LG UA75006LA (VA) vs TCL C69K / Q6C

LG UA7500 with a VA panel has brightness peaking around 350 nits, which, by today's standards, isn't very impressive. It's hard to talk about a true HDR experience here – most content looks more like classic SDR with a slight attempt to boost highlights. One advantage is that regardless of the test content, the effect remained relatively stable. However, we noticed that in very extreme scenes with a lot of fine details, the television can slightly dim the image in order to achieve better blacks, but this comes at the expense of the visibility of bright effects. On the downside, it should be noted that the UA7500 is not equipped with any additional technologies to expand the colours. It's neither a QLED panel nor PFS LED, which means the coverage of the DCI-P3 colour gamut is just 80%, making many HDR films look flat and failing to capture the full diversity of colours.

In terms of brightness, TCL C69K / Q6C is a moderate model. In optimal movie conditions, it shows its full potential, reaching a maximum of around 600 nits. In scenes with large, intense light sources, the HDR effect can be truly satisfying, giving a cinematic glow. However, it's important to keep in mind that when managing the backlight zones, there are situations where parts of the image are dimmed, and at times become barely visible. This suggests that there is still a lack of proper optimization of the algorithms, although considering the technical parameters in this price range, the overall construction still looks very good.

The Filmmaker Mode on the LG UA7500 performs better than one might expect from such a budget TV, but let's not get carried away with the praise. The image is reasonably well put together and at first glance doesn't irritate, however, its weaknesses quickly start to emerge. This is most apparent in scenes with bright points – lamps in the background or reflections of light on the skin are clearly exaggerated. Faces of characters often look unnatural, as if they have been "burned out." Additionally, the default gamma setting brightens the smallest details and causes the image to lose subtlety in the darker areas. That said, for its price range, the UA7500 in factory mode offers a pretty decent starting point. However, it is clear that without additional adjustments, these issues cannot be avoided, which is why – similar to other TVs – we decided to check what could be achieved after calibration.

The Filmmaker Mode, which has been introduced in this year's TCL TVs (including the C69K / Q6C), is definitely the best choice "to start with". This is the mode we recommend for everyday movie and series viewing. Unfortunately, as is often the case, best does not mean perfect. In SDR materials, the image turned out to be too warm, with a strong red tint in the white balance. The opposite impression was had with HDR content – here the image became cooler than it should have been, due to an excess of blue. Additionally, there is the brightness characteristic, which at times resulted in overexposures. In practice, this translated to fairly noticeable errors in color tests, which is difficult to accept in a mode branded as "by the creators".

The biggest improvement we noticed was while calibrating the mode designed for daily SDR content. We managed to smooth out the white balance in an acceptable manner and tackle the issue of excessive brightening of small elements due to the gamma characteristic. As a result, the image gained the consistency and naturalness that was lacking in the factory settings. After such correction, we can confidently state that for everyday TV content, programs, or materials from YouTube, the LG UA7500 performs really well – especially after professional calibration. The situation looks a bit different for HDR content. Here, calibration helped to tame the white balance and slightly improved brightness management, but the limitations of the design are immediately apparent. The lack of additional filters to expand the colour palette means that the most vivid colors appear flat, and the image lacks the intensity we would expect from good HDR. So, in SDR, the UA7500 performs quite well, but in HDR – despite corrections – it remains far behind, and this is a characteristic that one must accept when choosing this television.

Through white balance adjustment, we were able to significantly reduce the tendency of ChooseTV C69K / Q6C to distort colours, which resulted in a very good final outcome. After calibration, the problem of excessive warming of scenes in SDR and over-cooling of the image in HDR disappeared. However, it's worth analysing the brightness characteristics more closely. While in SDR content there are few complaints – the picture looks really good, especially in older films, TV programmes, or on YouTube – it performs much worse with HDR content. Analysis of the EOTF curve suggests that everything is fine, but in practice (EOTF in films), the limitations of the actual construction become evident. This model tends to excessively brighten small parts of the frame, while in other situations, it darkens the entire scene too much. The effect of calibration is therefore undeniable, and in terms of colourimetry, ChooseTV C69K / Q6C gains a lot. Unfortunately, certain limitations arising from local dimming management simply cannot be bypassed.

LG UA7500 with a VA panel has shown itself in this category in a really good light. Image scaling from Full HD or even SD materials was surprisingly smooth. The picture looked smooth, edges were not overly jagged, and the television maintained a good amount of detail, ensuring that even older films did not lose their character. It particularly excelled with faces – there were no artificial contours or "mask" effects, which often occur in cheaper models. The way the television handled tonal transitions in lower quality materials is also noteworthy. Thanks to digital processing, colours did not bleed into one another, and gradients looked natural and smooth. There was no question of intrusive smoothing of the image or loss of cinematic grain. This makes the UA7500 great for everyday content – from free-to-air television, to sports matches, all the way to YouTube, where we often watch materials in various resolutions.

In terms of image scaling, TCL C69K / Q6C performs quite well. Lower quality content is presented acceptably, and due to the lack of overscan issues, the image is displayed in full without any cropping. However, don’t expect miracles – materials of very low quality won’t gain a second life here, as the image processor has its limitations.

On thin lines and details, there is noticeable jaggedness, which reveals the lack of more advanced image enhancement algorithms. It's also a shame that the C69K / Q6C lacks a feature for smoothing tonal transitions. As a result, in older films or video materials, color banding can be visible and may become distracting during extended viewing.

LG UA7500 is a TV with a 60 Hz panel, so it’s hard to expect any raving reviews in this category. It’s more of a screen meant for everyday content or an evening movie session rather than for following dynamic sporting events or playing action games. It's evident that the manufacturer targeted this model precisely at this group of consumers – and in that regard, it performs adequately. We get the TruMotion function, which is a motion smoother. It’s simple, has only one slider, but it can make a noticeable difference. In the lower range, the image looks more raw and cinematic, while at higher values, the motion becomes smoother and more pleasant to the eye.

The use of a 144 Hz panel in TCL C69K / Q6C is a significant advantage in this price range. This represents an important step forward compared to its predecessor (C655 PRO), which only offered 60 Hz at 4K. The difference is particularly noticeable when watching sports or gaming – the ball, players, and dynamic action in games are displayed more clearly and without losing detail. An interesting feature is also the panel's ability to operate at 240 Hz (which the manufacturer does not officially mention) – we will revisit this topic in relation to the PC gaming mode. TCL has also added a feature for movie fans: “Motion Clarity.” This allows users to adjust the picture to their own preferences using two simple sliders. We can either leave the visible film frame or opt for a very smooth one, "

LG UA7500 is a TV that can be comfortably recommended to "Sunday" gamers. While it doesn't feature a 120 Hz panel or HDMI 2.1 ports, meaning it can't fully utilise the potential of modern consoles, the manufacturer has included a few extras that can enhance the gaming experience. The Game Bar deserves a special mention – a very nicely designed panel where you can quickly view and change the most important settings. From this interface, we have access to features like ALLM (Automatic Low Latency Mode) and frame synchronization, also known as VRR. The range of VRR is limited – working from 48 to 60 Hz – but the mere presence of this feature in such an affordable TV is impressive.

Additionally, it supports HGiG, which is a mode for HDR calibration for gaming. It sounds good, but from our testing experience, we know that for the UA7500, this option isn't very practical. The TV doesn't handle HDR very well, so ironically, we achieved better results with this mode turned off. This is another indication that the UA7500 is more of a screen for casual gamers who value simplicity and convenience, rather than for those seeking a full experience with the latest consoles.

TCL C69K / Q6C is a television that can confidently be called equipment designed for gamers. Here we have 4K at 144 Hz, VRR support, automatic game mode (ALLM), and Dolby Vision Gaming. Additionally, there's a practical Game Bar, which is a panel with the most important settings within easy reach – handy when we want to change something quickly during gameplay (e.g., aspect ratio: Yes, it can be done!). The wide range of VRR, reaching up to 240 Hz, is noteworthy. However, this option is mainly for PC gamers looking to go below native 4K resolution. In this case, the television can spread its wings and show additional smoothness, particularly in fast e-sport titles. For consoles, we stick to the standard limit of 120 Hz, but even so, the possibilities are truly extensive. The only minor criticism is slight ghosting that can sometimes be seen in dynamic scenes. Other than that, C69K / Q6C offers everything gamers expect from a television.