LG NANO82T6B vs Hisense E7NQ PRO

The brightness of NANO82T, to be honest, is quite average, especially when compared to alternatives in a similar price range. With a maximum brightness of around 280 nits, it is not among the highest and may affect the overall viewing experience of HDR content. While many TVs in this price class offer brightness above 400-500 nits, LG NANO82T may seem less impressive. As a result, details in bright areas of the image may be less distinct, and the HDR effect is not as spectacular as one might expect.

Based on the luminance chart, which indicates around 550 nits, it can be considered that Hisense E7NQ PRO theoretically has the potential to somewhat "enchant" us with its HDR image. Testing various scenes from movies, we noticed that the television continually tries to balance between maintaining appropriate brightness and preserving the deepest blacks. In favourable conditions – such as in a scene from “The Meg”, where the screen is flooded with bright light – this brightness can indeed impress us. At such moments, we feel that HDR actually adds that "something" to the image. Unfortunately, when difficult shots with fine, bright elements on a dark background appear on the screen, the situation looks much worse. Brightness then drops to 200-300 nits, which is definitely too little to really distinguish HDR from standard SDR.

It is clear that the television is trying, but the hardware limitations – mainly the small number of local dimming zones – prevent it from fully spreading its wings. The end result can therefore be quite inconsistent and as average as the contrast tests. On the plus side, it deserves credit for its impressive coverage of the DCI-P3 colour gamut at 97%. This allows the television to present a truly wide range of colours, which, in the right scenes, can give us at least a glimpse of the real HDR effect. It’s just a shame that the whole picture isn't complemented by better control of brightness and contrast.

The colour reproduction in LG NANO82T in Filmmaker mode, which is the best mode available from the factory settings, is not without its flaws. The primary issue is the white balance, where the graph shows dips in the blue colour level. This phenomenon results in a shift of colours towards yellow shades, causing the image to appear warmer than it should. Such deviation means that the colours on the screen are not naturally reproduced, which can be particularly noticeable in scenes with white or neutral backgrounds. For example, the image below from the movie "Star Wars," where there are a lot of elements that should be white. The Color Checker test confirms that some colours are "shifting" into other shades, indicating that the TV does not display colours accurately.

In terms of contrast, the gamma graph analysis showed drops to a level of 2.1, while the optimal value should be 2.4. This means that the TV might display darker areas of the image brighter in certain scenes, reducing their depth and dynamism. Additionally, on the EOTF curve, which is responsible for brightness reproduction, a slight spike was noticed at the beginning. This phenomenon may result in excessive boosting of brightness in the brightest parts of the image, leading to a loss of detail in very bright scenes.

When we took our copy of Hisense E7NQ PRO out of the box, we immediately started checking the available picture modes. Among them, the Filmmaker mode seemed the most promising, although it wasn't without its flaws. With standard SDR content, we noticed a clear tendency to overemphasise red, making the picture appear unnaturally warm. This was particularly evident in the comparison photo attached below. Conversely, when we switched to HDR content, the situation took a turn in the opposite direction. This time, blue was dominant, and there was hardly any red, resulting in a cool, at times almost "store-like" appearance — although not as drastic as in modes specifically designed for showcasing in displays. As a result, in our tests assessing colour reproduction, these disturbances in colour balance led to significant errors.

Additionally, the television had trouble reproducing brightness characteristics. At lower resolutions, it clearly brightened the darkest elements of the image, and with HDR content, the brightness curve (eotf) simply wouldn't align as it should. Initially, the television excessively darkened the smallest details, only to then over-brighten larger areas. Fortunately, the E7NQ PRO provides us with a lot of calibration tools, so knowing there was potential within it, we decided to take matters into our own hands and try to set it up to eliminate these issues.

After calibration, the colour reproduction in SDR content on LG NANO82T is very good. The white balance has been effectively improved, resulting in natural and balanced hues across various scenes. The gamma has also been adjusted, providing more precise detail representation in both shadow and highlight areas of the image. Thanks to these corrections, the television performs excellently in everyday use, offering solid colour quality and clear, well-balanced images in SDR mode.

However, in the case of HDR content, the situation is not as good. The television does not support a wide colour gamut, limiting the depth and richness of colours that HDR can offer. The EOTF curve diverges from the ideal, leading to excessive highlighting of details in the bright areas of the image. Unfortunately, this approach results in significant colour reproduction errors, as confirmed by tests on Colour Checker. The low brightness level of the panel further negatively impacts HDR image quality, causing the dynamic range effects to not be fully realised, and colours appear washed out.

The television significantly improved after calibration, especially in SDR content. The improvement in white balance and gamma has greatly enhanced image quality, providing a more natural and consistent colour reproduction. Compared to the state before calibration, the difference is clear, and the television now offers better performance in daily use, particularly in standard dynamic range.

Thanks to the tools available in E7NQ PRO, we've managed to squeeze a pretty decent image out of it, especially with lower quality content. After fine-tuning the white balance of the SDR materials, the colours look much more natural, and what we see on the screen seems closer to the vision the producer intended to present. Additionally, we've improved the brightness characteristics (Gamma), so the TV no longer tends to over-brighten, and everything looks noticeably better than before our intervention.

With HDR materials, we also achieved some improvements, although it's not as rosy here. Yes, the white balance has approached an acceptable level, but the problem lies elsewhere. It's about the EOTF curve, which is how the TV manages brightness and tonality of the image. At first glance, one might think that the biggest issue concerns only the mid-tones, which are overly brightened. However, after more detailed testing and activating the EOTF curve visualisation filters, it becomes clear that the receiver has a tendency to brighten the entire screen. This seems to be a limitation due to the small number of local dimming zones and generally modest brightness management capabilities. Such hardware limitations are simply insurmountable. Nonetheless, after our calibration, the image is noticeably better than at the start. One just needs to be aware that in terms of contrast and brightness management, this model has its limits, which even a good calibration cannot fully overcome.

If it comes to gradation in very low-quality materials, LG NANO82T gives us the option of a feature called "Smooth Gradation". In the "Low" setting, this feature slightly improves the most problematic tonal transitions, which is noticeable and useful for such content. In the "High" setting, it works even more effectively, enhancing tonal transitions, but at the cost of smoothing out details that shouldn't be smoothed. This is a compromise that not all users will appreciate.

When it comes to image scaling, NANO82T is not without certain limitations, particularly when playing content at lower resolutions. The television applies a gentle, artificial sharpness boost, making the image appear sharper. This effect mainly results from the overlay of artificial contours. For some users, this may be beneficial, as they prefer more pronounced and highlighted details. However, for those who value the naturalness of the image, this effect may be less attractive and too artificial. It’s a subjective issue that can impact viewers differently, depending on their visual preferences.

When it comes to the tonal transition smoothing function in lower quality materials, the “smooth and gradient image” feature in Hisense E7NQ PRO unfortunately does not impress. At the lowest setting, the change is barely noticeable – it's more of a cosmetic improvement. Switching to “Medium” mode does produce a noticeable effect, but it's still nothing special, and the TV starts to excessively interfere with other elements of the image, which can look unnatural.

Image scaling is also rather average. On the test screen, where a portrait of a model and text are displayed, there are slight frays at the edges, making the overall presentation less smooth and aesthetic than we would expect in this class of device. It's just hard to talk about really effective improvement of lower resolution quality here.

LG televisions, including the NANO82T, offer an interesting motion smoothing feature called TruMotion, which will satisfy most users who value control over the quality of the films they watch. The TruMotion function allows users to adjust the smoothness of the displayed films according to their preferences on a 10-point scale, enabling a personalised visual experience.

However, in the case of more dynamic scenes, such as games or action films, the television performs worse. The 60Hz panel and relatively slow pixel response times mean that motion clarity isn't ideal. The result is noticeable blurring and less smooth playback of fast scenes.

Overall, the LG NANO82T should satisfy those who primarily watch films and prefer more subdued content. However, for those who value dynamic, fast motion, we recommend looking for an alternative.

Thanks to the use of a 144 Hz panel, E7NQ PRO performs exceptionally well with almost any type of content. Whether we're watching fast-paced matches, dynamic games or action films – the fluidity of motion leaves a good impression. When it comes to movies, the manufacturer has equipped the TV with two key tools: “motion blur reduction” and “judder reduction.” Each of these functions can be adjusted on a scale from 1 to 10.

At lower values, the processing is subtle, barely noticeable, and gently smooths motion without ruining the cinematic character of the image. The higher we move up the scale, the more clearly the TV interferes with the presented material, smoothing motion more aggressively, thereby minimising any judders or micro-cuts. Conversely, the highest settings can resemble the so-called “soap opera effect,” which makes the image look overly smooth, slightly losing its cinematic atmosphere. Thanks to this scale, however, we can find a happy medium, adjusting motion fluidity to our own preferences.

While gaming on the console, LG NANO82T offers a range of features that can significantly impact the gaming experience, though it also has some limitations. Among the advantages, it is worth mentioning the ALLM (Auto Low Latency Mode) feature, which automatically adjusts picture settings by switching the TV to low latency mode. This is particularly beneficial for gamers who need a quick response to their actions. Another plus is the support for HGiG (HDR Gaming Interest Group), as HDR games are displayed according to the creators' intentions, providing realistic and vivid visual effects. These features make the LG NANO82T offer a good gaming experience, although some aspects could be better, especially in dynamic scenes. Unfortunately, LG NANO82T has its limitations when it comes to gaming features. It lacks support for variable refresh rate (VRR), which can affect the smoothness of gameplay, especially in more dynamic games. The TV has a 60Hz panel, preventing the use of higher refresh rates. This is a significant drawback for gamers who expect smoother gameplay at higher resolutions. Additionally, the lack of G-Sync support limits image synchronization capabilities, which can lead to tearing and stuttering in games.

These shortcomings may mean that the LG NANO82T does not meet the expectations of the most demanding gamers who are looking for advanced features and the highest image smoothness.

If we sometimes like to turn on the console and immerse ourselves in the world of games for long hours, E7NQ PRO can make a really good impression. Thanks to the 144 Hz refresh rate, the gameplay is surprisingly smooth, and support for HDMI 2.1 and VRR ensures that the image doesn't "tear" even during the most dynamic actions. Additionally, there's ALLM, which automatically sets the lowest latency as soon as we switch to the console – so we don’t have to fiddle around in the options ourselves.

A big plus is also the ability to launch games in Dolby Vision, which makes colors and contrast simply look better. Hisense has also included a clear "gamebar," allowing us to continuously monitor the key parameters and change settings without leaving the game. The only thing we might slightly regret is the lack of HGIG support. It may not be a crucial element, but for some gamers, it can matter if they aim for the most faithful reproduction of the creators' vision. Nevertheless, in practice, the E7NQ PRO performs excellently and delivers truly enjoyable gaming experiences.