LG NANO82T6B vs Hisense E7NQ PRO

The brightness of the LG NANO82T is rather average, especially compared to other TVs in a similar price range. With a peak brightness of approximately 280 nits, it falls short of many competitors offering levels exceeding 400-500 nits. This limitation impacts the viewing experience, particularly for HDR content. Bright areas of the image may lack definition, and the HDR effect fails to deliver the dramatic impact expected from higher-end displays, making the overall image less striking in well-lit scenes.

Based on the luminance chart, which indicates around 550 nits, it can be considered that Hisense E7NQ PRO theoretically has the potential to somewhat "enchant" us with its HDR image. While testing various scenes, we noticed that the TV continually tries to balance maintaining adequate brightness and preserving the deepest blacks. In favourable conditions – for instance, during a scene from "The Meg," where the screen is flooded with bright light – this brightness impresses. At such moments, we feel that HDR actually adds that "something" to the image. Unfortunately, when more challenging shots appear on the screen with small, bright elements against a dark background, the situation looks much worse. The brightness then drops to 200-300 nits, too little to distinguish HDR from regular SDR.

It's clear that the TV is trying, but hardware limitations – primarily the small number of local dimming zones – prevent it from fully spreading its wings. The result can therefore be quite uneven and just as average as in the contrast tests. However, it deserves credit for the impressive coverage of the DCI-P3 colour gamut at 97%. This allows the TV to showcase a wide range of colours, which, in the right scenes, can give us at least a taste of the true HDR effect. It’s a pity that the overall experience isn’t complemented by better brightness and contrast.

The colour reproduction in the LG NANO82T in Filmmaker mode, while the best factory setting available, does have flaws. The primary issue lies in white balance, where measurements reveal a drop in the level of blue. This shifts towards yellow hues, making the image warmer than intended. Such deviations prevent natural colour reproduction, especially in scenes with white or neutral backgrounds. For instance, in Star Wars, where numerous elements should appear white, the colours deviate noticeably. The Color Checker test corroborates this, showing some shades "escaping" into others, further highlighting the lack of accurate colour rendering.

In terms of contrast, the gamma graph analysis showed a drop to 2.1, falling short of the optimal 2.4. This leads to darker parts of the image appearing brighter, reducing depth and dynamism. Additionally, the EOTF curve, which governs brightness reproduction, shows a slight spike at the start. This can result in an excessive brightness boost in the brightest areas, causing a loss of detail in very bright scenes.

When we took our copy of Hisense E7NQ PRO out of the box, we immediately started checking the available picture modes. Among them, the Filmmaker mode seemed the most promising, although it was not without flaws. With standard SDR content, we noticed a clear tendency for an excessive boost in red, which caused the image to appear unnaturally warm. This is particularly evident in the comparison photo included below. On the other hand, when we switched to HDR content, the situation went in the opposite direction. This time blue was dominant, and red was scarce, giving a cool effect, at times even a somewhat "store-like" impression — although not as drastic as in those modes that are actually intended for displaying in exhibitions. As a result, in our colour reproduction tests, these imbalances in colour balance led to significant errors.

Additionally, the TV had issues with rendering brightness characteristics. At lower resolutions, it clearly brightened the darkest elements of the image, and with HDR content, the brightness curve (eotf) did not want to align as it should. Initially, the TV excessively darkened the smallest details and then overly brightened larger areas. Fortunately, the E7NQ PRO provides us with plenty of calibration tools, so knowing the potential, we decided to take matters into our own hands and try to set it up to eliminate these issues.

After calibration, the colour reproduction in SDR content on the LG NANO82T is impressive. The white balance has been effectively corrected, resulting in natural, balanced tones across various scenes. Gamma adjustments ensure more precise rendering of details in shadows and bright areas, enhancing the viewing experience. These improvements allow the television to perform well in everyday use, delivering solid colour accuracy and well-balanced images in SDR mode.

Unfortunately, the situation with HDR content is less satisfactory. The TV lacks support for a wide colour gamut, limiting the depth and richness that HDR can achieve. The EOTF curve deviates from the ideal, leading to overemphasis on details in brighter areas. This causes noticeable colour reproduction errors, as confirmed by Colour Checker tests. Additionally, the panel's low brightness further hampers HDR image quality, diminishing dynamic range effects and causing colours to appear washed out.

Overall, the TV significantly improves after calibration, particularly in SDR mode. The enhancements to white balance and gamma elevate image quality, offering more natural and cohesive colour reproduction. Compared to its pre-calibration state, the difference is evident, and the television now performs noticeably better in standard dynamic range scenarios.

Thanks to the tools available in E7NQ PRO, we managed to squeeze a quite decent image out of it, especially in the case of lower-quality content. After fine-tuning the white balance of the SDR materials, the colours look much more natural, and what we see on the screen seems closer to the vision the manufacturer intended to present. Additionally, we improved the brightness characteristic (Gamma), causing the TV to no longer have a tendency to over-brighten, and everything looks significantly better than before our intervention.

In HDR materials, we also managed to achieve some results, although it is not as rosy here. Indeed, the white balance has approached an acceptable level, but the problem lies elsewhere. It concerns the EOTF curve, which is how the TV manages the brightness and tonality of the image. At first glance, it might seem that the biggest issue pertains only to the mid-tones of the image, which are overly illuminated. However, after more detailed testing and enabling filters to display the EOTF curve, it is evident that the receiver tends to brighten the entire screen. This appears to be a limitation arising from the small number of local dimming zones and generally modest brightness management capabilities. Such hardware limitations are simply insurmountable. After our calibration, however, the image is noticeably better than at the start. One just needs to be aware that in terms of contrast and brightness management, this model has its limits, which even good calibration cannot fully overcome.

The LG NANO82T features a "Smooth Gradation" option for handling tonal transitions in low-quality materials. The "Low" setting improves the most problematic transitions, providing a noticeable and helpful enhancement. However, the "High" setting, while further smoothing tonal transitions, sacrifices some detail in the process. This can be a compromise that not all viewers will appreciate.

The image scaling on the LG NANO82T has some limitations, particularly when displaying lower-resolution content. The TV applies a subtle artificial sharpening, which makes the image appear sharper, but this effect is mainly due to artificial contours. Some users may find this beneficial, as it highlights details more prominently, but for others who prefer a more natural image, it may appear overly processed and artificial. This is a subjective preference that varies from viewer to viewer.

Unfortunately, the "smooth and gradient image" feature in Hisense E7NQ PRO does not impress when it comes to smoothing tonal transitions in lower-quality materials. At the lowest setting, the change is hard to notice—it's more of a cosmetic improvement. Switching to "Medium" mode already provides a noticeable effect, but it still isn't anything special. In addition, the television starts to excessively interfere with other image elements, which can look unnatural.

Image scaling is also rather average. On the test screen, where a portrait of a model and text are displayed, slightly jagged edges can be seen, which makes the overall presentation less smooth and aesthetically pleasing than we would expect in this class of device. It's simply hard to speak of truly effective enhancement of lower resolution quality here.

LG televisions, including the NANO82T, come with an interesting motion smoother called TruMotion providing users with control over the quality of films they watch. The TruMotion feature allows adjustment of the motion fluidity on a 10-point scale, offering a personalised visual experience.

However, when it comes to more dynamic content, such as games or action films, the performance falls short. With its 60Hz panel and relatively slow pixel response, motion fluidity is less than ideal. This results in noticeable trailing and less smooth playback during fast-paced scenes.

Overall, the LG NANO82T is a good option for those who primarily watch movies and prefer more subdued content. Viewers who prioritise fast, dynamic motion, may prefer an alternative model.

Thanks to its 144 Hz panel, the E7NQ PRO performs excellently with almost every type of content. Whether we are watching fast-paced matches, dynamic games, or action movies, the fluidity of motion leaves a good impression. For movies, the manufacturer has equipped the TV with two key tools: "motion blur reduction" and "judder reduction." Each of these functions can be adjusted on a scale from 1 to 10.

At lower values, the processing is subtle, barely noticeable, and gently smooths motion without ruining the cinematic character of the image. The higher we move up the scale, the more clearly the TV intervenes in the presented material, smoothing motion more forcefully, thus minimizing any stutter or micro-cuts. On the other hand, the highest settings may resemble the so-called "soap opera effect," which makes the image look overly smooth, losing some of its cinematic atmosphere. However, with such a scale, we can find the golden mean, adjusting the fluidity of motion to our own preferences.

When playing on the console, the LG NANO82T offers several features that can enhance the gaming experience, though it also has some limitations. Notably, the ALLM (Auto Low Latency Mode) feature stands out, automatically adjusting picture settings to switch the television to low latency mode, which is especially beneficial for gamers requiring quick reactions. Another advantage is the support for HGiG (HDR Gaming Interest Group), ensuring HDR games are displayed as intended by the creators and providing vibrant and realistic visuals. These features contribute to a solid gaming experience, but there are some drawbacks, particularly in fast-paced scenes.

The LG NANO82T has limitations when it comes to advanced gaming features. It lacks support for variable refresh rate (VRR), which affects gameplay smoothness, especially in more dynamic games. The TV's 60Hz panel restricts the ability to use higher refresh rates, a significant downside for gamers seeking smoother gameplay at higher resolutions. Additionally, the absence of G-Sync technology limits image synchronisation, potentially leading to tearing and stuttering during gameplay.

These limitations mean that while the LG NANO82T offers a good gaming experience for casual gamers, it may not meet the expectations of more demanding players seeking advanced features and maximum image fluidity.

These shortcomings may mean that the LG NANO82T does not meet the expectations of the most demanding gamers looking for advanced features and the highest image fluidity.

If you enjoy switching on your console and immersing yourself in games for hours, the E7NQ PRO is sure to make a strong impression. With its 144Hz refresh rate, gameplay feels impressively smooth, while support for HDMI 2.1 and VRR prevents screen tearing, even during the most action-packed moments. Additionally, ALLM automatically applies the lowest latency as soon as you switch to your console, so there’s no need to tweak the settings manually.

A major plus is the ability to play games in Dolby Vision, enhancing colours and contrast for a more vibrant experience. Hisense has also included a user-friendly game bar, allowing you to monitor key performance stats and adjust settings without leaving the game. The only real drawback is the absence of HGIG support. While not essential, some gamers may miss it if they’re looking for the most accurate representation of a game’s intended visuals. That said, in practice, the E7NQ PRO delivers an excellent gaming experience that’s smooth, responsive, and enjoyable.