might suggest that the TCL P7K/P79K is not a TV tailored for gamers, the reality turns out to be surprisingly different. On the contrary, the manufacturer has ensured a rich package of features that make it a very friendly companion for next-generation consoles. Onboard, we find key technologies such as ALLM, which provides automatic switching to low-latency mode, and VRR, or variable refresh rate, which eliminates screen tearing. The list is completed by support for Dolby Vision Gaming and a simple yet functional Game Bar. However, the real and extremely pleasant surprise is something else. It turns out that the TV easily supports high refresh rate signals of 120 Hz, but at lower resolutions – 1080p and 1440p. This is fantastic news for console owners who know full well how rarely games run in native 4K at a full 120 frames per second. The ability to choose between higher resolution and doubled smoothness is therefore an extremely sensible compromise.

In summary, although the P7K/P79K may not be the target screen for the most avid tournament gamers, it offers a package of options for the casual or occasional console user that is hard to find among many competitors at this price point.

In terms of input lag, the TCL A300 performs really well. Values below 10 ms at a 120 Hz refresh rate are something many gamers dream of – such low lag is practically imperceptible, both during everyday gaming and in more demanding esports titles. One could indeed point out the result of 23 ms in Dolby Vision mode at 60 frames, but it is still a low enough value that it's hard to have serious objections. In this category, the A300 truly excels.

Complementing this rich package for gamers is a parameter that has a direct impact on comfort and performance in gameplay – input lag. Even in native 60 Hz mode, the television boasts an excellent result of just 15 ms. However, the real magic happens when switching to 120 Hz mode, when the lag drops nearly in half, reaching values below 10 ms. Such responsiveness means that every command from the controller is transferred to the screen in the blink of an eye, something not only professionals will appreciate, but anyone who values smooth and immediate interaction with the game.

If we plan to use the TCL A300 as a monitor for a computer, we may be pleasantly surprised. The television performs really well in this role. It is equipped with a 144 Hz panel, supports G-Sync, and, as we mentioned, offers very low input lag, so gaming on it with a connected PC is pure pleasure.

Working with text is also possible, although with some limitations. The TCL A300 has slight issues displaying dark fonts and thin lines – this stems from the structure of the subpixels, which can be somewhat bothersome in everyday use, even though it looks better in pictures than in reality.

The television supports chroma 4:4:4, but only up to 120 Hz. That's why we noted that this feature is available, but with a limitation – if we care about perfectly legible fonts, it's worth sticking to a refresh rate of 120 Hz. At 144 Hz, the sharpness of the text may suffer slightly.

We finally come to an area that can undoubtedly be described as the biggest Achilles' heel of the TCL P7K/P79K – its cooperation with a PC. This is paradoxical because on paper, everything looks promising. The presence of G-Sync and support for high refresh rates at lower resolutions might suggest that it would also be a great monitor. Unfortunately, practice brutally verifies these assumptions. The key issue is the lack of support for full 4:4:4 chroma sampling. In everyday use, this translates to terrible font rendering quality – they, especially colorful ones, become jagged, surrounded by artifacts, and simply hard to read. This is not the end, as in PC mode, a significant issue with aggressive dithering also becomes evident, giving the entire image an artificial, overly digital appearance. The only consolation in this situation is the fact that in games, we can take advantage of additional hertz and G-Sync technology, but these are not benefits that could compensate for the fundamental shortcomings in displaying a static interface. The verdict is therefore clear: while it can still hold up as a screen solely for gaming on PC, in the role of a monitor for work or internet browsing, the P7K/P79K simply performs poorly.

The viewing angles on the TCL A300 NXTVision are – let's be honest – average. The television is equipped with a VA panel, which inherently has quite limited angles, and unfortunately, you can clearly see that here. The film below speaks for itself – even a slight deviation from the axis results in a noticeable drop in contrast and color saturation. It’s a pity that this is another frame-style television that hasn’t done anything about it. After all, we don’t always have the option to sit perfectly straight in front – especially if the device is also meant to serve a decorative function in the living room.

When it comes to viewing angles, we enter a territory where VA matrix technology dictates inevitable conditions. As expected, this is the weak point of this model. It is enough to move away from the screen's axis to observe a gradual degradation of the image: colors begin to fade, contrast noticeably drops, and black loses its depth. In direct competition with IPS panels, which are renowned for their generosity in this aspect, the VA matrix must concede superiority to its competitor. Is there a plus side to this? Paradoxically, yes. Poor viewing angles are, in fact, the price we consciously pay for the fundamental advantage of this technology – a significantly higher native contrast and deeper blacks when viewed head-on. So, one could say that this is a television that favors the viewer sitting in the "ideal" spot, offering them a maximally vibrant image at the cost of universality.

The TCL A300 NXTVision is equipped with a matte panel very similar to the one found in one of its Chinese competitors – the Hisense S7NQ model. Such a surface does quite well in suppressing reflections, although it must be admitted that it performs worse than Samsung's The Frame, which offers a definitely higher level in this respect. As is often the case with matte displays, blacks during the day lose depth and appear more gray than black – and this is no different here. Unfortunately, the fact that the A300 is the darkest television among the tested trio does not help either. As a result, it has a real problem standing out in heavily sunlit rooms.

The last practical test for any television is its daily performance in daylight conditions when it must compete with ambient light. In this competition, the TCL P7K / P79K has a slight advantage thanks to its satin screen coating. Its structure manages to quite effectively dampen direct reflections, dispersing them and protecting the image from excessive color fading or black brightness. However, passive combat with reflections is one side of the coin. The other is the active ability to "break through" bright surroundings, and here one of the key limitations of this model becomes apparent. The previously mentioned peak brightness of around 300 nits is simply too low to provide a fully comfortable and dynamic viewing experience in a brightly lit living room. In such conditions, the image may lack punch, and lower brightness scenes may lose clarity.

TCL A300 is a television styled like a painting, which in everyday use can successfully imitate a work of art hanging on the wall. It is equipped with a special image display mode, additional frames in a light wood tone, and a flat wall mount that allows the TV to be hung like a real painting – flush against the wall.

A significant advantage of the picture mode is that it is completely free. We have access to dozens of artworks from which we can choose what should be displayed in standby mode – instead of a black screen, the image selected by us stays on the wall. The quality of the graphic reproduction is decent, but it must be admitted that it clearly falls short compared to that of Samsung's ART Store. Although access to the images there is paid, the quality of the scans is significantly better – you can see the texture of the paint, canvas, and details. In the TCL A300, it resembles high-quality photos more than realistic reproductions of artworks. Additionally, the implementation of the picture mode in the system leaves much to be desired. For example – if we set the brightness in picture mode to 10%, this same value automatically transfers to the regular viewing mode, where we could easily set the brightness to 50% or even 100%. It also works the other way around – when we set the brightness to 100% in regular mode, after switching to gallery mode, the images are displayed with that same maximum brightness, shining too intensely and losing the entire effect of "a picture on the wall." These are minor but annoying errors that can ruin the impression of what was supposed to be visually subtle and elegant.

Moving on to more classic features – the A300 runs on the Google TV system, which currently offers by far the largest selection of applications (full list available below). The well-functioning voice assistant with support for the Polish language is also a significant plus. As is standard – as in most TCL televisions – there is a lack of USB recording functionality or picture-in-picture (PiP) mode.

Smart Features – the Power of Google TV

The heart and brain of the TCL P7K / P79K is the Google TV system, which in itself is a huge advantage. This platform provides access to an almost endless library of applications from the Play Store, ensuring that we won't be missing any key streaming service. Integration with other devices is exemplary – Apple device owners will appreciate the seamless cooperation via AirPlay, while Windows and Android users will easily take advantage of the screen mirroring feature. It is also worth highlighting the Google Assistant, which performs fantastically with voice searches in Polish, remaining one of the most effective and convenient solutions of its kind on the market. The operation of the system on the tested model can be described as "average plus." The interface is mostly smooth, but during testing, it experienced occasional slowdowns and even sporadic "freezes" requiring a moment of patience. Minor hiccups are also visible in the translation of some system messages, which can be awkward – however, these are just small oversights on TCL's part, not affecting overall functionality.

Classic Features

In the age of smart systems, traditional television functions often take a back seat, and this is also the case here. A significant advantage is the inclusion of a classic remote control with a numeric keypad, which does not require precise aiming at the screen for communication, greatly enhancing user comfort. The presence of Bluetooth technology for connecting external devices, like headphones or speakers, should also be noted positively. However, this is where the list of conveniences basically ends. It is evident that TCL has placed nearly everything on the Google TV card, treating classic functions as an absolute minimum. Therefore, we will not find the option to record programs from built-in tuners to a USB drive or the once-popular PiP (Picture-in-Picture) feature. This is therefore a basic package that simply works, but does not offer anything beyond what is necessary.

The built-in player in the TCL A300 works as it should – most popular video and photo files play without any issues. Although it lacks support for the HEIC format from Apple (which is quite common in many TVs), most users still rely on the AirPlay feature, so it shouldn't pose a major problem. If someone is not satisfied with the default player, the Google TV system offers considerable options – it's easy to install an alternative app that better matches our preferences. Nonetheless, it must be admitted that the factory solution is completely sufficient for everyday use.

The built-in media player in the P7k/P79k model is at least a puzzling case, putting us in quite an unusual situation. On one hand, its engine handles decoding most popular video formats, which is obviously good news. On the other hand, we encountered a surprising and irritating issue – the default application has a fundamental problem displaying Polish diacritical characters in subtitle files correctly. Instead of letters like "ą", "ę", or "ż", empty squares or random, unreadable symbols appeared on the screen. Fortunately, thanks to the flexibility of the Google TV system, this problem can be easily circumvented. Installing an alternative, advanced player, such as the reliable VLC or KODI, completely resolves this inconvenience. The situation is peculiar because this flaw did not occur in other TCL models we tested previously. We are therefore dealing with a clear software oversight, which, hopefully, will be fixed in a future update.

When it comes to sound, the TCL A300W – like its competitors – sounds quite... flat, after all, we are talking about a super slim TV. For everyday watching of news or series, this level is completely sufficient, but during movie screenings, it may clearly lack depth and space. On the plus side, it’s worth noting that the TV supports both Dolby Atmos and the increasingly rare DTS:X – which provides more options when connecting an external audio system. It’s also worth mentioning that the A300 PRO model is equipped with a dedicated, flat soundbar. And it's no ordinary one – it sounds better than most of the TVs we tested.

In terms of the built-in audio system, the TCL P7k/P79k presents a level that can be described as functional and correct, but lacking audiophile ambitions. The speakers play quite loudly, and dialogues in movies and TV shows are conveyed clearly and without distortion, which is crucial in everyday use. However, the soundstage definitely lacks a foundation in the form of low tones. This is a direct consequence of the absence of a dedicated subwoofer – an element that in the higher P8K series, with a large Onkyo subwoofer at the back of the cabinet, defined the strength of its sound. Here, that element is simply missing, making the sound seem flatter and lacking the depth that creates a cinematic atmosphere. We also noticed a peculiar feature in the software – when trying to set the maximum volume, the TV automatically reduces it. It's hard to conclusively determine whether this is a form of protection against distortion or a minor software bug; nonetheless, it's a pity, as the power reserves seem to be somewhat greater.

TCL A300W NXTVision vs TCL P7K / P79K

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Smart Features – the Power of Google TV

Classic Features

Playing files from USB

Apps

Sound